Thieves Like Us

A great tip from Lismore’s email blast. The two bands just played Friday at the Delancy in NYC. I can’t stop listening to the 12″ from Thieves Like Us. This A-side plays like a lost track from the Trainspotting soundtrack. A little New Order, a little Daft Punk, a lot of dance floor fun. A tribute to tripping. 3hive does not condone illegal drug use (at least not before breakfast), but we fully support dropping beats that induce body moving euphoria. Tune into these two Swedes and a Yankee and let yourself go.

For those of you keeping score at home, this post marks 3hive’s 1,000th entry. Make some noise!

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L.A.O.S.

I’ve been holding out on posting this one…holding out for the day when L.A.O.S.’s brilliant (not to mention educational!) “Panda Style” single becomes available to the masses—or to me, at least. Alas, it’s not widely available in any format and I can’t, according to the 3hive Oath, keep awesome free MP3 downloads to myself. L.A.O.S. (Large Amount of Soul) are a drum ‘n’ bass trio from Helsinki with a great ear for deep hooks, cheeky samples, and beats that won’t quit. “Drowning Deep Inside Your Soul” is a good taste of their sound. However, if you want to hear “Panda Style” you can stream it from their MySpace page, or download the DJ Abraham (1/3 of L.A.O.S.) mix from their old school site where it sits alongside some other killer dubplates. Also, if you don’t mind voiceover—and in this particular case I really don’t—I’d recommend the thrilling Hospital Records podcast where I first heard “Panda Style” (thanks Moodmat!). Rumor has it, L.A.O.S. will release at least one title on Hospital in the near future. Fingers crossed it’s you-know-what…

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Kama Aina

I like to think, mainly because it makes me feel less pathetic, that everyone who went to college and studied something other than business administration had some kind of youthfully pretentious obsession. Mine was Marshall McLuhan, the new media oracle from the Great White North who looked like a professorial Salvador Dali, had a cameo in a Woody Allen movie (nay, the best. cameo. ever.) and was an astoundingly salient bullshitter. I ain’t saying I don’t still love the man, just that nearly a decade after graduation it’s funny to look back and think of taking my dog-eared copy of War and Peace in the Global Village to my bartending gig at Benihana and intensely and conspicuously reading it between mixing Mai-Tais—as if any of my Japanese coworkers gave a damn. We were so cool once, weren’t we? Anyhow, I think of McLuhan’s fabled “global village” now because two of my favorite Japanese acts (the other one is Cacoy) this year have come to me from the Danish label Rumraket, which is doing for non-European music in Europe what Minty Fresh has been doing for European music in the U.S. of late—namely, rockin’ it. Kama Aina, whose name is Hawaiian and whose sole member is Takuji Aoyagi, doesn’t rock it, per se, he soothes it with loopy little lullabies built around clean, undistorted percussion, guitar and other sweet, naturalistic sounds. “Hotaru” is prettiest on headphones, where you can nearly see each bang and pluck. But if you’re just not that visual, check out the video for “Glasgow Sky,” which is as inventive as Bjork and twice as contemplative.

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Kunek

Tim Ortopan is back for another guest DJ session. About 9 months ago he brought us Joseph Arthur. Now we have Kunek. O:

I went to high school with a kid named Kunec and at first I wondered if there could be any connection to the band Kunek. They sound like they could have been the socially awkward students sitting alone at lunch reading computer magazines that I remember. Could he have produced these beautiful songs of loneliness and sadness? It seems unlikely as I did not go to high school in Oklahoma nor could the student that I remember ever be described as “a delicate intersection of science and emotion—at times organic, dynamic, buoyant or ethereal.” I hope things are going well for the Kunec that I remember, but I know you will enjoy this Kunek straight from the flowering Oklahoma art-rock scene.

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Beat Hive




3Hive.com


We’re pushing three years serving music fans by “sharing” from artists and frankly it’s time we give back to the music makers. Introducing BeatHive.com (no relation to 3hive). BeatHive is an online marketplace for musicians to buy and sell loops. They currently have producers from the US, UK, Spain, Argentina and Canada, offering their best loops in Apple Loop and Acid formats, which work in programs like GarageBand and ACID. This means even uninitiated songwriters can grab some loops and start banging out the hits.

We came across BeatHive and thought it was the coolest thing since curly fries, so we asked them if they’d be willing to share some free loops with y’all. They said yes! Both WAV and AIFF formats are available and all the loops are 100% royalty free. Mouse over the handy buttons to hear each of the loops. The download links are just below.

3Hive 12-pack Contents:

Drums 1 Synth 1
Scraper Guitar 1
Triangle Drums 2
Guitar 2 Pedal Steel
Electric Bass Synth 2
Drums 3 Bass Synth
Download Apple Loop AIFF Format Here
Download ACIDized WAV Format Here
(Not sure which format to use? Click here.)

CONTEST: Make Stuff from BeatHive, Post it on 3Hive!

Now here’s the fun part: create a piece of music using all or part of at least six loops from this 12-pack and post a URL of the mp3 to the comments. Five top compositions, picked by 3Hive and BeatHive, will receive a free Best of BeatHive, Vol 1. DVD-ROM (click here to check it out) that’s just chock full of royalty free loops, a 12-pack of CDs from 3hive artists, and we’ll post the tracks on 3hive (CONTEST ENDS 1/22/07 and we reserve the right to make up the rules as we go along).


The Crabapples

Yes, OCD, you don’t need to tell me. “Hi, my name is Clay, and I’m obsessively compulsed with Slumberland Records!” Hey, the first step is admitting you have a problem. And my problem is the self-described “loud but melodic…catchy tunes played with sloppy abandon” that are Slumberland Records and the Crabapples. Continuing with the self-descriptions, the Crabapples rush “along in a breathless blur, fuelled by lager, explosive tunes and a love of great pop.” I’ll be sure to bring that up at my first meeting…

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Tom Rothrock

An album named after the instrument it fetishizes, Resonator (a wood-bodied guitar with a single metal coned center often called by the brand name DOBRO) is producer Tom Rothrock’s first album as a recording artist. You’ll immediately recognize the Resonator’s bluesy soul sound as the backbone of many of Beck’s early songs. You old-timers and blues enthusiasts may scoff at pop music’s grope at authenticity, re-discovering the guitar some fifty years after its heyday. You cannot, however, chide Rothrock’s passion for the instrument. This instrumental work resonates with respect and reverence. He adds hip-hop beats, live drums and strings to the equation for a cinematic mood and scope. Fitting, considering it was Michael Mann’s urging Rothrock to compose the score for Mann’s film Collateral, that set the prolific producer to work on his own compositions. Getting your hands on the entire album may prove problematic as it’s been limited to a one-time pressing of 1,203 hand-numbered copies. Not to fear, it’s just the first in a series of instrumental albums planned by Mr. Rothrock, released via his newly re-launched Bong Load Records.

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Blake Miller

“Son, you must be/Your own tree/Let your roots grow/Let them grow deep.” Wise words, though when sung by a 19-year-old Blake Miller they’re not so much delivered as sage counsel to the listener as they are repeated the way a kid would sing the grocery list on his way to the corner store lest he forget. Blake’s youth isn’t the only thing that makes him sound so special. His very human and melodic brand of folk helps distinguish him from the so-called “freak folk” genre (see Devendra Banhart) and creates a space he can call his own. I guess you could say he’s being his own tree…

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Hello Saferide

Remember a few weeks ago when I gave you some music that my pal Lisa had recommended? Well, she’s done some more spot-on MP3 hunting, and rather than give my own take on it, let’s hear directly from the woman herself. Take it away, Lisa…

Everyone loves love. We really do. We love us some love. And because there simply aren’t enough misanthropic recluses out there who can’t find other humans to care for their sorry selves, there is a truckload of songs made to feel how we feel. And that’s great. Really. It’s great. That said, it was breath-of-fresh-air time when I finally to listened to Hello Saferide – a guitar-playing Swede who’s a little nutty, a little neurotic, totally self-conscious and, OMG, she’s not even a little bit afraid to be such a girl.

Hello Saferide wishes her ex-lover the very worst on Valentine’s Day, she hopes you keep your socks on in bed because, well, she’s still scared of feet, and she knows that “somebody” ordered too many drinks last night and “somebody” reckoned that dancin’ on the bars was all right. Yep she’s a total mess, but she delivers her personal brand of nuttiness with such quirk, flare and snark that I’m right there with her. It’s nice to hear someone feeling how SHE feels, not how she thinks the rest of us will. And somehow, underneath all of that idiosyncrasy and Hello Saferide-ness, it’s all totally relatable.

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Aloe Blacc

I’m ashamed to admit I would have passed this guy up if I had to gone on name alone. Not to be a jerk, but Aloe Blacc?? Are we really running out of stage names? What’s wrong with Nathanial Dawkins? But, after taking in his magnificient R&B gem “I’m Beautiful” for the first time, I got over my prejudice real quick. This guy’s voice is pure enough to invoke comparisons to Motown legends. His debut, Shine Through has just the right amount of polish (despite being recorded in a makeshift bedroom studio) and draws from a rich array of musical influences, old and new. If most Stones Throw releases reek of chronic (not that I’m complaining, mind you), this joint’s a breath of fresh air. Inhale.

Stones Throw took down the “I’m Beautiful” MP3, but you still get a lovely B-side from the single.

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