Austrian singer/songwriter Max Tertinegg, a.k.a. max Min, writes romantic, modern pop (that’s right, I’m on a pop kick… I’ll soon recover) replete with dreamy strings, horns, synths, harmonies, flawed English…whatever the moment calls for. It’s rather magical stuff. He’s got a political side, too, having crafted this amusing device that allows you to play speechwriter to The Decider himself (a little nod to “The Daily Show” there). Fun for the whole fam.
Bing Ji Ling
Let’s start the weekend off right with two fine examples of this new Bay Area Soul that’s been brewing up North for sometime. First, it’s Bing Ji Ling. Loosely translated it means “ice cream” in Chinese. Not many east Asian influences in his music, but sweet and creamy grooves abound. His record, Doodle Loot Doot Doodle A Doo, has been out a couple years now and he’s been busy in the meantime. He’s remixed the likes of Quannum’s Curumin and Blackalicious and has collaborated with Darondo and Tommy Guerrero. Bing Ji Ling is 100% party music and he’ll get you going like it’s 2099. Watch for a new album this year, and catch him live to enjoy tasty ice-cream treats courtesy of his hot-bodied entourage.
Nino Moschella
Next up, Nino Moschella. More low-key than Bing Ji Ling, but all up in your groove nonetheless. Moschella offers up a smooth blend of electronic and acoustic elements while channeling the raw, gritty funkmasters of the ’60s. He keeps the instrumentation minimal which leaves more room for the soul, baby. The Fix, his debut album, is out next week on Ubiquity.
Absentee
Absentee’s calling card is the world-weary, whiskey-soaked voice of Dan Michaelson, who may remind you of Kurt Wagner of Lambchop or, as the band’s MySpace page puts it, “Leonard Cohen singing from the trouser backed up with a mix of incompetence and occasional suprise.” Whatever the case, “Something to Bang” is a brilliant blast of horns and wit but somewhat of a “radio single” compared to my favorite: the simple and resigned “Hey Tramp.” Both are available on their new album Schmotime which you can find on eMusic to avoid paying import prices.
Bill Patton
Available in its entirety for free download from Bipolar Productions, Bill Patton’s cleverly fragile debut album Gets It On is looking for a good home. Part Neil Young from the “Sugar Mountain” days, part Dashiell Hammet meets Nick Drake (the title “A Crimefighter Who Pities Fools” should say enough), Patton’s sparse arrangements, with mumbled vocals and piercing pedal steel guitar, are about as emotive as you can get. Try two originals (especially “Dirty Woman”) and two covers — yes, from the Beatles and Prince — to get a handle on his unique sound and, of course, to enjoy. PS Thanks for the tip, Justin.
The Minor Leagues
Only thing minor about this Cincy outfit is the occasional chord… Their vibrant, orchestral, and decidedly grounded pop sounds like it could be the fruit of the now-defunct Elephant 6 label but instead comes from datawaslost, the same collective that brought you Coltrane Motion.
Beirut
Zach Condon is an A-student from Albuquerque who bummed around Europe for a few months and came back with a head full of Balkan harmonies just begging for a pop reawakening. With the help of Neutral Milk Hotel’s Jeremy Barnes, who lends lovely layers of percussion, they’ve gotten just that. Condon’s melancholic, lazy-tongued crooning owes more than a little to the Magnetic Fields’ Stephin Merritt, as does his ability to turn the oddest mix of melodies into an aural box of chocolates. From a hodgepodge of musical traditions, and without a single traditional pop rhythm, Beirut creates little gems that will stick in your mind as much more than just quaint novelties from faraway locales.
Chad Van Gaalen
So this Chad fellow, the story goes, has been creating music in his bedroom for years, playing all the instruments, yet never releasing it to the public. Until nineteen of his countless songs were put together on the album Infiniheart, a wonderous collection of ballads, confessions, indie rock, driving drones, and genuine songwriting. That must be some bedroom…
Amiina
Currently on tour with Sigur Ros, this quartet of Icelandic, multi-instrumental women have their own kind of big. They play on Takk (Sigur Ros’ latest, like you didn’t know) but they drop some serious experimental in their own set. Polyrhythmic, soft and still textured, it’s like the quiet on a sunny Saturday afternoon in autumn, about 4 pm, before the party starts.
The track linked to here is off their 2005 EP AnimaminA.
Maritime
I know I’m supposed to write about Maritime from Milwaukee — their latest album, We, the Vehicles, was just released, they’re made up of former members of The Promise Ring and The Dismemberment Plan, and everyone else is giving them some serious press time. But the Flameshovel website’s story about the band is so affected, pretentious and self-indulgent that I kind of want to write about Maritime from Belfast and Brighton instead. The thing is, they have an annoying bio page too, and their “life-affirming folk-soul,” as exemplified by “Like a Firefly” (click here if you want to listen to it) doesn’t do it for me like the other Maritime’s excellent track “Calm,” available below. I’m not sure if the idea that “Maritime remains solidly tethered to pop perfection, but has taken space to let that pop cycle through all its permutations” helps, or even what that means really, but “Calm” is a sweet tune. Enjoy!