I have a lot to be thankful for, including two incredible live music experiences in one week: The wonderful Arcade Fire last Thursday at the Magic Stick, and a reunited, rejuvenated Pixies at the lovely State Theater in downtown Detroit. A bit of backstory, the Pixies’ Surfer Rosa/Come on Pilgrim is one of the first compact discs I bought in The Great Format Switch of 1988 and has had more front-to-back spins than any other CD I own. Yet, for a number of reasons, I never had the chance to see the Pixies play live until the other night. Let’s just say, they bought me a soda, they bought me a soda and tried to molest me in the parking lot…yep, yep yep! They were so tight (Dave Lovering was playing drums like it was his last chance on earth), no one was holding back, and they played for two solid hours and hit every single song on my wish list. Joe and I tried hard afterwards to think of anything else we would have had them play and all we could come up with were B-sides and agreed that was way too greedy of us. So that backstory now has a happy ending. Merry Thanksgiving everyone!
Kelley Stoltz
I’m a sucker for bedroom recordings and Kelley Stoltz has certainly raised my lo-fi expectations. Unable to settle with any one sound, Stoltz wanders from spaced-out, folk songs, to downtempo Nick Drake moments, to Theremin-tinged psychedelia. Add to this his solo interpretations of classic Echo & The Bunnymen songs and it’s as plain as the nose on your face that you’ve been missing something. This may be your first taste of Kelley Stoltz, but I’d wager it ain’t your last.
Limbeck
I was one of those kids who got beat up during recess at elementary school because I knew all of the state capitals by heart and told everyone what they were, in order. Limbeck are like that, too. Their pop is jangly (there’s that word again) and fresh, their subject matter is late-teens and early-twenties heartbreak/confusion, and their knowledge of geography is absolutely impeccable.
The Makers
Sometimes you just gotta rock. What is it they say… you can take the glam rock out of the garage, but you can’t take the garage out of the glam rock?
Desaparecidos
Taken from young Conor Oberst’s rockin’ thesis on everything wrong with modern-day U.S.A., this is my last attempt to get out the vote. Here’s to a brighter future, so Conor can go back to singing about failed relationships with movie stars…
Les Savy Fav
While searching high and low, door to door, looking for a tasty Halloween treat to share, I hit the jackpot. Like going trick-or-treating in the rich kids’ neighborhood where every other house passes out full-size candy bars, Les Savy Fav and their labels are generous enough to fill our plastic pumpkins with music. Discordant, danceable, and definitely worth a good pogo. Les Savy Fav are making their way down the West Coast in a week. Hold on to some of those sweets, you’ll need the sugar fix to keep up with these fellows.
The Natural History
The Tepper brothers are the driving force behind The Natural History. With their comrades, they push out a pop-rock (or should that be rock-pop?) that entices and enthralls, like so many things from Brooklyn. The second album is still in process; these tracks from their debut should help shorten the wait.
Yeah Yeah Yeahs
Unfortunately for us, John Peel’s favorite song, “Teenage Kicks” by the Undertones, is not available for 3hive to post. And my favorite Peel Session, Wire’s on January 18, 1978, is also not available. So, as I perused the list of bands and artists who had Peel Sessions, The Yeah Yeah Yeahs just jumped out at me. So listen, and think of John Peel.
The Marlboro Chorus
Imagine Ween and Pavement each running for president. But, unlike next week’s real choices, you actually liked both candidates. Who would you vote for? Undecided? Enter a third party: The Marlboro Chorus.
Kleptones
These “original” tracks feature some swell breaks ‘n’ beats ‘n’ what-not but, to be honest, the Kleptones aren’t nearly as interesting when abiding by copyright laws… This post is merely an excuse to plug their new mash-up-and-more theme album, A Night at the Hip Hopera. After giving the Flaming Lips a b-boy makeover with Yoshimi Battles the Hip Hop Robots, the audio kleptomaniacs are back at it with a similar tribute to Queen. To have a listen, head over to Waxy.org, where you’ll find the complete album for download as well as a collaborative dissection of the countless samples used therein.