Solo Andata

My family is about 1700 miles away right now, which probably makes me even more of a sucker than usual for this meditative, lonely man’s free jazz. Or maybe there’s an even deeper connection I’m feeling… Solo Andata is a long-distance duo as well: Paul Piocco and Kane Ikin, who live in Perth, Australia, and Stockholm, Sweden, respectively. They collaborate by means of modern connectivity, as I do with my wife and kids, which is great but means you kinda have to fill in the gaps in time and distance with your own imagination and memories. The resulting sessions are sparse, yet richly textured and nuanced, giving you the sense—and I know I sound like Abe Simpson when I say this— that you can actually hear the wear and tear that comes from sending their tracks back and forth over such long distances.
Be sure to check out their remix as part of Ryuichi Sakamoto’s Stop Rokkasho project, available on their MySpace page.

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Supersystem

Supersystem belt out saturated pop experiments that explode in a cacophony of colorful sound like homemade fireworks on the Third of July – y’know, because you’re too excited to wait for the Fourth. Any of these earnestly analytical numbers (“White light, white light!/what butterflies are made of!”) is perfect music for kids in the gifted/talented program (is there still such a thing?) who just can’t stomach what Disney Radio is feeding them. Then there’s “Everybody Sings,” which, apart from being the most emphatic social outcast song this writer’s heard in a good spell, with its mega-dubbed chorus, vaguely surf-rock guitar and amped afro-beats takes current Top 40 sensibilities to a gleeful extreme. It’s like something that Justin Timberlake might record…if he was freakin’ awesome!

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Canasta

Some bands are made up of those who fled organized education at the first chance possible, while others are just a bunch of math majors. Canasta has got to be one of the latter. Suggested by Dawntread at the University of Chicago (need I say more?), Canasta taps into a Chi-town vibe with melodic, witty and intelligent chamber-pop. For something upbeat, enjoy “Slow Down Chicago,” and glide along with its tastefully muted horn line. For introspection, “Shadowlands” could have been written by heartbreak kings Ben Folds or Mac McCaughan, but wasn’t.

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Snowden

Little did I know in my struggling years as a young(ish) shoegazer back in the early 90s that one day bands would be labelled “post-shoegaze” as a badge of honor. Atlanta’s Snowden have been given that tag, but there’s oh so much more to them than just that. Pop and rock are equal parts, and they use a special technique that my friend Mike G taught me after our band broke up many years ago. I was complaining about the stuff I was doing on my own, and his wise advice was to throw on more reverb and more distortion. The result was fantastic. Snowden have taken that same advice. Their debut album comes out August 22nd, and their EP can be downloaded from their website.

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Hit The Switch

It’s not punk rock if you’re not pissing someone off. Hit The Switch will piss some of you off, and that’s a good thing. When a band names their album Domestic Tranquility and Social Justice you know they ain’t messing around. So yeah, there’s a message here and you may find it leaning too far towards socialism for your political tastes (that’s definitely the case with my father’s political bent…Hi Dad!) but Hit The Switch won’t try to convert you to any one way of thinking, they just want you to think. I suggest you close your political ears and listen with your musical ears and be converted by their fast, catchy, aggressive take on punk rock.

By the way, this is the second half of their album, available as a free download for a limited time from Nitro. The first half of the album was likewise available last month.

Nepotism note: I’m employed by the band’s label. But I dig this band and you dig free music so, so what?

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Jab Mica Och El

From the same label that brought you Secret Mommy come the similarly playful Jab Mica Och El from Denmark. Unlike Secret Mommy, Jacob and Michael seem less interested in making playful songs out of non-musical sounds (with the exception of the bicycle project) and more intent on making playful songs out of familiar instruments such as the banjo, flute, and tuba. After some laptop manipulation and reorganization, the sounds that emerge feel surprising and spontaneous, warm and real — as if some Appalachian robots got drunk and started to jam until they haphazardly came across a tune. Perfect for your next barbecue (Appalachian, robot, or otherwise).

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The Stevenson Ranch Davidians

It’s hot, it’s Sunday; let’s get spiritualized. Today I’m happy to point you to four psalms, hymns, and spiritual songs by The Stevenson Ranch Davidians. Theirs is the church of psychedelia and they seem intent on taking their congregation on a trip back to the Summer of Love, ’67 style. They make no apologies for inhaling the effects of the British Invasion, shoegazing, and the music atmosphere of Los Angeles in the late sixties. In fact they’re poised to join the pantheon of L.A. neo-psychedelic bands such as Rain Parade, Mazzy Star, The Dandy Warhols, Brian Jonestown Massacre and Beachwood Sparks. Is it any coincidence I whipped up a batch of grape Kool-Aid for the kids this morning? I think not. Bottom’s up!

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