Field Music

Field Music | Field Music | 3hive.com
Field Music | Field Music | 3hive.com

Field Music is somewhat of an all-star band in their hometown of Sunderland up there in the northeast corner of England. They’ve shared members with Futureheads and loaned out the drummer from Maximo Park for some album duties. Their debut album hit back in August of last year in the UK drawing comparisons to “Wire arranged by the Beach Boys,” and The Beatles. And when the band lists influences ranging from My Bloody Valentine to Stravinsky to Big Star to Duke Ellington you get your hopes up. Field Music fails to disappoint. It’ll be out next month in the States and I’m calling it the pop album to beat this year. I know for a fact they’ll be going mano a mano with Figurines for my attention. One last note, when you buy the album listen for them lifting Lloyd Cole & The Commotions’ “Are You Ready To Be Heartbroken” verbatim for the bridge in “Pieces.”

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Antennas

Whaddya know, these audioblog things are just plain spiffy—a fantastic way to hear new music. Really! Sniffing around today I see that Blair over at Music For Robots is getting some great mail from Antennas. So head over there and grab “Adapt” from MFR before it goes offline. Then treat yourself here to “Always On My Mind.” What I’m really digging on from Antennas is their density. And I don’t mean their McFlybian destiny. There is so much going on in this song, so many layers: strings, horns, whirring electronics, handclaps, and vibraphone. Of course it’s probably all MIDI, but what do I care. It works. It holds together without being overwhelming. Throw in the vocal drama of Jeff Buckley and we’ve really got something here. Great find Blair! (Note: The two Novak tracks included are from the band’s original 2003 demo when they were called Novak).

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Victor Scott

By all accounts Victor Scott shouldn’t be aspiring to what he aspires to — rhythmless porn-funk on “Gotta Go,” hybrid-power balladeering on “Mareel,” couch-surfer-rock on “Golf,” lounge-hop on “Airstream” — but he does. And it works very well. Fans of the eminent Honky King Calvin Johnson will see in Scott the same irresistibly affectless soul. Fans of Quentin Tarantino and David Lynch soundtracks will see in Scott a torch singer who croons charming oddities as if they were ageless standards. Victor’s a different chap, that’s for sure, but once you catch on to his wavelength, you’ll want to ride his current all the way to the shore.

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The Amazing Pilots

The Amazing Pilots are actually two amazing brothers, Phil and Paul Wilkinson, of Coleraine, Northern Ireland (Come on you Bannsiders!), although they have relocated to Dublin. They play this amazing (sorry) pop that soars like the wonderous landscape of the North Antrim coast, providing relief from the cramped housing estates of Coleraine. This same pop is remniscent of the sounds of Moose, the lilting acoustic guitar, the wandering slide guitar, and a pop sensibility that can get those toes a-tapping. They’re one of what, 1,200 bands, playing SXSW, so for anyone attending who needs some help filtering through all the choices, remember, the Amazing Pilots.

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Katie the Pest

Lo-fi bitrates for this wonderful, lo-fi shoegazey duo that takes me back to L.A.’s Paisley Underground days—a gritty version of The Bangles or Opal. The stand out track here is “Sober.” It’s, as they sing in the song, “unstoppable.” You’ll end up listening to it twenty times in a row. It’s maddeningly addicting. Thanks to Whitney B for reminding me about Katie The Pest. She can’t stop listening either and is mad at us for making her spend so much money on records. We’re not sorry.

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The Stills

Perhaps the name is a subliminal bit of wishful thinking, because these Montreal, uh, rockers? new wavers? Franco-popsters? never seem to stay still for too long. But the great part is that none of their many aural wardrobe changes sound contrived because they’re not mimicking styles; they’re bringing their own sound to bear on what’s out there. Their latest, “In the Beginning,” is a southern rock anthem. “Retour A Vega” is wistful even though I only understand every third word. And “Still in Love Song” is full of intelligent teen angst. So if you’re having trouble deciding what kind of mood you’re in, don’t bother with the shuffle on your iPod. Just load in the Stills and let them do the shuffling for you.

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Tapes ‘n Tapes

There are two good things about making an airport pick-up at one in the morning: 1) I got to see my sons for the first time in a week, and 2) I got to listen to CBC Radio 2’s Brave New Waves which doesn’t come on until midnight. Over the course of an hour, I was stoked to hear a couple of 3hive favorites, Metal Hearts and Casiotone for the Painfully Alone. (Sadly, Patti Schmidt didn’t mention you can get free and legal downloads of these tracks at 3hive.com…) I also heard, as I always do on BNW, something new to me. This time it was a Minneapolis outfit called Tapes ‘n Tapes. They play nervous, clever pop that draws on a number of typical indie inspirations (Wire, Pixies, Talking Heads, etc.) but — just to save time and incite the inevitable “love/hate” debate — I’ll say they sound like a less fashionable Clap Your Hands Say Yeah. Who knows? Good as they are, they may not be less for long…

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The Positions

Do not be confused by the lineup of the Positions. The list of players and their instruments reads like that of a ska band: trumpet, trombone, keyboards, guitar, bass, and drums. The Positions, however, are pop, with their own not-so-secret recipe drawn from decades of pop predecessors and perfected by producer Archie Moore of Velocity Girl. Just the thing to help calm me down after tonight’s soccer where I was blatantly fouled in the penalty area while atttempting to shoot and the ref didn’t call it. I must listen to this song again. Ah, yes, just the thing, “Back to Me.”

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East River Pipe

Mr. Cornog doesn’t take himself too seriously. While his bio riffs on and on about the drug references in his new album, and rightly so, you’d expect his moniker to be a similar reference. Not the case. East River Pipe is an allusion to a broken pipe he once witnessed spewing sewage into the East River. “I imagined myself to be the pipe,” he admitted in a recent podcast, “the sewage to be my songs and the river to be the world—so i was essentially spewing out meaningless pop songs into an already polluted river.” His modesty is appreciated, but one man’s trash is another man’s treasure. You never know where you’ll uncover hidden gems. F.M. Cornog has spent almost two decades with his Tascam 388 recording so-called disposable songs that you may not ever be able to get out of your head.

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My Orchard

Boppy skater-pop from Sweden, courtesy of My Orchard. “A List of Things” is taken from their new EP Silhouettes, while “Something New” can be found on Paperheart Music’s compilation Hi-Fi Songs for Lo-Fi Hearts. Maybe our next 3hive summit should be in Stockholm?

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