Prototypes

Depending on where you stand on the infamous World Cup headbutt, you could dedicate this punchy little number to Zinedine Zidane because, unless my French is nonexistent (which, actually, it is), the title translates to something like “I don’t know you,” which seemed to be the clarion call of commentators and journalists around the globe. (Did anyone else get tired of the ABC TV commentator repeatedly call the hit “vicious”? Overly aggressive? Yes. Ill-timed? Absolutely. But it seemed clear that Marco Materazzi A) took a dive, and B) said something pretty, ahem, unsportsmanlike…but I digress.) Luckily the Prototypes, who apparently are huge in France and have recently joined Minty Fresh stateside, don’t specialize in downtrodden numbers—there’s a “yeah yeah yeah” callout in English on this track—so we can look at Zizou’s antics with a little levity and maybe practice some fancy footwork, and headwork, of our own.

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My Brightest Diamond

Ypsilanti, Michigan, usually has trouble measuring up to its neighbor to the north, Ann Arbor. The bar and restaurant scene is less vibrant, the clubs a bit dirtier, and Eastern Michigan University is no U of M, period. The brightest spot, perhaps, is Materials Unlimited, a salvage shop extrordinaire, filled with eclecticism and rare gems. And so, the analogy should be obvious — the music of former Ypsi-kid Shara Worden, a.k.a. My Brightest Diamond, is like something out of the finest architectural antique shop. Her stylized and orchestrated pop experiments are structured compositions, full of nuance, and her voice reflects he Pentecostal church choir childhood. Too bad for Ypsilanti she moved to New York. Her debut ablum on Asthmatic Kitty, Bring Me The Workhorse, comes out August 22nd.

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Karl Blau

This guy doesn’t mess around. Guitar, flute, sax, drums—you name it, Karl Blau’s played it, whether it’s on his K Records debut, Beneath the Waves, or for Mirah, The Microphones and Laura Veirs. The album title is aptly named because listening to Blau gives you the same serenity effect as lying on the beach listening to the soothing sound of the waves crash against one another. But just as you think you’re listening to a straight-forward pop song comes songs like “Into the Nada,” which is full of Spanish-influenced melodies. Come to think of it, messing around is exactly what Karl Blau does…

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Holy Shit

I remember as a kid, when I’d get caught cussing, I’d defend myself by saying “but I was just quoting someone…” So I’m just quoting when I say, “HOLY SHIT!” I mean, that’s the group’s name—how can I talk about them without saying it. As in, “HOLY SHIT” this is a match made in heaven for a goofy pop sucker like myself: Matt Fishbeck of the now-defunct LA indie pop group the Push Kings and the one and only Ariel Pink. Matt sings like a dream, while Ariel is able to leave his unmistakable sound through beats, bass, and other various vocal “enhancements.” The result is something the band would call “special” (this time I’m putting it quotes because I am in fact quoting). “HOLY SHIT” they’re right…

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Midlake

Midlake’s debut album, Bamnan and Slivercork, has spent the last two years flying well below the radar. Not as quirky as Grandaddy and less pretentious than Radiohead, Midlake gently nudged their way, sonically and alphabetically, between those two bands in my music collection. With the recent unveiling of their new album, The Trials of VanOccupanther, in stores July 25th, Midlake won’t be able to avoid the spotlight for much longer. For the most part they’ve ditched the keyboards replacing them with more guitars, acoustic and electric, as well as more vocals. The resulting sound boldly embraces the country/folk rock of the mid-70s as Midlake channels the likes of The Eagles and Fleetwood Mac. Midlake wears their influences on their sleeves while managing a classical, button-down sound all their own.

*A note on the downloads: with the exception of “Roscoe” all links point to .zip files containing the MP3s so you won’t be able to preview them directly. They’re all worth downloading. Trust me.

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Derek Fairbridge

My eyes burn. They’re too sensitive. Been staring at my computer too long. Reminds me of the night, years ago, a cop pulled me over on my way home from work. It was late. I had been doing inventory at the record (yes, record) store where I worked. Music Plus. Strolling up to my window the cop took one look at me, at my bloodshot eyes and said, “Son, what have you been smoking?” I told him the truth and nothing but the truth. Had he heard the soundtrack to our record counting adventure I doubt he would have believed me when I told him I hadn’t been smoking anything. The soundtrack was Crashing Dream by Rain Parade. That memory blossomed today thanks to the warm, dusty psychedelic songs of Derek Fairbridge. These could pass as lost songs from Crashing Dreams sessions. I love that about music—its power to unveil the past, offer hope for the future (No Sean, this inventory won’t last forever. Your eyes won’t fall from their sockets). Unfortunately that was Rain Parade’s last album, and seemingly it’s Derek Fairbridge’s only album.

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