I don’t listen to David Bazan as much as I should. The reason why is pathetic. And definitely one a musician never wants to hear—that you love one album, or maybe just one song, so much that anything else from that artist pales in comparison, according to that person’s narrow, small-minded, myopic point of view. Guilty. My two favorite song’s from Bazan come from his Pedro the Lion album It’s Hard to Find a Friend: “Big Trucks” and “When They Really Get to Know You They Will Run.” I’m enamored by the way those songs sound like snippets from short stories, more narratives than lyrics. And their tempos, their simplicity, and Bazan’s young, quiet earnestness on that first record. I realize this is no excuse and I need to dig deeper into his catalog—especially if I plan on attending one of his upcoming West Coast living room shows (Tickets go on sale today. Only 30 are available for each show). I don’t want to be that chump in the corner only singing along to or requesting older material. I hate those people.
We just included Pocket’s Top 9 of 2009 in our on-going Best of 2009 lists from friends of the ‘hive. Be sure to take a gander that way for his take on art, apps and laughs along with his cover of New Order’s “Sub-Culture” for next year’s tribute album from 24 Hour Service Station. If you don’t already have any of Richard Jankovich’s songs in your pocket, now’s the time to start squirreling. Formerly of Burnside Project, Jankovich began remixing tracks for oh, folks like Beck, Radiohead, Cat Power and Antony & The Johnsons. And now he’s putting his depth of musical taste and history to good use in a series of singles marrying vocalists from bands like Dag Nasty, The Church, Shudder to Think, Liquid Liquid and Asobi Seksu with his own blend of electronic beats, blips, and blasts. I noticed he dropped a Human League sampled beat in one of his tracks as well—it’s like he’s curating the Gen X museum of music geekdom with his Warhol-esque pastiches of the past and ever evolving present.
Vic Chesnutt
R.I.P.
Patti Smith
3some: Xmas 2009
Merry Christmas! Here’s our last installation of holiday cheer for the year. First up, a faithful rendition of The Three Wise Men’s (aka XTC) “Thanks for Christmas” by Ireland’s Pugwash. Led by Thomas Walsh, his band has a revolving cast of characters (Andy Partridge and Dave Gregory (XTC), Michael Penn, and Jason Faulkner. Watch for their U.S. debut next year. Next up, a song to remind everyone to keep their cool during the holidays by The Crookes. Cheerful on the surface with the ringing guitars and tambourines, but blue on the inside, relating the tale of a poor soul who gets the cold shoulder. Then a more traditional Christmas song from a band awfully generous to call themselves The Crookes. Check their 12 Days of Crookesmas for more holiday music. Hurricane Bells stuffs your stocking with a brief gem that I wish played through at least one more time. Songwriter Steve Schiltz, the former frontman for Longwave, has a new record out through Vagrant called Tonight is the Ghost. Last, but not least, London producer LJ Kruzer (Stephen Fiske) cranks out a bumping version of “We Three Kings” awash in heavy doses of synthesizer. Alrighty then, I’m off to celebrate Christmas Eve with sushi and the family. Peace and joy to you and yours!
Thanks for Christmas [MP3]
by Pugwash
Chorus of Fools [MP3] and
Oh Come All Ye Faithful [MP3]
by The Crookes
Christmas Don’t Be Late [MP3]
by Hurricane Bells
We Three Kings [MP3]
by LJ Kruzer
Dukes of Stratosphear aka XTC Box Set + MP3
Total Babe
Compared to the bands I’m about to use to describe them, Total Babe could be named Just Babes. Still in their teens, this Minnesota quartet just performed their EP release party in their hometown and one of their mother’s baked brownies for the event. But their songwriting skills belie their ages. Oh the hooks! I was just listening to The Wishing Chair by 10,000 Maniacs and there’s a similarity in the two bands’ vocal deliveries, the languid enunciation, the stringing together of syllables from adjacent words, the way the vocals sound as if they’re sung in some other Germanic language. Or imagine Lush unplugging and dropping their tempo a notch. That’s it sort of— Total Babe strips away the feedback, the distortion, and the droning from the shoegaze aesthetic, leaving room for their heavenly vocals to breathe. Surprisingly, mature musical decisions for a young, fresh band.
New Tweets: Efterklang, Eenie Meenie, Bragg-esqueness, Hometapes
Atlas Sound
What does it take to to wake me from a 3hive coma? One simple tweet: “@diplo: i wish atlas sound would ask me to make them a mixtape.” Which got me thinking, How friggin sweet would that be? Which got me thinking, Wait, none of us have posted Atlas Sound on 3hive?? Which got me thinking, Where’s my login??? So here goes…
Atlas Sound is what the crazy prolific Deerhunter frontman Bradford Cox calls himself when doing the home recording thing. It’s hard to put a finger on his steez cause it morphs based on his mood and whatever’s moving him at the time. To get a sense of his wide range of influences, just check the playlist to his latest “micromix“. The common thread is a drowsy, droney, and often messy sheen to surprisingly tuneful and hypnotic song structures.
“Doctor” covers an obscure single from ’50s/’60s doo-wop act The Five Discs. “Walkabout” is a pop chant that’ll shimmy its way into your head and stay a while. And, given the season, I threw in Bradford’s oddly sentimental “holiday” tune from 2007. Now, I’m heading back to Twitter for more inspiration…