With the first hit of the drum, pluck of the bass and strum of the guitar, for a split second, I hear the opening of AC/DC’s “Highway to Hell” (gotta throw in an obligatory reference to today’s once-in-a-century date). All you rockers, don’t get your hopes up. The stadium rock doesn’t continue, at least not in an AC/DC sense. However, the herky-jerky pogo beats, the Hyde brothers’ thick, northern British accents, and their soaring harmonies kick in full force. The Futureheads are often compared to XTC, with good reason (and not in a bad way: they sound neither nostalgic nor derivative), and the similarities continue on their second record, News And Tributes, out next week. “Worry About It Later” sounds as if it was pulled from the English Settlement sessions, mixed with a little pop-opera. Don’t expect anything near a slump for these blokes as their powerful/playful style, which has earned them opening spots (on stadium shows!) for Oasis and The Pixies, has only matured and had this come out some forty years earlier I can imagine The Futureheads playing with the likes of Townsend and company. Here we are, back to the future and you’ll find them out on the road in North America, starting next week, with French Kicks for the first leg and Tapes ‘N Tapes for the next.
Goodnight Monsters
If you’re fluent in German you might enjoy the online magazine Spoonfork (in English we call it a “spork”). I don’t speak German, so I can’t give it a proper review. They’re kind enough to link to our entries once in awhile, so I’ll stop by there every so often to hear what they’re listening to. They seem to have a weak spot for sunshiney pop, and indeed Finland’s Goodnight Monsters are beaming with it. “20 Fingers 20 Toes” is an anatomically wonderful love song which captures a couple cataloging their combined body parts. Contemporaries might include The Boy Least Likely To, influences obviously include The Beach Boys and Burt Bacharach. This is a shimmering gem you’d be wise to add to your forthcoming Summer mixes…
(By the way: today is the last day to enter our Psapp contest)
Isabelle Antena
Isabelle Antena is a Parisian songbird whose bossa- and samba-inflected electro-Francopop is as glamorous as it is playful. And she’s been making hip jingles for almost three decades. Antena released Camino del Sol 25 years ago on Benelux, the continental stepchild of Factory Records. So while New Order et. al. were taking over clubs worldwide, Antena were mostly, and criminally, overlooked. Yet, you listen to the coy cover of “The Boy From Ipanema” and, beyond sounding like it could have been recorded this year in a Williamsburg loft, you realize where bands like Stereolab got their groove. Antena is back with Tujours de Soleil, ostensibly a follow-up to Camino. “Spinner” is perfect for urban adventures, but unfortunately the only version I can find for download is only two-thirds the length of the original. Fortunately, Isabelle has a career-spanning catalog of MP3s on her site, so make a sampler and plan that trip to Paris sooner than you thought.
Beatnik Filmstars
They’re back! After a seven year break, the Beatnik Filmstars, Sam’s and my favorite lo-fi noise pop band of the ’90s, have released a 23-song album, In Great Shape, that’s full of hooks, fuzz, crashing cymbals, strange noises, muffled voices, and buckets of pop. It’s like they never left!
Entre Rios
A three-day weekend’s nothing compared to the joy of Darla Records finally getting with the times and converting their fabulous label CD sampler series, Little Darla Has a Treat for You, into a download-only affair (albeit 64kbps…). You may have already read Sean’s Junk Drawer post about Little Darla Has a Download for You but I’m guessing both Clay and I will take the opportunity this week to finally herald some of our fave Darla acts. I’ll start with Entre Rios. Think of them as Argentina’s Everything But the Girl, because Isol just sings and Sebastian just writes. Or don’t think of them as anything, and just get lost in the angelic loveliness of “Claro Que Si” (one of my favorite Spanish phrases to drop into everyday conversation) from Entre Rios’ 2005 album Onda.
Gordo Gringo
We’ve been enjoying Beat Radio for a while here at the Hive, so it’s always nice to hear what else the guys have going on. Guitarist/vocalist Phil Jimenez and drummer Jim Mansfield, along with two more friends from Huntington, Long Island, New York, have been busy with Gordo Gringo, whose simple melodies and pensive chords mix just right with Jimenez’s gravelly, cathartic vocals. “Old Suitcase†is a particularly bittersweet anthem, and the other two tracks here aren’t far behind.
Kid Casanova
Nothing fancy here. No frills. Just stripped down pop hooks and straight-ahead melodies. Kid Casanova have nothing to prove. They’ve written and recorded a solid set of songs, keeping ’em loose and relaxed, and it’s up to you to loosen up your belt, so to speak, and take them in with a few dogs at your weekend BBQs, or not. If you’re asking me though, I’d tell you crank it up at your picnic blanket as you’re knocking back a few cold ones.
Pony Up!
With all the recent focus on the Mexican border we’ve taken our eyes off the one above us. We shouldn’t let aliens like this in unnoticed. There’s great energy in their sing-along melodies and deceptive naiveté. And now for a totally random metaphor: you know how when you’re steaming vegetables and you keep the steam on too long and the brocolli gets all soggy and mushy? Well Pony Up! isn’t like that at all. They’re perfectly past that raw point to keep things crisp and snappy.
Cornershop
3hive reader Saud dropped a wake-up call in the Suggestion Box about Cornershop. He wondered if we’d heard of them. Yep. Heard of them, seen them play live, even worked the term “everyone needs a bosom for a pillow” into a conversation once…but, as so often I do with bigger acts, assumed they didn’t have a free and legal MP3s to share. My face is red; I stand corrected. Here’s some material from a couple years back, including the wickedly infectious MIA remix of “Topknot.” New full-length due out in June. So keep it locked.
Blonde Redhead
For the past 10+ years Blonde Redhead has delivered some of the finest textured music from the indie world. Each release brings their old-world pop sounds, complete with orchestral flourishes and whispery vocals, into crisper focus. Fortunately for us, we’re at the tail end of down time between records. It’s been over two years since their last album, and it sounds like the band is in the process of recording a new record that’ll be available early next year. Too long of a drought in my opinion. But I ain’t gonna complain. Not when they’re the kind of band that enlists David Sylvian for vocal duties (for an alternate version of their song “Messenger”). I’m including the video to my favorite song from the band, “Equus,” below. For some reason the song’s buried at the end of the album Misery is a Butterfly and it’s easy to miss. Don’t miss it.