
Thanks to everyone who participated in our Beat Hive contest. These artists put a lot of creative energy into these contest tracks. We hope you like the tracks as much as we did. Here are the results:
Grand Prize Winner:
Andrew Newton, Five Sounds With Leaves
A devout Canadian currently living in LA, Andrew creates music by cutting samples and putting them into completely new contexts. He’s currently producing for Project Blowed, as well as doing a lot of live music with his own mixed-media anti-war/anti-imperialist collective called Amar (art-music-activism-resistance).
Song: The Dispossessed
Artist Site
Runners-Up:
Felix Miklik, Transalarm Recordings
Based in Chicago, Felix currently has dance tracks rotating on XM radio. In addition he composes and produces music for brands such as NIKE, Adidas, MTV, the NBA, AMD, Spike TV, Paramount Pictures, Motorola, Abbot Labs, Moosehead Beer, and Hazordous Sports.
Song: The Future
Artist Site
James Harris, Zebulon
Currently a film student at York University, James’s music is emotive, interesting, and often complex electronic music ranging from the chilled soundscapes of ambient and downtempo music, to more upbeat and psychedelic trance/club tracks.
Song: Pulsations from the Hive
Artist Site
Eddie, eMinor Music
An incorrigible audiophile living in Libertyville, IL, Eddie has diverse tastes and a hungry mind. His current work reflects too many interests and influences to list. “I leave that interpretation up to the listener. I’ve just got all this stuff in me and my job is to let it out.” At this time, Eddie calls it “LaptopFolkPop.”
Song: Nevermind Blue
Artist Site
Derek Hecksher
We don’t have bio info for Derek, but we were able to grok that he’s from Alright, Oklahoma.
Song: Beat Hives! Use Lotion!
Artist Site
Honorable Mentions:
Tim Porter, InfiniteAero
From Northville, Michigan.
Song: Darker Deepness
Artist Site
Karl G, More Powerful Astronaut
From Hood River, Oregon
Song: No Backstage Pass
Artist Site
Congratulations to the winners! The grand prize winner and the runners-up will receive a Best of BeatHive Loop Collection, along with a 12 pack of CDs from 3hive. Winners, please send your mailing address to kennyd [at} beathive.com to get your prizes.

Here I was, sitting down at the computer, relatively late at night, at least for me, wondering what on earth I was going to do about 3hive, when into the suggestion box came an email suggesting Ford & Fitzroy. One quick listen and my problem was solved! So enjoy the crisp, psych pop with the pleasantly unsteady vocals. Not to be confused with
Sure, the UK’s The Fatels are starting to get some buzz, as they say in the biz, but boy I am a sucker for their distinctly London-eque, pounding punk/post-punk pop. Especially refreshing is knowing that only three people made all this racket! More downloads available on their sites below.
In May 1996 I wrote this in
Full disclosure: I know Kevin Butterfield, the lead singer of St. Louis’ The Linemen. I don’t know him well, but I did once make him pancakes. And before you go getting ideas about this happily married man, I’ve made strictly platonic pancakes for plenty of people. You could even say it’s a specialty of mine. Kevin seemed to like them, at least. Anyhow, The Linemen are good old-fashioned country (think Willie Nelson, Hank Williams, George Jones) in both sound and spirit: Butterfield’s crooning tenor favors the kind of heartbreak that’ll get you down without putting you out and Scott Swartz’s pedal steel seems to be singing the melodies rather than twanging them. It’s a toe-tapping affair just right for road trips through the heartland. And if that ain’t your cup of tea, you might consider switching to whiskey.
Lately, my picks have all been male artists and it was feeling like high time to revisit my (your?) girlier side. Marla Hansen, who sings soft and quiet folk-inspired songs and is also part of team-Sufjan-My-Brightest-Diamond, is a perfect return. She sounds like tea and flowers and a good book in bed when you are tired. Oddly positioned on my iTunes next to Marlene Dietrich’s raspy, vaguely mannish “Sag Mir Wo Die Blumen Sind”, “Wedding Day” felt like something we women can celebrate our peculiar chromosomal dispositions to and her tone is something that the men can daydream about (note: no letching)–even more so from the comparison to Dietrich. Hansen has a honeyed voice and sings delicious little songs as though she were singing to herself, for herself. There’s no clever hook here, no steamrolling vocals, no unexpectedly jarring electronic sounds, just simple, strong singing, songwriting and her viola. And throughout, she is exquisitely feminine. It’s charming.
“Fortelling certain doom to the bouncing rhythm of tuba, bass, accordion, banjo, and tongue drum.” That’s how The Scarring Party describes “No More Room,” as in no more room in hell. You could add the following: Tin Pan Alley, Tom Waits, gothic slaughterhouse, phantasmagoria — it’s like, make sure the hatchet is safely in the garage, the double-barrel in the gun safe. There will be quite a party on the ship when the Scarring Party sets sail from Milwaukee for Singapore, but with evil lurking everywhere, will anyone survive the journey? Though not for everyone, these tracks should give you that little extra twist for which you might be searching.
Perhaps many of you are too young to remember the