Listening to “Alive Until Saturday Night” by Hexes and Ohs made me want to pull out my New Order albums from high school and get back into that groove again, but of course, they’re on vinyl! Like I have a turn-table… besides the one I got for my 12th birthday in 1983, which is probably in my parents’ basement somewhere. For better or worse, their other downloadable track below, “This and Other Distances,” calls to mind Death Cab for Cutie rather than the sounds from when sequencers were young. Hexes and Ohs, a Montreal duo with an ’05 album, Goodbye Friend, Welcome Lover, and maybe another coming soon, are another great suggestion from Dawntread (she sent us Canasta from last week).
Solo Andata
My family is about 1700 miles away right now, which probably makes me even more of a sucker than usual for this meditative, lonely man’s free jazz. Or maybe there’s an even deeper connection I’m feeling… Solo Andata is a long-distance duo as well: Paul Piocco and Kane Ikin, who live in Perth, Australia, and Stockholm, Sweden, respectively. They collaborate by means of modern connectivity, as I do with my wife and kids, which is great but means you kinda have to fill in the gaps in time and distance with your own imagination and memories. The resulting sessions are sparse, yet richly textured and nuanced, giving you the sense—and I know I sound like Abe Simpson when I say this— that you can actually hear the wear and tear that comes from sending their tracks back and forth over such long distances.
Be sure to check out their remix as part of Ryuichi Sakamoto’s Stop Rokkasho project, available on their MySpace page.
Jab Mica Och El
From the same label that brought you Secret Mommy come the similarly playful Jab Mica Och El from Denmark. Unlike Secret Mommy, Jacob and Michael seem less interested in making playful songs out of non-musical sounds (with the exception of the bicycle project) and more intent on making playful songs out of familiar instruments such as the banjo, flute, and tuba. After some laptop manipulation and reorganization, the sounds that emerge feel surprising and spontaneous, warm and real — as if some Appalachian robots got drunk and started to jam until they haphazardly came across a tune. Perfect for your next barbecue (Appalachian, robot, or otherwise).
Sapporo 72
Sapporo 72 comes to us today courtesy of my new friend Tracy T., who made this suggestion last night as fireworks were exploding over our heads. Now, you know this whole 80’s new wave thing that’s been going on for a while? Think that’s the only 80’s drama the kids these days are unearthing? There’s a whole lot more to the 80’s, and in this case we’re talking about electro-synth-dance-pop, a la Depeche Mode, Kraftwerk, Erasure, etc. So let Sweden’s Sapporo 72 take you on a trip down memory lane, updated for the new millenium.
Books on Tape
Books on Tape is actually just one Todd Drootin (should that make it Book on Tape?), current resident of Los Angeles (where I’ll be landing tomorrow, by the way). Todd was raised on punk, but was then hooked by electronic music and hip-hop as he began making music. The result: “beatpunk,” as coined by Todd himself. The energy and spirit of punk, expressed through electronics, very deliberate and focused, not as brash and concussive as say Atari Teenage Riot or Les Georges Leningrad.
Brian Eno + David Byrne
Today we’re going back twenty-five years to 1981 (would someone check my math on that?). Brian Eno and David Byrne collaborated to produce the album My Life in a Bush of Ghosts. The album highlights the pair’s mutual love for African pop and rhythms. The track offered here, “Regiment,” is obviously influenced by such music. Its rhythms and percussion are also reminiscent of another album released in ’81, Japan’s Tin Drum. Eno + Byrne’s album set the template for later works of world and electronic music. My Life in a Bush of Ghosts was re-mastered and re-issued this year and the complete multi-tracks to two of the songs are available for download on Bush-Of-Ghosts.com. Producers are encouraged to use the tracks in their own work, or remix the songs and upload them back to the site. The site also features archival press coverage, essays, photos from the recording sessions, a video and polaroids by David Byrne himself. A worthwhile way to spend your day procrastinating.
Si Schroeder
I love the first line of description regarding this guy on the Trust Me I’m a Thief website: “Si Schroeder is a six-foot hairy male who makes ‘music’.” To how many people in this world does that sentence apply, I wonder. And is it the hairiness or his height that matters the most (or the combination of the two)? Anyway, with all of the above you get Irish psychedelic electronica in a cool ambient vibe, and if you find yourself wanting it more, Si Schroeder’s debut album Coping Mechanisms will be released in fall 2006.
Marumari
Marumari makes electronic music just the way I like it, when I’m in the mood to chill to it, not dance to it (‘cuz let me tell you, it ain’t no easy feat to harness the energy of my dance moves in a little song. Nuh, uh. No way. But I’m not dancing now. And I imagine you aren’t either if you’re reading this—unless you’ve got moves I’m unfamiliar with). It’s smooth, warm, and he keeps things interesting without the glitch, klack, sputter. There’s an Eastern sensibility at work here, as if he’s creating extended mixes of haiku. All this from a young American raised on Pee Wee’s Playhouse with an unexplicable penchant for Gap clothes. Problem is, Marumari, aka Josh Presseisen, has been regrettably silent for the past four years, with the exception of this EP that he’s been giving away on his site since last year. Only for “awhile” he warns. Well, the links are still good, but who knows for how long. Get ’em while you can (btw: some of the smaller files sound like clips). I should mention here that Sam turned me onto Marumari back in the last millenium, and Brian over at Fun Time OK hipped me to the free Pathscrubber EP.
Manual
I promise this will be the last plug I give a Darla artist this week (gotcha…it’s Saturday!). Manual is Danish prodigy Jonas Munk. At age 22, he’s already got over a dozen releases to his name(s), many of them an epic 10+ minues in length. I always thought it was weird when music critics would use the term “big” to describe a sound. But that’s about the best way I can think of to describe Manual. Big and warm and familiar. In fact, Darla’s press release says: “In Jonas’ world there’s no line between dream pop and stadium rock…” So here I am, lighter held up high.
Balún
The emerging theme from the last two days is unintentional: more electronic treats from Latin America. Today it’s Balún—Puerto Rico’s answer to Múm. You had no idea Puerto Rico had an answer to Múm, did you? I certainly didn’t. Consider ourselves clued in. Balún’s songs tend toward the cinematic: gentle textures unfolding into soft rhythms and child-like vocals. These downloads are from the past couple years, but they do have a new album coming out in June on Brilliante Records out of Chicago. The video below is their first from that release, Something Comes Our Way. Oh, and Sam, let’s hear you work this phrase into conversation, “hay una piscina en la nube (there’s a swimming pool in the cloud).”