Vaguely detached, vaguely nostalgic, vaguely wonderful space pop. It’s really hard to believe these guys are unsigned…maybe they’re not in it for the money, just on a personal crusade to promote use of the accent aigu (á). Either way, I’m in.
Soft
Another from the suggestion box… Soft play majestic pop, driven by crisp drumming and plethora of effects pedals. Though we won’t name them here, the influences are many, but not blatant. However, any fleeting resemblences to Tim Burgess are coincidental, but appropriate. “Monkey Monkey” is excellent; it’s not first in the download list, but start there.
The Changes
Continuing in my tour of OPLs (Other People’s Lists), I found this gem — amidst Blockhead, Sharon Jones and the Dap Kings, and Comets on Fire — on Scissorkick‘s eclectic hit parade of 2004. (Convenient comparison alert!) The Changes are modern-day Chicago’s answer to Haircut 100: bouncy, dreamy pop that makes you want to smile at complete strangers or maybe, just maybe, swing from a vine in a Hawaiian shirt. However, unlike Haircut 100, these guys appear to have a longer career in them.
The Herms
My next-desk neighbor tipped me off to The Herms this afternoon. We’re both back in the office after a healthy holiday break. His New Year’s Eve was much more celebratory than mine. He: Bottom of the Hill in San Francisco for the Rogue Wave, Kelley Stoltz, and Herms show; Me: road-tripping back home down I-15, determined to miss the Las Vegas to L.A. parking lot over the weekend. It’d have been nice to have iPodded these tracks for the ride. “Record Machine” could be a demo recording from Bauhaus, and the remaining tracks, while wandering off on a sort of Jonathan Fire*Eater tangent, fail to disappoint. I’m baiting Clay with the former comparison. Watch for his impending, spirited comments.
Gran Ronde
If you count yourself among the many fans of the current faux-British invasion, then get ready to surrender to another crusader. Today’s 3hive pick brought to you by the number 3 (what else?) and by a hot tip from regular (in his use of 3hive) Todd Simmons. Thanks, Todd!
Hinkley
I love this time of year, and not just because I can lounge around all day in my jammies eating leftovers and candy. I love it because this is when I start cherry picking the best-of-the-year lists for artists I somehow missed or slept on. Today’s find comes from Mystery & Misery’s Best of 2004. They caught my eye because my grandmother’s maiden name is Hinckley, which turns out to be a happy coincidence. Their ragged, folksy pop would make them at home in the Elephant 6 stable but for now they’re unsigned and living in Rochester, NY. Thanks, Jason!
At Dusk
As six cousins, ages five and under, make their 100th lap around the living room furniture at my parents’ home this Christmas , At Dusk’s “We Could Do Anything” will be the soundtrack playing in my head.
Rachael Cantu
In the “girl-with-acoustic-guitar” sub-genre, it can sometimes be difficult to, well, not sound exactly like every other song that fits the category. Rachael Cantu manages to clear out some space of her own, with a sense of maturity and experience that seemingly can’t match up with her age and offer these thoughtfully pleasant tracks. The assistance of Mates of State‘s Kori Gardner on “Summer of Cycling” doesn’t hurt, either.
P.S. You can also catch Rachael Cantu providing guest vocals for Limbeck and on tour with Tegan and Sara.
ED NOTE: the mp3 links are now dead. Sorry for the inconvenience.
Shots Fired
Ask Sam, my fellow 3hiver, just how utterly amazing the Seaweed/Quicksand show was back about ten years ago at the old Club DV8 in Salt Lake City. It changed our lives. I’d venture to say 3hive wouldn’t exist if it weren’t for that concert. At the risk of exposing ourselves as the complete geeks we are, I’ll admit we were screaming every word of every song at the top of our lungs, working our air guitars as if possessed by a locomotive. Shots Fired, this Kansas City trio, would have made a perfect opener for that night. Check the chorus in “Squires @ Bristol.” I just about keeled over from a brain aneurysm rocking out to that guitar riff. But wait! It only plays through once!?! AAAAAAAA! Rewrite! Verse, Chorus, Verse, Chorus, Chorus, CHORUS!!
Archetype
If you listen to the critics (and who doesn’t?), this is Kanye West’s year. If Archetype have it their way, all eyes will be on their native Lawrence, Kansas, not Chicago’s South Side, in 2005. They’re starting their takeover by offering better than half of their music for download, so take advantage while the getting’s good. Nezbeat’s refreshingly ecclectic mix of samples (from opera to gospel) and tempos (from old school breaks to drum ‘n’ bass) along with I.D.’s unflinching flow won’t keep them on the fringe for long.
Note: This isn’t the metal band of the same name that you’ll see if you search on Amazon or Insound (so, just this once, ignore those links and go to the artists’ site for purchase information).