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Homeboy Sandman


I can often spot a musician’s child after just a few bars. But I couldn’t have told you what the son of heavyweight-boxer-turned-community-lawyer sounds like until I heard Homeboy Sandman. And yet it somehow makes perfect sense. HBSM’s low-key timbre and minimalist production aesthetic belie his wicked talent for socially responsible wit and infectious wordplay. He goes hard without the crutches of stacks, gats, or tricks. His verses duck and weave, bouncing you off double negatives and triple entendres until you don’t know which way is up — and don’t care. It’s a good kinda dizziness and he’s been serving it all year long: to the tune of two EPs and a full-length(!). These downloads offer a good taste of his steez but make sure you check his coup de gras, “Look Out” from the Chimera EP, before you cast any final verdicts.

Cops Get Scared of Me from Chimera EP (2012)
The Miracle from Subject: Matter EP (2012)

And here’s a special treat from a limited edition split 7-inch with Jaylib on the flip…

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Cub Scouts

Today’s downloads come from a new EP from an Australian quintet that may find themselves in legal hot water with a certain US-based scouting organization when said organization finishes boiling in its own stew of legal, ethical and PR problems. Cub Scouts formed just over a year ago and have been cobbling together songs on their bandcamp page. “Evie” got lots of spins on Triple J and they’ve been playing around locally, but it may be a while before they hit stateside. That’s OK. They have time to craft another batch of songs while their fellow Aussies in San Cisco test the waters here next year. We’ll see how well Americans take to cute, indie-popsters from down under. I say the more the merrier, especially considering the depth of Cub Scouts’ gems. Did I tell you how great the title track is? I’d hate to tell you I told you so, but I told you so.

Cub Scouts – Told You So
Cub Scouts – Evie

cubscouts.bandcamp.com
facebook.com/CubScoutsMusic

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Invisible Hand

There is nothing better than coming across a band that completely takes you by surprise the moment you click (or push) play. Charlottesville, VA’s Invisible Hand did just that. Their album was sent to me in October from one of my new favorite labels, Funny/Not Funny. It took me until November to finally load it up and listen to it. I had no idea what to expect, I had never heard of or read about this band before. Right from the beginning bass line and drumming of “Eating Out”, the first song on their new EP Aja, I was hooked. Aja is full of pop hooks, vocal harmonies, and complicated rhythms- everything that makes a good pop record. Check out the two songs below, I hope you are as pleasantly surprised as I was.

Invisible Hand – Eating Out

Invisible Hand – Psychic Cat

Invisible Hand

Funny/Not Funny

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Dinah Thorpe


I’m gonna open up this next review with a simple comparison, a comparison that’s going to date me something fierce, but it’s just so spot on. And I can’t get it out of my head, so here goes: Laurie Anderson meets The Lilac Time. Old and obscure, unfortunately. Like Anderson, Thorpe’s rich, multi-layered vocals playfully haunt your brain as they weave back and forth between your ears (headphones strongly encouraged) and the banjo and tempo remind me of the upbeat moments of Stephen Duffy’s work with The Lilac Time. Of course my 16-year old thinks this track sounds like Mumford & Sons, but he’s never heard Peggy Honeywell. Thorpe is literate, politically astute, and crafts siren songs around her dreams and visions with everything from a synth to a ukulele. The results will brighten your day as does her album’s sparse, bold cover.

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Daphni

Daphni is the new project of Caribou’s Dan Snaith. JIALONG (JOW-long), his debut release as Daphni, is out now on Merge Records.

As Daphni, Dan set out to record a more spontaneous album, without the careful attention to detail that goes into a Caribou release. The results are just as Snaith intended, a loose, spontaneous album perfect for the dance floor. Enjoy.

Daphni – Ye Ye from JIALONG (2012)

Daphni – Pairs from JIALONG (2012)

Merge

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Wazu

Don’t judge this album from its cover. Wazu’s music is stronger and more confident than their over-wrought Art Deco and ’80s brushstroked cover. And yes, the opening track to Wazu’s debut album plays like a lost recording from the Black Celebration sessions. They owe a lot to a handful of chaps from Basildon, England for the sound and name, but Wazu are no retro-plagiarists. They depend more on guitars and add a distressed sound to the synths. Their back-and-forth boy/girl vocals soften the darker tones and harsher industrial flourishes. Or you could say Wazu fleshes out the sensibilities of the xx, amps up the tempo and fills in the gaps with big, dance-floor beats. The band released their debut full-length Robobo earlier this year on Halloween, but this thing’s got legs to last well into 2013. It’s a great album for any retro-fetishists, or for anyone in the mood for a sultry, dark and smoky, dance album. So let me cut all the reviewer and critic nonsense, crank this album back up and encourage you to do the same. Revised 12/19/12.

Wazu – Symbol System [MP3]

http://vimeo.com/51010785

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Mark Lanegan Band

I love Screaming Trees. One of my favorite concerts was seeing them with Poster Children back in 1993. They are one of those bands that I can go back to and never be disappointed.

Mark Lanegan, the former singer of Screaming Trees has always been busy releasing solid solo albums, even during his time with the Trees. Along with his solo work, he has released albums with former Belle & Sebastian member Isobel Campbell, and The Twilight Singers’ Greg Dulli under the name The Gutter Twins.  His latest release, Blues Funeral, on 4AD is another notch on the “solid solo release” belt. The music is dark and powerful, and his voice is as smokey and gravely as ever. Have a listen to “The Grave Digger’s Song” below. Whether you were a fan of the Screaming Trees before or just hearing of Mark now, you will enjoy this song.

Mark Lanegan Band – The Grave Diggers Song from Blues Funeral (2012)

 Mark Lanegan

4AD

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King Loses Crown

Darker than Devo, faster than Depeche Mode, denser than Killing Joke, but sharing the apocalyptic atmosphere of those artists, San Francisco trio King Loses Crown releases their new single today, “My Revenge.” We reviewed an earlier demo version of this song a few years back, but the band has since added a member, beefed up production and further honed their sound. And as luck would have it, their sonic assault met its visual match in visual effects director Jim Mitchell (Harry Potter, Sleepy Hollow, and Jurassic Park III). Mitchell directed the video, also released today, a documentary style, sci-fi look into the future where our technology catches up with us and our darkest impulses.

It’s not everyday that a full-fledged Hollywood filmmaker produces the video for an emerging band, so I checked in with Mitchell to see why he decided to get involved with King Loses Crown. He told me that a friend invited him to see the band at the Elbo Room and he was “blown away by the intensity and energy of their songs.” Mitchell had been developing a robot character and when he heard “My Revenge” he realized the song’s theme was “similar to what [he] was imagining for the world of the character.” He edited a few of his robot animations to the song and “couldn’t believe how it just seemed to naturally sync up like they were meant to be together.” The band agreed. So do I. You probably will too.

My Revenge from You Can’t Escape EP, February 2013

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Hot Sushi Club

I know sushi rolls aren’t really sushi. I get it. I respect it. On my block there’s a sushi place that flat out doesn’t serve rolls. They won’t have anything to do with desecrating the simple beauty of fish on rice. I also respect our western notion of wrapping up fish in a slathering of mayonnaise, deep frying it until it’s delicately golden, chopping it up and dousing it with Sriracha, or any combo of the three. My favorite sushi roll in the world is the Bungee Roll from a place called Sushi 21 on the Newport Beach peninsula. It begins with a slab of cream cheese, a stalk of asparagus, and a row of avocado rolled up in nori and rice. Spicy salmon is piled on top, then the roll is baked and topped with sweet eel sauce and a sprinkling of sesame seeds. It’s at once hot, sweet, savory, and soft with a gentle snap of the asparagus. I wanna jump up on to the sushi bar and dance a jig of delight every time I take a bite, or every time I even think about taking a bite.

It should be more than obvious at this point what I started dreaming about as soon as I saw the words Hot Sushi Club hit my inbox. The added bonus is that this brand new band out of Karlsruhe, Germany is as tasty as the Bungee Roll itself. They’re a little bit Hot Chip, sweet like Phoenix, and completely danceable. They give off that same air of giddiness I enjoy when my belly’s full of Bungee. And they’re as generous as the kind sushi chef that hooks you up with a good salmon cheek or sweet shrimp. Their debut EP is available in full, free of charge. Enjoy!

Lost in a Good Way

Hot Sushi Club – EP (full download)

soundcloud.com/hot-sushi-club

hotsushiclub.tumblr.com

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Peoples Temple

It’s probably obvious from most of my posts this year that I have been smitten by the resurgence of 60’s style garage and psych rock. Michigan’s own Peoples Temple (or The Peoples Temple) are no exception. Sounding like they traveled through time to the 21st century after wrapping up a summer tour in 1967 with Love. Peoples Temple recently released their second full length album, More For The Masses, with Hozac Records. We have two songs for your listening pleasure below, “Looter’s Game” and “Loose (Fire)”, both from their new album and both killer examples of their psyched out sound. Get comfortable and give these songs a listen. Enjoy.

Peoples Temple – Looters Game from More For The Masses (2012)

Peoples Temple – Loose (Fire) from More For The Masses (2012)

Peoples Temple

Hozac