North Valley Subconscious Orchestra

Medicine played in Memphis right before I got home from college one summer, but my brother Josh and our friend Andy saw them and even visited with them at the Admiral Benbow Inn (just recently demolished). They learned that Medicine’s wicked guitar feedback was achieved by running Brad Laner’s guitar through a four track and turning all the knobs up. We spent that whole summer trying to get a four track to mimic a distortion pedal with no success. Brad Laner, we determined, was a genius. Which is probably why I recently Tivo-ed the movie “The Crow,” just so I could see that scene of Medicine playing “Time Baby,” trying to get a glimpse of his guitar setup. Now Laner and fellow guitarist Christopher Willits, as North Valley Subconscious Orchestra, are releasing another feast of guitars on Ghostly’s digital download-only album The Right Kind of Nothing. More melodic feedback, anyone?

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Dr. Dog

The details are sketchy, but Dr. Dog is the raison d’etre for the label Park The Van. Now settled in as a five piece, Dr. Dog boasts an alumni membership of 20 strong, all contributing in some small or large way to Philadelphia’s premier basement band. Dr. Dog loves nothing more to get their hands good and dirty, digging around in lo-fi dirt, 4-tracking the night away. With roots reaching down deep to Beach Boys and Beatles bedrock, they sow and reap pop blossoms cross-pollinated with Grandaddy, Ween, and Pavement. I’ve had their album shuffling through my library for over a year and shame on me for not sharing until now. But now’s as good a time as any to be a Dr. Dog fan. Next month the band releases a new EP, Takers and Leavers, then heads out on the road with Cold War Kids on their way to joining The Raconteurs tour as main support.

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Vancougar

Sultry, simple, and sometimes silly girl pop from the city of, you guessed it, Vancouver, BC. Vancougar split the difference between two perennial favorites from the 3hive archives, All Girl Summer Fun Band and Dressy Bessy. Word of warning: these MP3s are a bit rough ‘cuz they’re demos. From what I’ve heard, the album is a wee bit more polished—just enough, not too much.

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Eliot Lipp

Tacoma, Washington. Home of the underappreciated, yet thoroughly ruling punk band Seaweed. At one point I think I had eight Seaweed t-shirts. One of them had the band’s logo on the front, and in large, capital letters “VISUALIZE TACOMA.” I’ve never been to Tacoma, but from what I hear there’s nothing special to visualize. Then there’s Eliot Lipp. His two latest releases were recorded in L.A. while he had Tacoma on the brain. So what did he do? AURALIZE TACOMA. The soulful grooves on Tacoma Mockingbird, and the new Days EP, grew from his moods and emotions while reflecting back on his hometown and friends. His output is a simple, yet simmering synth stew of well-worn breakbeats with Lipp’s retro, yet timeless, twist. His goal was to create a classic electro sound which he pulled off with his economic use of synths and beats. Think New Order pitched down to Grandmaster Five’s tempo, and drop in a lick of their rhythm.

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The Coup

Matt, aka Gigahaw, reminded us of The Coup, the Oaktown rap duo who are best known, unfortunately, for “that album cover.” Boots Riley and DJ Pam the Funktress do wear their politics on their sleeves (even their toned-down cover for Party Music depicts a young player at a bar enjoying a Molotov cocktail). But what they don’t seem to get enough credit for is their ability to move your butt as well as your conscience. So, with their latest, Pick a Bigger Weapon, they have turned up the funk to match the intensity of their message. The intro is even called “Bullets and Love,” which brings me to another first for The Coup… A handful of apocalyptic slow jams that include the best (and possibly longest) song title of this administration: “babylet’shaveababybeforebushdosomethin’crazy” — awwwww yeeeeaaaahh…

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Margot and the Nuclear So and So’s

MusicalFamilyTree.com, a website dedicated to spreading the word about and sharing the music of Indiana bands, recently released the Delicious Berries compilation, and it is awesome. Fresh voices, ambitious sounds — I wish someone here in Michigan would tap into our local talent the way the MFT folks have. For my weekly posts in August, I’ll be featuring bands from the compilation, because it really is that good. The first, Margot and the Nuclear So and So’s, starts the disc, and with its deal on Artemis is likely one of the most commercially successful of the bands on Delicious Berries. The tracks below, full of quiet harmonies and pop hooks, are taken from their 2005 album The Dust of Retreat.

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