Prefuse 73

Prefuse 73 | Vast Wildlife Poison | 3hive.com
Prefuse 73 | Vast Wildlife Poison | 3hive.com

Pioneering electronic musician and producer Prefuse 73 — aka Guillermo Scott Herren — is following up his latest album, New Strategies for Modern Crime Vol. 1 (released in March), with New Strategies for Modern Crime Vol. 2, which is set to be released at the end of June via Lex Records.

His latest single, “Vast Wildlife Poison,” (below) is a groovy, bass-heavy, jazz-tinged three-and-a-half minutes that could be plugged into any 1960’s French spy movie. Enjoy.

Aesop Rock

Aesop Rock | Integrated Tech Solutions | 3hive.com
Aesop Rock | Integrated Tech Solutions | 3hive.com

Ian Matthias Bavitz, more commonly known as Aesop Rock, is a NYC native and a pillar in the underground hip-hop scene. He’s been making music and doing it in a way that’s sustainable and submented in legend for the way he has done it. His projects have dabbled in chart success over the past 20+ years which is no small accomplishment. But don’t get it wrong, Aesop Rock is 100% underground legend, with very few joining him on the mountain top.

His most recent project, Integrated Tech Solutions, has received glowing praise which I will add to in a second. My man is crazy prolific, this double LP clocks in at over an hour, starting strong with a feature from Billy Woods on the track ‘Living Curfew’ (you can spin this below). This track is a perfect example of the source material and sounds that made 2023 a great year for the genre, with two of the best acts flowing and passing the mic seamlessly.

This album is full of examples where Aesop shows his range and willingness to learn from and mesh with others like Rob Sonic and Nikki Jean which shows his humility and curiosity even this far into his career – and the results are powerful.

However there are some minor flaws in this project. There are a couple cuts that are lyrically fierce but feel similar to others on the album, suggesting maybe a couple tracks could have been reduced into one. But that’s a small nit to pick on an album that’s stacked with tracks that get stronger with time.

Overall, Aesop channels his greatest strengths and creates an album with legs and that will be looked back on as a solid project in his discography.

Integrated Tech Solutions is out now via Rhymesayers. You can get it on vinyl from the 3hive Record Lounge, and stream it wherever you like listen to music.

Armand Hammer

Armand Hammer | We Buy Diabetic Test Strips | 3hive.com
Armand Hammer | We Buy Diabetic Test Strips | 3hive.com

This post was written by our great friend Jeremy.

I challenge any musical outfit in the world to create a more thought-provoking and challenging piece of music than Armand Hammer’s We Buy Diabetic Test Strips, because I haven’t heard one this year. Just as their past three albums have, this release makes me feel like I’ll need to listen to it a thousand times in order to adequately peel back the meaning behind the lyrical layers that woods and ELUCID have laid. That’s the kind of challenge that puts them among my favorite musical artists of the present moment, ever brooding and exuding political acumen. In my opinion, their uniquely bold style and flows make them the most interesting rappers around.

In this release, they continue to demonstrate a deep understanding of the bleak and corrupt environment created by the powers that be, though they do it with personal anecdotes and poignant lyrical tact. Much of their language is subtle enough that we’ll need to rely on the Genius community to help us decode it little by little (despite woods’ line in this album that says “SMH Rap Genius improbable readings”), including the many apt historical and pop culture references. They’re anticolonial and anti-establishment in the most informed way. The title itself provides a clear critique of the greed involved in the American healthcare system. 

With an all-star producer cast, the album presents an even more complex and mind-blowing soundscape of beats than their previous releases (which is saying a lot). Despite already having successfully “Scar[ed] the Hoes” this year, JPEGMAFIA appears as producer on tracks throughout the album in all his glitched-out majesty. Aside from Peggy, El-P and DJ Haram bring the biggest and most memorable beats. In addition, heralded woods collaborators Messiah Musik, Preservation, Kenny Segal, Jeff Markey, and Moor Mother also contributed their production skills, bringing the distorted, off-kilter, and abruptly changing sound that keeps me coming back to Armand Hammer albums again and again.

The album opens with a sound collage of lo-fi and sometimes backmasked spoken-word clips and dreamy echoes. These types of sounds resurface throughout the track list, complementing the unrelenting and dour raps. They blur seemingly mundane details and observations into deeper concepts with obscure references. Fans will recognize certain refrains from their previous work (i.e., “You don’t work, you don’t eat”). Whether they’re callbacks to past tracks, or simply their own mantras, you could never mistake woods and ELUCID for anyone else. You can feel that there’s deeper meaning in their haunting verses, but you don’t need to be able to interpret every word to appreciate their inherent poetic value and relevance. 

Some of my favorite tracks are as follows, though there isn’t a dull track on the album:

  • “Woke Up and Asked Siri How I’m Gonna Die” is JPEGMAFIA at his best. woods paints a surrealistic picture of life that matches the vibe of the backing track: “Life’s a trip, if you live long enough you gon’ see it all / Life’s a blip, I flew in under the radar / Beat up spaceships, sliding under the light of a dead star / Still made my shift, appropriately lit for the graveyard.”
  • The aptly named Trauma Mic brings the sickest and most austere rumble from DJ Haram, complemented so well by ELUCID’s confrontational verse.
  • The Gods Must Be Crazy just has the best beat with the best groove (from El-P), and every verse flows so well with it. ELUCID references the novel 1984 with the line, “Why I still gotta dress for a thought crime?”. woods, who I can’t quote enough, raps, “White women with pepper spray in they purse interpolating Beyonce”.
  • Y’all Can’t Stand Right Here is a biased favorite due to the MF DOOM sample. woods includes one of his best verses: “Passed my own crime bill / It said if you scared, go to church, you could still get killed / Life’s hell / Natural life, If your lies put somebody in the cell / Ten years for trading stocks, enhancements for brokering deals / CFOs pleading out junior traders flipping / Flip you for real.”
  • On Empire BLVD, Junglepussy and Curly Castro’s features complement the sinister bassline and dark tone of a track that ends up being a banger. woods’ verse blows my mind on this one, and ELUCID absolutely destroys it as well, spitting fire at the end of the track and including the line “If you can’t be used, you’re useless.”

We Buy Diabetic Test Strips is out now via Fat Possum. You can get it from their Bandcamp page or from us here.

billy woods & Kenny Segal

billy woods & Kenny Segal | Maps | 3hive.com
billy woods & Kenny Segal | Maps | 3hive.com

billy woods, half of Armand Hammer, dropped his 13th studio album, Maps. This is his second  album with producer Kenny Segal following their critically acclaimed 2019 album, Hiding Places. The duo keep building on their early 2010s underground, experimental hip-hop sound – giving vulnerable, eerie, and tense vibes throughout.

The sounds and emotions of Maps remind the listener of the self-reflection and wisdom you get while traveling. Maps leans into the honest – and sometimes frustrating – feeling of travel as well. woods and Segal brought in more featured artists this time around – including indie hip-hop heavies like Quelle Chris and Aesop Rock. And teamwork makes the dream work: the eighth track, “Year Zero,” has some of the hardest bars we have heard all year with Danny Brown bringing his heavy hitter sound of the underground hip-hop.

Maps is available now on vinyl and digitally via BackwoodzStudioz.

Nathan Womack

Nathan Womack | Past But The Dream | 3hive.com
Nathan Womack | Past But The Dream | 3hive.com

Nathan Womack is one half of the fabulous Paces Lift & Ben Bounce project, as well as the guy behind the Wax Thématique label. He also just released his debut single Past But The Dream. Taken from samples found while crate digging in Bangkok, Thailand and Guangzhou, China, Nathan has constructed two killer tracks full of funk, soul and groove. You can check out both tracks below, I highly suggest that you do.

Past But The Dream is available now on vinyl via Wax Thématique’s website and digitally via their Bandcamp page. Enjoy.

Monster Rally

Monster Rally | Escape To The Cloud Forest | 3hive.com
Monster Rally | Escape To The Cloud Forest | 3hive.com

Take a trip through the tropical beats of South America and Japan with Monster Rally’s new two-part digital 45, Escape To The Cloud Forest. As usual, like everything MR releases, it’s really good.

Escape To The Cloud Forest is available now via MR’s Bandcamp page and you can sample its goodness below. Enjoy.

You can also pick up some other Monster Rally releases on vinyl at the 3hive Record Lounge. MR on vinyl is a treat, you won’t regret it.

Todd’s Favorites of 2019

2019 was another great year for music, below are my top ten favorite albums 2019:

  1. Business of Dreams – Ripe For Anarchy [Slumberland]
  2. Select Level – S/T [Wax Thématique]
  3. Pinch Points – Moving Parts [Roolette/Six Tonnes De Chair]
  4. Oh Sees – Face Stabber [Castle Face]
  5. Modern Nature – How To Live [Bella Union]
  6. Cherry Glazerr – Stuffed & Ready [Secretly Canadian]
  7. Trampoline Team – S/T [Hozac]
  8. Cold Showers – Motionless [Dais]
  9. Czarface – The Odd Czar Against Us! [Silver Age]
  10. Altin Gün – Gece [ATO]

Also for your aural pleasure (and my own), I have attached a handy-dandy playlist of some my favorite songs from 2019…

Sam’s Faves of 2018

It’s time for my annual blog post…

Without further ado, my favorite albums of 2018:

Khruangbin Con Todo El Mundo (Dead Oceans)
Durand Jones & the Indications self-titled (Dead Oceans)
Bodega Endless Scroll (What’s Your Rupture?)
Jean Grae & Quelle Chris Everything’s Fine (Mello Music Group)
Janelle Monae Dirty Computer (Bad Boy)
Altin Gun On (Bongo Joe)
Smokescreens Used to Yesterday (Slumberland)
Idles Joy As an Act of Resistance (Partisan)
Low Double Negative (Sub Pop)
Cut Chemist Die Cut (A Stable Sound)

I encourage you to enjoy these on vinyl (link will go here as soon as I get off my butt and update the online store).

And because 2018 offered so much more music than can fit neatly in a Top 10 list, here are my 23 favorite songs of the past year…

LAZY SALON

Lazy Salon | Boot Magna | 3hive.com

Lazy Salon | Boot Magna | 3hive.com

LAZY SALON is back with Boot Magna, his newest release of tasty, hypnotic beats. Boot Magna is split into 2 sides, side one is more uptempo and dance-friendly while side two takes things back a bit with a more chilled-out vibe. Boot Magna is made up of a combination of remixes, new tracks and previously unreleased tracks. LAZY SALON is damn good at what he does and Boot Magna is no exception. You can snag Boot Magna now via LAZY SALON’s Bandcamp page – I highly recommend that you do.

Paces Lift & Ben Bounce

Paces Lift & Ben Bounce | Tropikoro | 3hive.com

Digging from vinyl bins all around the globe the beat making dynamic duo of Paces Lift & Ben Bounce go deep into the vast world of psych and tropical grooves on their sophomore release Tropikoro. Give the standout tracks “Telephone”, “The Marketplace” and “The Great Phantasmo” a spin below for a taste of Tropikoro’s radness.

Tropikoro is available now on vinyl (recommended) and digitally via Wax Thématique and Paces Lift & Ben Bounce’s Bandcamp page. Enjoy.