Vic Chesnutt

R.I.P.

I flew around a little room once. A line from Supernatural.
He was just that. He possessed an unearthly energy and
yet was humanistic with the common man in mind. He was
entirely present and entirely somewhere else. A mystical
somewhere else. A child and an old guy as he called himself.
Before he made an album he said he was a bum. Now he
is in flight bumming round beyond the little room. With his
angel voice.

Patti Smith

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3some: Xmas 2009

Photograph by Chris Ziebarth

Merry Christmas! Here’s our last installation of holiday cheer for the year. First up, a faithful rendition of The Three Wise Men’s (aka XTC) “Thanks for Christmas” by Ireland’s Pugwash. Led by Thomas Walsh, his band has a revolving cast of characters (Andy Partridge and Dave Gregory (XTC), Michael Penn, and Jason Faulkner. Watch for their U.S. debut next year. Next up, a song to remind everyone to keep their cool during the holidays by The Crookes. Cheerful on the surface with the ringing guitars and tambourines, but blue on the inside, relating the tale of a poor soul who gets the cold shoulder. Then a more traditional Christmas song from a band awfully generous to call themselves The Crookes. Check their 12 Days of Crookesmas for more holiday music. Hurricane Bells stuffs your stocking with a brief gem that I wish played through at least one more time. Songwriter Steve Schiltz, the former frontman for Longwave, has a new record out through Vagrant called Tonight is the Ghost. Last, but not least, London producer LJ Kruzer (Stephen Fiske) cranks out a bumping version of “We Three Kings” awash in heavy doses of synthesizer. Alrighty then, I’m off to celebrate Christmas Eve with sushi and the family. Peace and joy to you and yours!

Thanks for Christmas [MP3]
by Pugwash

Chorus of Fools [MP3] and
Oh Come All Ye Faithful [MP3]
by The Crookes

Christmas Don’t Be Late [MP3]
by Hurricane Bells

We Three Kings [MP3]
by LJ Kruzer

Total Babe

Compared to the bands I’m about to use to describe them, Total Babe could be named Just Babes. Still in their teens, this Minnesota quartet just performed their EP release party in their hometown and one of their mother’s baked brownies for the event. But their songwriting skills belie their ages. Oh the hooks! I was just listening to The Wishing Chair by 10,000 Maniacs and there’s a similarity in the two bands’ vocal deliveries, the languid enunciation, the stringing together of syllables from adjacent words, the way the vocals sound as if they’re sung in some other Germanic language. Or imagine Lush unplugging and dropping their tempo a notch. That’s it sort of— Total Babe strips away the feedback, the distortion, and the droning from the shoegaze aesthetic, leaving room for their heavenly vocals to breathe. Surprisingly, mature musical decisions for a young, fresh band.

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Atlas Sound

What does it take to to wake me from a 3hive coma? One simple tweet: “@diplo: i wish atlas sound would ask me to make them a mixtape.” Which got me thinking, How friggin sweet would that be? Which got me thinking, Wait, none of us have posted Atlas Sound on 3hive?? Which got me thinking, Where’s my login??? So here goes…
Atlas Sound is what the crazy prolific Deerhunter frontman Bradford Cox calls himself when doing the home recording thing. It’s hard to put a finger on his steez cause it morphs based on his mood and whatever’s moving him at the time. To get a sense of his wide range of influences, just check the playlist to his latest “micromix“. The common thread is a drowsy, droney, and often messy sheen to surprisingly tuneful and hypnotic song structures.
“Doctor” covers an obscure single from ’50s/’60s doo-wop act The Five Discs. “Walkabout” is a pop chant that’ll shimmy its way into your head and stay a while. And, given the season, I threw in Bradford’s oddly sentimental “holiday” tune from 2007. Now, I’m heading back to Twitter for more inspiration…

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Netherfriends

After a few days of obsessing over categorizing Netherfriends’ sound, I realized such efforts were unnecessary and that the six tracks on this EP were strong enough to stand alone. As vain as my attempts at classification may have been, I still have to try. Here goes: the majority of the Netherfriends EP is an exploration of pop possibilities. It’s an addictive mix of Animal Collective’s meandering instrumentation and the Elephant Six Collective’s tendencies to pay homage to ‘60s era pop. “Mom Cop” leans towards the latter. However you decide to categorize them, listener beware: I ended up memorizing the lyrics to all six songs in a day. Netherfriends exposed the addictive side of my personality.

– By Brie Roche-Lilliott

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