I originaly posted Solvent 16 months ago. In fact, they were one of the first bands featured on 3hive. Just days after, Ghostly pulled down their full-length MP3s due to bandwidth constraints and there went my Solvent post. As Sean points out over in the News section, Ghostly’s recently found some bandwidth in their hearts and now offer, among others, this gem from Solvent’s latest, Elevators and Oscillators. For the record, my original post was one line: “Proof once again from the Ghostly Massive that machines do have souls.” Still holds true today.
The Unicorns
These Montreal hipsters do — oops, I mean, did — play a lovely brand of ’80s-tinged rock/pop/dance music. Slated as the next big thing, they instead split up. What can I say? It happens to the best of them, but that’s still no excuse to pass over these songs. Get those feet a-dancing!
Mus
Please do not confuse Mus, the delightful Spanish duo of Fran Gayo and Mónica Vacas, with MUS, short for Memphis University School, the all-boy prep school I attended from 7th through 9th grades. First of all, Mus has a female, and there were no females at MUS. Mus use the soaring female voice as an instrument, highlighting their minimal approach, be it coolly electronic or calmly acoustic. And that voice sings in Asturian, from the Principality of Asturias in northwest Spain, making Mus as mysterious as a girl at an all-boy prep school.
Boom Bip
It’s gonna be really hard expressing in words how much I like this track. There’s an undeniable Kraftwerk vibe at work here and more importantly Boom Bip manages to hold his own. “The Move” is the 2005 version of “Tour de France” sans all the huffing and puffing. I obviously have a thing for songs that sound as if they could accompany a sporting event. Having remixed tracks for Mogwai, Sonic Youth, Her Space Holiday, and Lali Puna, I’d be a bit surprised if you weren’t already familiar with his work. If not, start here and dig deep!
Octant
Octant are Tassy Zimmerman, Matthew Steinke, and an automated acoustic drum machine called the AD3, which looks like the kind of drum a one-man band would use only it has a motor instead of a man powering it. The result is a broken android new wave thing that kinda makes me nostalgic for the simple days of the Cold War.
Tiger Baby
I’ve always maintained the theory that no matter what kind of music you grew up listening to, you can find it, recreated somehow, someway in a current band. However, whether or not you’re open-minded to it is another story. Some people get stuck in the past and are happy to be there. Those who don’t read 3hive. So it finally hit me who Tiger Baby remind me of (and I can’t wait to play it for my wife, Alisa, who’s a huge fan of): Claudia Br�cken and her projects Propaganda and Act. Tiger Baby represent faithfully the heart and soul the aforementioned bands injected into ’80s synth pop. We’ll see if my hypothesis holds when these tracks end up in Alisa’s iPod.
schneiderTM
When Old Man Heat and Bitter Hag Humidity slow everything to a muggy crawl — as they have of late in these parts — schneiderTM’s hazy electro pop seems to get a lot more spins on my iPod. Just thought I’d share…
Ligyro
Fuzzy rhythms, blunt beats, and all manner of static and stutters, made by a man (Neil Cain) and a machine (Akai MPC 2000XL), and held together by moments of sonic chill. Thanks to music like this I don’t need to do drugs. All it takes is a pair of headphones.
Applied Communications
Applied Communications is quite an appropriate moniker for the music of Max Hood. Max takes all types of communications and applies them straight to your ears. A cacophonous symphony of electronic sounds, beats, and tones brace up the delivery of almost stream-of-consciousness thoughts and tirades in the combined traditions and styles of Cex, They Might Be Giants, the Circle Jerks, and Henry Rollins. When Max repeats, “I don’t know how to play any instruments” over and over at the beginning of “Do You Know What I’m Saying?”, you realize, well, that’s not really his point, is it?
Ursula 1000
An oldie but a goodie (like 2003 is old!). Ursula 1000 is one Alex Gimeno, a New York DJ who delightfully blends samba, bossanova, and 60’s groove with smart beats. Sure, it’s nothing new, but Ursula 1000 is a leading adherent of the genre, and “Samba 1000” is awfully catchy. Dada…dada..da..da..da…