I love this time of year, and not just because I can lounge around all day in my jammies eating leftovers and candy. I love it because this is when I start cherry picking the best-of-the-year lists for artists I somehow missed or slept on. Today’s find comes from Mystery & Misery’s Best of 2004. They caught my eye because my grandmother’s maiden name is Hinckley, which turns out to be a happy coincidence. Their ragged, folksy pop would make them at home in the Elephant 6 stable but for now they’re unsigned and living in Rochester, NY. Thanks, Jason!
At Dusk
As six cousins, ages five and under, make their 100th lap around the living room furniture at my parents’ home this Christmas , At Dusk’s “We Could Do Anything” will be the soundtrack playing in my head.
Rachael Cantu
In the “girl-with-acoustic-guitar” sub-genre, it can sometimes be difficult to, well, not sound exactly like every other song that fits the category. Rachael Cantu manages to clear out some space of her own, with a sense of maturity and experience that seemingly can’t match up with her age and offer these thoughtfully pleasant tracks. The assistance of Mates of State‘s Kori Gardner on “Summer of Cycling” doesn’t hurt, either.
P.S. You can also catch Rachael Cantu providing guest vocals for Limbeck and on tour with Tegan and Sara.
ED NOTE: the mp3 links are now dead. Sorry for the inconvenience.
Shots Fired
Ask Sam, my fellow 3hiver, just how utterly amazing the Seaweed/Quicksand show was back about ten years ago at the old Club DV8 in Salt Lake City. It changed our lives. I’d venture to say 3hive wouldn’t exist if it weren’t for that concert. At the risk of exposing ourselves as the complete geeks we are, I’ll admit we were screaming every word of every song at the top of our lungs, working our air guitars as if possessed by a locomotive. Shots Fired, this Kansas City trio, would have made a perfect opener for that night. Check the chorus in “Squires @ Bristol.” I just about keeled over from a brain aneurysm rocking out to that guitar riff. But wait! It only plays through once!?! AAAAAAAA! Rewrite! Verse, Chorus, Verse, Chorus, Chorus, CHORUS!!
Archetype
If you listen to the critics (and who doesn’t?), this is Kanye West’s year. If Archetype have it their way, all eyes will be on their native Lawrence, Kansas, not Chicago’s South Side, in 2005. They’re starting their takeover by offering better than half of their music for download, so take advantage while the getting’s good. Nezbeat’s refreshingly ecclectic mix of samples (from opera to gospel) and tempos (from old school breaks to drum ‘n’ bass) along with I.D.’s unflinching flow won’t keep them on the fringe for long.
Note: This isn’t the metal band of the same name that you’ll see if you search on Amazon or Insound (so, just this once, ignore those links and go to the artists’ site for purchase information).
DJ Riko
Our friend Jacob sent my wife a link with the following note: “Heard this tonight on KCRW and immediately thought that Sam would dig it…” I’m not sure if he thought I’d dig it because it comes from an album called Latter Day Taints (a knowing nod to my Mormon peeps) or because I’m a closet whistler. Either way, he’s right, I dig it real good. DJ Riko is a plundering masher-upper cat from Columbus, Ohio who either doesn’t have a day job or doesn’t sleep ’cause he’s mad prolific. For “Whistler’s Delight” he pulls a crateful of whistled “riffs” from various songs, beginning with Peter Gabriel’s “Games Without Frontiers,” and takes us on a spotter’s field trip. By the way, if you can name all 22 songs used herein by year’s end, email Riko and he might award you with one of his fancy bootleg CDs. See his site for more details, and many more downloads — including a nice 55MB holiday mix.
Air King Sound
San Francisco experimental sound posse who create very brilliant haunted soundscapes, perfect for moody film scores and a certain sense of isolation. Owing a lot to Brian Eno, but still managing to claim their own sound. Favorite track: “Gomez Gomez.”
Kleptones
These “original” tracks feature some swell breaks ‘n’ beats ‘n’ what-not but, to be honest, the Kleptones aren’t nearly as interesting when abiding by copyright laws… This post is merely an excuse to plug their new mash-up-and-more theme album, A Night at the Hip Hopera. After giving the Flaming Lips a b-boy makeover with Yoshimi Battles the Hip Hop Robots, the audio kleptomaniacs are back at it with a similar tribute to Queen. To have a listen, head over to Waxy.org, where you’ll find the complete album for download as well as a collaborative dissection of the countless samples used therein.
Cat Five
Another shot from the suggestion box… Cat Five’s madcap samplerama Kataphonics finally has a sibling, a new 12-inch called “On the Rise.” This may seem like a thin body of work for a five-year-old group. That is, until you discover the hours of original or heavily refurbished live tracks available on their site and realize what a fool you were for ever doubting them. These MP3s in particular were recorded directly from the mixing board and could easily pass for studio material. Cat Five are Avalanches on a budget; Negativland with a beat; whatever comparison you use when you find yourself nodding and smirking at the same time.
The Shifties
West Coast slowpop vibe via Windy City. The pace picks up by “Can’t Go On”: the verses spunky like “Kids in America” while the chorus jangles like something off Reckoning. A fun find from the suggestion box.