I’m gonna open up this next review with a simple comparison, a comparison that’s going to date me something fierce, but it’s just so spot on. And I can’t get it out of my head, so here goes: Laurie Anderson meets The Lilac Time. Old and obscure, unfortunately. Like Anderson, Thorpe’s rich, multi-layered vocals playfully haunt your brain as they weave back and forth between your ears (headphones strongly encouraged) and the banjo and tempo remind me of the upbeat moments of Stephen Duffy’s work with The Lilac Time. Of course my 16-year old thinks this track sounds like Mumford & Sons, but he’s never heard Peggy Honeywell. Thorpe is literate, politically astute, and crafts siren songs around her dreams and visions with everything from a synth to a ukulele. The results will brighten your day as does her album’s sparse, bold cover.
Daphni
Daphni is the new project of Caribou’s Dan Snaith. JIALONG (JOW-long), his debut release as Daphni, is out now on Merge Records.
As Daphni, Dan set out to record a more spontaneous album, without the careful attention to detail that goes into a Caribou release. The results are just as Snaith intended, a loose, spontaneous album perfect for the dance floor. Enjoy.
Daphni – Ye Ye from JIALONG (2012)
Daphni – Pairs from JIALONG (2012)
Wazu
Don’t judge this album from its cover. Wazu’s music is stronger and more confident than their over-wrought Art Deco and ’80s brushstroked cover. And yes, the opening track to Wazu’s debut album plays like a lost recording from the Black Celebration sessions. They owe a lot to a handful of chaps from Basildon, England for the sound and name, but Wazu are no retro-plagiarists. They depend more on guitars and add a distressed sound to the synths. Their back-and-forth boy/girl vocals soften the darker tones and harsher industrial flourishes. Or you could say Wazu fleshes out the sensibilities of the xx, amps up the tempo and fills in the gaps with big, dance-floor beats. The band released their debut full-length Robobo earlier this year on Halloween, but this thing’s got legs to last well into 2013. It’s a great album for any retro-fetishists, or for anyone in the mood for a sultry, dark and smoky, dance album. So let me cut all the reviewer and critic nonsense, crank this album back up and encourage you to do the same. Revised 12/19/12.
Wazu – Symbol System [MP3]
http://vimeo.com/51010785
Mark Lanegan Band
I love Screaming Trees. One of my favorite concerts was seeing them with Poster Children back in 1993. They are one of those bands that I can go back to and never be disappointed.
Mark Lanegan, the former singer of Screaming Trees has always been busy releasing solid solo albums, even during his time with the Trees. Along with his solo work, he has released albums with former Belle & Sebastian member Isobel Campbell, and The Twilight Singers’ Greg Dulli under the name The Gutter Twins. His latest release, Blues Funeral, on 4AD is another notch on the “solid solo release” belt. The music is dark and powerful, and his voice is as smokey and gravely as ever. Have a listen to “The Grave Digger’s Song” below. Whether you were a fan of the Screaming Trees before or just hearing of Mark now, you will enjoy this song.
Mark Lanegan Band – The Grave Diggers Song from Blues Funeral (2012)
King Loses Crown
Darker than Devo, faster than Depeche Mode, denser than Killing Joke, but sharing the apocalyptic atmosphere of those artists, San Francisco trio King Loses Crown releases their new single today, “My Revenge.” We reviewed an earlier demo version of this song a few years back, but the band has since added a member, beefed up production and further honed their sound. And as luck would have it, their sonic assault met its visual match in visual effects director Jim Mitchell (Harry Potter, Sleepy Hollow, and Jurassic Park III). Mitchell directed the video, also released today, a documentary style, sci-fi look into the future where our technology catches up with us and our darkest impulses.
It’s not everyday that a full-fledged Hollywood filmmaker produces the video for an emerging band, so I checked in with Mitchell to see why he decided to get involved with King Loses Crown. He told me that a friend invited him to see the band at the Elbo Room and he was “blown away by the intensity and energy of their songs.” Mitchell had been developing a robot character and when he heard “My Revenge” he realized the song’s theme was “similar to what [he] was imagining for the world of the character.” He edited a few of his robot animations to the song and “couldn’t believe how it just seemed to naturally sync up like they were meant to be together.” The band agreed. So do I. You probably will too.
My Revenge from You Can’t Escape EP, February 2013
Hot Sushi Club
I know sushi rolls aren’t really sushi. I get it. I respect it. On my block there’s a sushi place that flat out doesn’t serve rolls. They won’t have anything to do with desecrating the simple beauty of fish on rice. I also respect our western notion of wrapping up fish in a slathering of mayonnaise, deep frying it until it’s delicately golden, chopping it up and dousing it with Sriracha, or any combo of the three. My favorite sushi roll in the world is the Bungee Roll from a place called Sushi 21 on the Newport Beach peninsula. It begins with a slab of cream cheese, a stalk of asparagus, and a row of avocado rolled up in nori and rice. Spicy salmon is piled on top, then the roll is baked and topped with sweet eel sauce and a sprinkling of sesame seeds. It’s at once hot, sweet, savory, and soft with a gentle snap of the asparagus. I wanna jump up on to the sushi bar and dance a jig of delight every time I take a bite, or every time I even think about taking a bite.
It should be more than obvious at this point what I started dreaming about as soon as I saw the words Hot Sushi Club hit my inbox. The added bonus is that this brand new band out of Karlsruhe, Germany is as tasty as the Bungee Roll itself. They’re a little bit Hot Chip, sweet like Phoenix, and completely danceable. They give off that same air of giddiness I enjoy when my belly’s full of Bungee. And they’re as generous as the kind sushi chef that hooks you up with a good salmon cheek or sweet shrimp. Their debut EP is available in full, free of charge. Enjoy!
Hot Sushi Club – EP (full download)
Peoples Temple
It’s probably obvious from most of my posts this year that I have been smitten by the resurgence of 60’s style garage and psych rock. Michigan’s own Peoples Temple (or The Peoples Temple) are no exception. Sounding like they traveled through time to the 21st century after wrapping up a summer tour in 1967 with Love. Peoples Temple recently released their second full length album, More For The Masses, with Hozac Records. We have two songs for your listening pleasure below, “Looter’s Game” and “Loose (Fire)”, both from their new album and both killer examples of their psyched out sound. Get comfortable and give these songs a listen. Enjoy.
Peoples Temple – Looters Game from More For The Masses (2012)
Peoples Temple – Loose (Fire) from More For The Masses (2012)
Ghost Lights
Ghost Lights make perfect music to fall asleep to. And I mean that in the best possible way and not because I’m in bed snuggled up to my laptop. The subdued yet lush instrumentation hits you like a muscle relaxant and you’re off to dreamland. The effect isn’t accidental. The artist behind Ghost Lights, Noah Cebuliak, disappeared into Canada’s wilderness and discovered emotions that can’t be transmitted by mere words or waking logic. Who is the Canadian equivalent of Thoreau? I nominate Cebuliak (Canada’s answer to Neil Halstead at least). He went into the woods, with a guitar, to see if he could learn what it had to teach. These songs are his lessons learned and the only way you’re gonna benefit from them is by checking out of the rat race, unplugging, and letting yourself drift toward the lights, the Ghost Lights…
Mac DeMarco
Here is another great find from the Captured Tracks label, Mac DeMarco. Mac is out of Vancouver, British Colombia. He just released his first proper full length album, 2, back in October, and a 12 song EP called Rock and Roll Night Club earlier this spring. 2 is an excellent album, and I highly recommend it. The streaming track below, “My Kind of Woman”, from the album 2, with it’s jangly guitar and almost soft-spoken vocal delivery, is a great example of the entire album’s sound. Enjoy.
The Super Vacations
My introduction to the Super Vacations came by way of a 7″ split that I received in the mail. I hadn’t heard of either band on the split, and had no idea what to expect when I put the needle down. The driving rhythms and psych-tinged guitar instantly grabbed my attention. I was pleasantly surprised, and blown away by The Super Vacations. They released their 3rd full length album, Heater Pt. II, with Funny / Not Funny Records back in September. Check out the two songs below from this release, “Controller”, and “El Ray”, then hurry over to F/NF‘s site and get you a copy before they are all gone.
The Super Vacations – Controller from Heater Pt. II (2012)
The Super Vacations – El Ray from Heater Pt. II (2012)