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Crystal Castles

Crystal Castles have been priming the pump via Facebook and Soundcloud this week. They’ve released a remixed song from each of their albums, a brand new track, “Plague,” and then yesterday they announced dates for their upcoming North American tour. I doubt I’m introducing a new band to many people, since Crystal Castles are somewhat of a household name within the indie music world. Years ago I realized they were more popular than I imagined when kids at Disneyland were pointing out my son’s Crystal Castles t-shirt. Either that or it was Goth-tronica day and no one told me.

The new track is throbbingly ethereal and more atmospheric than their earlier work. NME posted fan footage of the live premiere of the song where they described it as having “a clear ’90s rave influence.” Whatever your take on the song, it’s great to have new Crystal Castles rattling around in my ears with a tour and new album on the horizon.

Crystal Castles – Plague

Crystal Castles – Suffocation

Crystal Castles – Suffocation (HEALTH remix)

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Mean Jeans

Mean Jeans are a pop-punk band out of Portland Oregon. They released their second album, On Mars, back in April on Dirtnap, it is catchy as hell! Full of rad hooks and goofy lyrics, On Mars blows through 36 minutes without really taking any time to breathe. The track below, “Anybody Out There”, they pull out all the stops with xylophone (i’m guessing) at the beginning and “oh-oh-oh’s” throughout. It’s a great punk rock track, and would fit nicely into any summertime playlist. Enjoy.

Mean Jeans – Anybody Out There? from On Mars (2012)

Mean Jeans

Dirtnap

Green Noise

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Cardinal


It’s nice this duo can afford to put out an album every 18 years—that means their third record should hit in 2030. Considering that schedule, this review that comes six months after the release of Hymns is super timely! My snarkiness belies my feelings for this band and record. This is pop just like I like it. It’s definitely comfort music for me considering I geeked out on my parents’ Bee Gees records as a kid (I understand this makes me completely uncool; I’m cool with that). The tracks here are two of the more rocking songs on the album. Don’t let that scare you away. Getting these two purveyors of baroque chamber pop together on record is a rare occurrence and should be savored and appreciated like an eclipse or comet.

For a little history of Cardinal, Richard Davies used to be in a band called The Moles back in the ’80s down in his native Australia. He joined with Eric Matthews here in the states for their self-titled debut, but they split soon after and continued with their own solo efforts. Matthews put out a record on Sub Pop back in ’95 and the opening song “Fanfare” remains one of my favorite songs of that decade. Davies put out at least three solo records and was backed by The Flaming Lips on tour for his first. Davies does vocal duties on most of the songs, but I prefer Eric Matthews’ deeper delivery (“Her”). Though the two together are pretty much magic (“Carbolic Smoke Ball”).

Cardinal – Love Like Rain

Cardinal – Carbolic Smoke Ball

Fire Records

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Cat Power

Sun is the first album of original material Cat Power has released in six years. According to Matador, Chan performed and produced the album all on her own. The album’s release date is set for September 4th, with pre-order options available soon. Below is a track from the new album. Enjoy.

Cat Power – Ruin from Sun (2012)

Cat Power

Matador

Here’s Sean’s original post from 11.6.2005

Cat Power’s been napping. By the time her new album, The Greatest (not a greatest hits record — boy I’m sure her label friends will tire quickly of repeating that mantra), hits stores in January three years will have passed since her last album. Not bad really. The space between her last albums lasted about four years. I should cut her some slack. The wait is always worth it. This time around she taps the Memphis soul scene for her backing musicians, with, among others, Al Green’s boys, Teenie Hodges (who co-wrote “Take Me to the River” with Green) on guitar, and Leroy “Flick” Hodges on bass. Judging from the small sample offered, Chan Marshall may be on her way to creating a timeless work of art.

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Y La Bamba

I learned of Portland, OR band Y La Bamba late one night while scrolling through the twitter feed and saw @NekoCase tweet the following:

This was a recommendation I could not pass up. I logged onto Spotify that night and listened to their newest album Court The Storm. I was instantly captivated by singer Luzelena Mendoza’s haunting vocals, which held onto me until the album finished some 46 minutes later.

Court The Storm‘s songs are flavored with latin-inspired rhythms and melodies that work wonderfully with Mendoza’s vocals. The band’s label, Tender Loving Empire, set me up with the two songs below, opening track “Squawk” and track #2 “Bendito”. Both songs are fantastic, and a great preview to how cool this album is. I highly recommend it.

Y La Bamba – Squawk from Court The Storm (2012)

Y La Bamba – Bendito from Court The Storm (2012)

Y La Bamba

Tender Loving Empire

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Monster Rally

What do you get when you take a stack of old records and sample bits and pieces in order to create new music with a psychedelic, tropical, surf, hip hop vibe to it? The answer, my friends, is Monster Rally.

Monster Rally is the project of Ohio-resident Ted Feighan. His music has a warm, lo-fi, crackley, organic feel to it. It’s put together so nicely, it almost sounds like a full band recorded these songs directly to tape. Since 2010 Monster Rally has released quite a bit of music via his bandcamp page, and is set to release a new full length album, Beyond The Sea, on June 19. Below are just a few tastes of Monster Rally’s music for you downloading pleasure.

You can download all of Monster Rally’s releases at his bandcamp page, and preorder his new album here. Ted is also an artist, you can check out his stuff here.

Monster Rally – Jaguar from Beyond The Sea (2012)

Monster Rally – Lone Rd from Crystal Ball (2011)

Monster Rally – Siberian Girls from Deep Sea EP (2011)

Monster Rally – Maori Mai from EP (2010)

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DMA

After the dissolution of his previous band, Jookabox, Indianapolis’ own DMA (aka David “Moose” Adamson) dashed off an album of self-described “crust funk” tracks that mostly defied listening. I say “mostly” because DREM BEB (as in “Dream Babe”) yielded “Riding Holiday”, an altered state take on the classic rock highway jam that wormed its way into my ear last summer with its hypnotic beat and headstrong chorus.
Now DMA is back with a follow-up called The Boardwalk which is far more gentle and refined in its approach. Waves of warped melodies wash over dubby pulses, beats, and clicks. Every so often DMA’s deadpan vocals wander through the soundscape, soaked in reverb, serving as yet another layer of instrumentation. Kind of like listening to Orbital after taking a handful of Sudafed.
DREM BEB was released as a limited-edition cassette and it appears that The Boardwalk is only available for streaming on Bandcamp. Not the most user-friendly distribution strategy, maybe it’s all part of the mystique.

Riding Holiday from DREM BEB (2011)

http://www.joyfulnoiserecordings.com
dmanaptown.bandcamp.com

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Karen Dahlstrom

Karen Dahlstrom has been a fixture in the NYC folk scene, writing and performing with Bobtown, The Evangelines, American String Conspiracy, The Do-Overs, and The Maybelles. Last fall, she released her first solo effort, Gem State, a five-song strong EP inspired by her Idahoan upbringing. In less than 18 minutes, Karen shows her narrative range—embodying everything from a hardass war veteran to a reluctant bride—with songs so immediate and real they seem to have been there all along, waiting to be discovered. Karen’s hauntingly earnest voice brings added weight her lyrics, especially when they’re as stark as this: “The devil clapped me on the back/when I was nigh 13/Died my eyes from blue to black/and he made me hard and mean” (“Streets of Pocatello”). Though it serves her just as well in the sweet summer-ish come-on, “One More Time”.

While self-released with almost no promotion budget, the EP has cast a spell on folk journalists, bloggers, and DJs alike. So much so that she’s already managed to put together a small US tour. Of course, my chronic laziness means half her shows will have happened by the time you’re reading this (check here to see if you’ll be lucky enough to catch her live). But that’s me…don’t take your frustration out on Karen, buy her EP and she might add your town to the itinerary next time around.

One More Time from Gem State EP (2011)

karendahlstrom.com

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Estrogen Highs

I’m short. I’ve been short all of my life, so I’m pretty used to it. But, I would be lying if I said I’ve never dreamt of being taller. I’m not asking for anything extreme like 7 foot, just average, 6 foot would be perfectly acceptable. When I heard Estrogen Highs’ new single “I Wanna Be Tall”, the chorus really hit home with me. It simply states, “I wanna be tall like you”. It’s a great punk rock song that starts out slow with a warm glow of feedback and lonely guitar before it kicks into full assault of fuzzy guitar and pounding drums. Check it out below along with another track from their new album, Irrelevant Future, out now on Trouble In Mind.

Estrogen Highs – I Wanna Be Tall from Irrelevant Future (2012)

Estrogen Highs – Grass of Leaves from Irrelevant Future (2012)

Trouble In Mind

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Luke Roberts

Nashville native Luke Roberts released his sophomore album, The Iron Gates At Throop And Newport, with Thrill Jockey a little over a month ago. It’s a warm, stripped-down, folk record with most of the songs featuring only Roberts and his guitar. However, on “His Song” provided below, Roberts employs the use of drums, and some electric guitar which adds even more warm goodness. Enjoy.

Luke Roberts – His Song from The Iron Gates At Throop And Newport (2012)

Thrill Jockey