Alex Delivery
Alex Delivery is comprised of members from former Eastern Bloc nations and Korea, so the harsh realities of totalitarian communism aren’t just a trendy design concept to them (even if they all met in art school), it’s a way of life. You can tell on Komad, which starts like the cast of Stomp lost one of their own and decided to throw him a New Orleans-style funeral march. Then, it keeps going… It’s borderline infuriating if you’re not in the right mindset for 10 minutes of dissonance, but if you allow yourself to get into Alex Delivery’s dystopian groove, you might just stomp along with them.
Dustin and the Furniture
Jake from SLC tossed us a bunch of suggestions about a month ago, and Dustin and the Furniture on Oh! Map Records seemed like an interesting choice. According to the label website, this Georgian “sings songs about trees, birds, nothing, everything, and not knowing anything.” And this he does so delicately as to be concerned that Dustin might break if these songs are downloaded too many times. Maybe he just needs someone to buy him lunch. Anyone got some change to throw into the open guitar case?
Bill Coleman
Really, it’s not that I’m lazy. It’s that Phil can talk about Bill Coleman much more effectively than I can, so let’s let him: “Essentially, Bill Coleman is a finger-picking-guitar-style singer-songwriter from Cork, Ireland. He released his debut album I’ll Tear My Own Walls Down in February, and has some free downloads on his website. I go to his live show every chance I get. The guy knows how to put on a show, especially when he has his full band (at times, reviewers try to compare his live shows to The Flaming Lips, for the sheer zanyness, and positive, uplifting vibes to come from the music and the persona of Bill himself. Some songs may dredge you through the darkest areas of the mind at times, but somehow, Bill always manages to find some light at the end. His quiet/sad songs are simply sublime and majestic. His upbeat songs leave you with a smile on your face, and the feeling everything will be alright.” See?
Brian Jonestown Massacre
1996. Methodrone. The first LP from the Brian Jonestown Massacre was the inspiration for Mike G and I to finally start a band after months of talking about it. You see, I had gotten in his car with some friends not really knowing Mike, and lo and behold, playing in his car stereo was Lilys’ Eccsame the Photon Band, which was my favorite album at the time. Mike and I quickly became good friends, yet the band talk continued until Mike brought over the Methodrone CD. Mike drafted in Chris on bass (I’d have to play the basslines before each song so Chris could remember) and Tom on drums (He was a skater kid so every song gradually got faster and faster while we played). We advertised for a lady singer and the auditions consisted of Mike and I playing BJM songs while getting the wannabes to sing to them. After several hilarious auditions, we had the good fortune of meeting Jessica Foxylady and convinced her to join us. Our first song: BJM’s “Wisdom.”
Anton Newcombe has put out seemingly dozens of albums in dozens of styles with seemingly hundreds of band members, is the subject of the film Dig, and has been called every name in the book and visited every city in the country. All of those albums are available for free download from the BJM website as zipped ogg files.
Also of note is the Brian Jonestown Massacre Fans’ Cover Project, a fantastic site which has collected an ever-growing number of songs. My two faves are below.
CoCo B’s
When CoCo B’s dropped their new tracks into our mailbox I experienced a spell of flashbacks: me and Matt from The Bronx hauling out to Anaheim every Sunday night, Alberto’s burritos in hand, along with crates full of CDs from Orange County bands. This was back in 2002, before Indie 103.1 was around, and a small staff of music-heads were running a great alternative station with a stupid name: Cool 94.3. Matt and I produced and hosted a (four hour!) local show called Go Loco and CoCo B’s track “Big Okie Dokie” was practically our theme song. I haven’t heard anything from them until now.
It appears CoCo B’s have been laying low, working day jobs, taking lots of time to record their new album. Alex Newport mixed the record. Sounds like the band has pulled out all the stops. Compared to the small, hushed strains of “Big Okie Dokie,” their new songs, like “Modern Lover,” are built to rock The Pond without losing their uber-indie cred. Kevin’s vocals are the American, sweeter, less monotone version of Mark E. Smith—which, ironically, make them sound nothing like Mark E. Smith if that makes sense. Gentler than The Replacements, less drugged out than The Lemonheads, CoCo B’s wear their fuzzed-out pop anthems on their sleeves as they shoulder their way through the crowd of bands hoping for their fifteen minutes. This review outta be good for .001 seconds. At least.
CoCo B’s are playing May 10th, with Ima Robot at Detroit Bar in Costa Mesa.
The Utah Carol
Joe is reigning king of the mix tape. While most of us have grown lazy (just look at our sporadic podcast output), Joe still makes mixes — most often on CD-R these days — with little more impetus than capturing a theme or mood: spring songs, road songs, grading papers songs, cooking songs, songs featuring a particular girl’s name… The latter prove to be the most difficult (unless your name happens to be Baby), which is why Utah Carol’s latest album, Rodeo Queen, reminded me of Joe. Among the 13 rich country pop songs we have “Kimberly Smiles,” “I’m Sorry Maria,” “Sam’s Ranch,” and, featured here, “Ruby” and “Come Back Baby” (see, they even have Baby covered). Utah Carol, named after a traditional song about a cowboy who dies trying to save his friend from a stampede, are in fact the Chicago-based JinJa Davis and Grant Birkenbeuel. They take country and pop influences with equal weight, producing precious harmonies, delicate instrumentation, loping rhythms, and memorable lyrics. Hit record, Joe.
Astrid Swan
At the risk of sounding like one of the tools in an Astrid Swan song, there’s nothing more alluring than a complex female musician. Of course, the Finnish singer/songwriter is all too aware of this, as the title alone of “They Need You If They Think You Love Them†makes clear. So, perhaps I think she loves me, or perhaps I just like the sharp wit of her lyrics and the tender knowing of her vocals. Think Tori Amos in moments of levity or Aimee Mann at the piano. It’s something lovely, if heartbreaking, if totally intoxicating.
CocoRosie
We’ve had so many requests to post CocoRosie that I don’t even know who to thank for the suggestion. What do these fans dig so much about CocoRosie? How about: cool beats & fractured rhythms, sonorous atonality & coherent dissonance, pageantry & experimentation, mythology & realism. Sierra and Bianca Casady — Rosie and Coco — do their own thing (that is, that thing that good artists do). This can be heard on their latest album, The Adventures of Ghosthorse & Stillborn, out now on Touch and Go Records.