Truth be told, I don’t know any more about The Mammals than what I read on their website. (It tells us that they’re a folk-rock quintet, a string band offering up traditional music sometimes, political rants at other times, and generally having fun traveling around in a van.) There are other downloads available on their website, too, but there’s something in their cover of Richard Thompson’s song about the Vincent that just works for me. Maybe it’s because I’ve been listening to a lot of Woody Guthrie over the last few days, using “Pretty Boy Floyd” to teach about the Great Depression in my U.S. History class, and letting the disc run on with “Jesus Christ,” “Pastures of Plenty,” and “Blowin’ Down the Road.” This take on “1952 Vincent Black Lightning” (Google says Thompson’s version is the most-requested song on NPR) fits perfectly in this series — the overwhelming narrative strength, the focus on the human condition, the crooning and the picking… Maybe later on this week I’ll plug in again, but for now I’m adjusting my audio-carbon footprint and going straight acoustic.
Michael Brook
Michael Brook fits my mood to a T these days. Melancholic, introspective, thoughtful, and downright chill. I first discovered Brook via his work with David Sylvian and Rain Tree Crow (and later with Robert Fripp). This prompted a purchase of his album Cobalt Blue, which I often turn to for a dose of sheer mellow bliss (Do yourself a favor and track down the song “Breakdown” from that album). Brook lures listeners in with his infinite guitar, an instrument of his own making, designed to sustain a note indefinitely. I’m not sure if he uses this instrument on his current album, but his guitar work remains gorgeous nevertheless. The first two tracks come from his newest album, Bell Curve, which is a companion piece to last year’s RockPaperScissors. He also scored the movie An Inconvenient Truth where you can find the song “Election.” His soundtrack to the Michael Mann movie Heat allows deserves investigation. Oh, and I just about forgot his score for Sean Penn’s Into The Wild. Michael Brook is quite possibly your favorite movie composer you never realized you’ve heard. Until now.
The Warlocks
Having started out on BOMP Records, former home of kindred spirits the Brian Jonestown Massacre, the Warlocks made a big jump to a major label. So what happened with that? As expected, the big label boys got all up in the Warlocks business, and after one album, they’re back in indie-land at Tee Pee Records…home of kindred spirits the Brian Jonestown Massacre. Feeling lazy after the holiday, I’ll leave it to the Warlocks themselves to describe their new LP Heavy Deavy Skull Lover: “Eight electric tales moving from space-marooned heavy blues to angelic, opiated dream haze—all propelled via the crud-fuzz of White Light/White Heat Velvets and Jesus and Mary Chain and the sprawling, melted constructions of Spacemen 3 and Red Krayola.”
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Mikrofisch
Mikrofisch is our first entry from the Hamburg net-label, Komakino. Their album, Masters of the Universe, represents the label’s first full-length release (the band’s second) and you can download it, in its entirety, here. Mikrofisch formed with the intention of covering The Smiths, but left their first recording session with four original tracks and “a brilliantly intimate lo-fi version of Morrissey´s Everyday Is Like Sunday on fourtrack.” Five years later Mikrofisch remains brilliantly lo-fi, and brilliantly playful, but from what I gather, this long distant recording duo (London/Hamburg) backgrounded their guitars around 2003 and opted for a synth-based sound. The first song, “Drum Machines Will Save Mankind” serves as a kind of mission statement for Mikrofisch in their understated quest to take over the musical universe: “Make a beat so we can dance, make the kids form bedroom bands.” Then Mikrofisch sets their alliances, forming their own Justice League of Indie Rock, in the tongue-in-cheek “Let’s Kiss and Listen to Bis” (hip, indie reference help). The band name drops some of their favorite bands and sounds circa 1995: Teenage Fanclub, Dinosaur Jr, Afghan Whigs, Sonic Youth, Twee, and an allusion to the now defunct March Records (“Keep Sparky’s dream alive…). Finally, it’s the micro-epic “The Kids are All Shite” in which Mikrofisch battle the current UK indie scene including HMV, NME, Coldplay, Keane, Kaiser Chiefs, Kasabian, Jet, Razorlight, their clones and fans. Delusions of grandeur? Perhaps, but Mikrofisch’s small and simple sounds are brimming with enough hooks and wit to bring their great dreams to life.
Causes 1 – Darfur Charity Album
For 90 days starting Tuesday, November 27th, the Causes 1 charity album will be available on iTunes. Three relief organizations — Doctors Without Borders, Human Rights Watch and Oxfam America — will receive 100% of the proceeds, earmarked for relief in Darfur, Sudan. The album is the inaugural edition in a Causes series offered by Waxploitation; the brief window of avilability, according to the label’s founder Jeff Antebi, is designed “to create a sense of urgency – to mirror what is a dire situation in Darfur.” Participating artists: Animal Collective, The Black Keys, Bloc Party, Bright Eyes, Cornelius, The Cure, David Sylvian, Death Cab for Cutie, (International) Noise Conspiracy, The Shins remixed by Clint Mansell, Spoon, Teargas & Plateglass, Thievery Corporation and Travis. A limited edition CD can also be pre-ordered at the Waxploitation website, listed below. Happy Thanksgiving, everyone.
Dujeous
Nothing says Thanksgiving to me more than Dujeous. Full disclosure: I’ve know these guys since before I was of legal drinking age, they are old friends and I am 100% totally, completely biased in their favor. Back in the good old days, there was always a Dujeous show to look forward to. You would see the family, put on your cute clothes and head out to whatever downtown venue the Duj happened to be playing at. You would have crushes on various Dujeous members. You would think you were really cool when you could sing all the words to “Spilt Milk”. But mostly, you would bliss out all night to the sweet sounds of good old-fashioned hip-hop, the kind that involves a drummer, a bass player, a trumpet and all manner of wonderful instruments. You may have heard the sounds of Dave Guy (trumpet) before, as he is super busy sidelining as a Dap-King, playing with Sharon Jones, a member of the Budos Band, appearing as a cartoon in the New Yorker and showing up on my television in Lily Allen’s band. The six other bandmembers, die-hard New Yorkers all, have been doing it up — producing, providing music for soundtracks of oscar winning films (see: Half Nelson), being MCs, touring what seems like ALL of Asia, popping up as staffers at my place of work, and just being Dujeous in general. (I’m told the name may serve as a noun, a verb or an adjective, depending on your mood.) I love them. Dujeous makes me highly nostalgic. More people should know about Dujeous. Hip-hop, instruments, big love for what they do — enough said.
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The Harlem Experiment
The Harlem Experiment isn’t a band, but a collective of music (specifically jazz, funk, and hip hop) fiends rustled together by Aaron Levinson to pay homage to the variety of sounds eminating over the years from, yes, Harlem. This is the third in Ropeadope’s “Experiment” series. They experimented with Philly and Detroit first. “It’s Just Begun” begins with a classic funk track by Jimmy Castor and The Castor Bunch, which DJ Arkive dismantled, re-cut, re-worked and scratched up a bit. From there, Eddy Martinez (keys for Tito Puente and Run D.M.C.) stepped in and laid down a screaming keyboard track. Their goal was to maintain the timeless quality of the original track. Do you think they hit the mark? The ears of this novice funkateer say, “we likey, a lot-y.”
Freezepop
What do 80’s electronic dance popsters Freezepop have in common with the Dead Kennedys and the Sex Pistols? They’ve all been included in the video game Guitar Hero!
Life has been good for Freezepop since we first posted about them on 3hive in July of 2004. They’ve been included in said Guitar Hero game that the kids love so much, and they’ll soon be in some MTV game (I’m not so good with reading to the end of press releases), but they sure keep pumping out the 80’s inspired electronic pop. So let that be a lesson to all you young bands and kids just playing Guitar Hero out there; keep doing your own thing, and maybe you, too, will someday be featured in Guitar Hero XXVII.
Original post July 7, 2004:
In their own words, Freezepop is “hip enough for hipsters but nerdy enough for nerds.” That pretty much says it all.