Sharing the sharing.
I like Phoenix. And they like you. To prove it, they just released their new single “1901” as a free download. Gotta go here to get it. No email or log in necessary. The band will issue their full album, Wolfgang Amadeus Phoenix on May 25th.
My mother prides herself on being “with it.” And compared to 99% of mothers I guess she probably is, as far as any mother’s “with-it-ability” goes. People are still often surprised to find out that she’s my mother since she looks too young and flashy to have a son who looks as old and frumpy as I do. And she was quite the early Facebook adopter amongst her friends and her generation. Speaking of which, this morning she expressed dismay at the fact that one of our mutual friends would use a photo of herself with her tongue sticking out as her profile picture. “It’s sexually suggestive,” my mother said. She may be up to date on technology, but her sexual boundaries are still quaintly old-fashioned. No mother, Shari’s picture is fun and sassy, this is sexually suggestive and *gasp* highly androgynous.
This is the artwork to Milke’s new single, “Love Get Out of My Way.” The duo mix French electro with soulful pop vocals for a sound that’s sure to be burn its way through the club scene and get the blog-o-kids all geeked. The two principles behind Milke are from opposite ends of the music world: producer Andrew Friendly has been DJing and remixing his way around the world, remixing the likes of Justice, LFO, and Darren Hayes, while singer Ra has been holed up on his own, flying way below the radar, until Friendly heard his work on the Black Grass album. Now with Milke they’re writing tracks that transcend their former domains. It’s big, bold, and yes, suggestive, synth-y disco. My mother will love the music, but loathe the artwork. I’m bracing for the response she’s sure to fire at me on Facebook (Hi mom!) Speaking of which, here’s a reminder to join us there too.
I don’t think anyone suffering through a harsh winter would think it’s too early to start dreaming about Spring. Boise’s The Very Most has been planning for this Spring for some time. In fact, they’ve got the next year planned out as four EPs celebrating the next four seasons. Spring is available now and Summer hits on May 1st.”Today It Is Even Better” shimmers as bright as any song ever posted on these pages. Warm and fuzzy indie-pop good the whole year round. They even take on Morrissey, the king of melancholy, and sweeten up the Smiths “Cemetry Gates.” If you think this sacrilegious, then you especially need a dose of The Very Most. Prepare for an imminent cheering up by the band that makes dying sound like a jangle of a good time.
Since everyone else is doing it — all the other reviewers and critics and press types, that is — I’ll avoid comparison when discussing Laura Gibson, and instead just say that her smooth, precise, detached vocal styling should appeal to anyone who likes an eccentric female singer-songwriter. “Spirited,” off the forthcoming Beasts of Season, suggests an orchestrated lushness to this young Oregonian’s songs, as opposed to the more classic shuffle of “Hands in Pockets,” from 2006. Speaking of the new album, NPR will feature it next week in streaming audio as part of its Exclusive First Listen series.
Clay recently wrote about not being able to post the bands you’d really like to, and I can sympathize. A few years ago I wanted to share The Hazzards, a ukulele-playing pair of girls from, of course, Brooklyn. Alas, nothing was available. If you’re looking for a uke fix, though, a little Jason Holstrom can do the trick. While decidedly more island-themed than The Hazzards, who were, you know, ironic (from Brooklyn), Holstrom plays it kind of straight, dishing up clean pop songs with some palm-inspired lilt. A veteran of a bunch of Seattle bands I’d never heard of, Holstrom gave us a travelogue with his 2007 album The Theives of Kailua. Uke it up!
You’ve heard the Submarines by now. They’re getting a lot of buzz nowadays, but even if you haven’t, just think of the commercial for a certain fancy cell phone that everyone seems to have these days. See, you have heard them.
Our motto here at 3hive is “Sharing the Sharing,” where we share free and legal MP3’s. And there are so many times when we want to share an awesome band, but they don’t have any free MP3’s on offer. I’ve been wanting to share an old fave of mine since the start of 3hive, Jackdrag aka Jack Dragonetti, for ages. “Aviating” is one of those songs I just keep coming back to over the years. But no MP3’s to share. Then he formed the Submarines with Blake Hazard, moving on from his eccentric folk-pop to more electric, pure pop. Their song “Peace & Hate” from their Declare a New State LP is one of my faves from 2006. But no MP3’s to share. However, the day of sharing has finally come. For their current tour with the Morning Benders, this now husband-and-wife duo has released a free single covering the Benders’ song “Waiting for a War.” Patience pays, eventually.
Bishop Allen may very well be the first band that’s been reviewed by three of us. Yeah, we’re pretty geeked about them. Take a look at the artwork for their new album Grrr… Do you like what you see? Do you appreciate its colorful, simple whimsicality? Then you’ll love the new tracks; the music marches hand-in-hand with the visual. Notice the clean white space. The music has that same crisp, airy feeling. I quickly donned headphones, wanting to squeeze my brain in between the bright melodies, the bouncy bass, snappy guitars, and the lyrics’ ‘ancient commonsense’ poetics. The question is, will the songs last the replays while I wait another month for the other eleven songs? I’m highly suspicious the answer is yes. Songs like these remind me why 3hive exists: must…tell…others… The new album and tour begins March 10th. But a pre-order ensures you get the goods a week in advance.
Dimmer [MP3, 4.1MB, 192kbps]
The Ancient Commonsense of Things [MP3, 4.7MB, 192kbps]
Not to burden you with the boring details of my life (I’ve already alluded to them, so now I’m beating a dead horse to boot) but my equilibrium has been shot to hell over the last three weeks and it’s hampered my efforts in getting you the tunes. Thanks for bearing with 2009’s slow start. Point Juncture, WA was the first thing I pulled out of the growing pile of submissions at the ‘hive’s HQ. What a pleasant surprise and glowing gift this album is. Unfamiliar with their previous work I can’t compare it to their past efforts, but this album most definitely demands some history homework on my part. The album was recorded in the band’s Portland basement, set up as a makeshift sound lab with cables running into and out of windows, amps in stairwells, a diy plate reverb in the garage, and mics in every corner. The resulting recordings sound like an earthier Stereolab with a bit more rock replacing the pop. They’re also somewhat of a throwback to ’90s indie rock with shimmering guitars and boy/girl vocals. Their album, Heart to Elk, is out February 10th. They’ve been playing a bunch of dates in and around their hometown, but no further dates have been announced. We’ll keep you posted!
L.A.’s Intricate Machines seem to find inspiration in their own name, taking an intricate approach in their creation of pop music. They don’t necessarily pay more attention to the details in their music than anyone else; that’s impossible to judge. It’s just that the details and textures on which they elaborate are less obvious than most. Really, it’s just my roundabout way of saying they have a roundabout way of getting to the hooks in their songs. Intricate Machines require time to soak, simmer, and settle. If you’re willing to give them that time you’ll find plenty of pleasures to sink your chops into. Considering the minute attention span of music consumers these days, Intricate Machines take a big risk attempting to break into the indie scene with less than immediate hooks. This ain’t no microwave meal; this is some slow-cooking, crock pot rock. You may have noticed I haven’t mentioned exactly what Intricate Machines sound like. This is deliberate. I don’t want to contribute to the instant-gratification impulse they’ve obviously worked hard to avoid. Enjoy the journey.
*Show notes: Intricate Machines play this week in L.A. Click here for details.
Slumberland is putting out some great pop these days from New York bands. Recent releases from Crystal Stilts and Cause Co-Motion! will be followed up this month with the self-titled debut from The Pains of Being Pure at Heart. POBPAH continue the Slumberland tradition of fine noise-pop, in the mode of Velocity Girl, the Ropers, Black Tambourine, with boy/girl harmonies, choice bits of fuzz and jangle, and crisp drums, all wrapped together by clever songwriting. Said debut album will be out February 10th, in the middle of their East Coast tour.