I think I can safely speak for all of us here when I say we’re suckers for a great pop song. We’ll even settle for a relatively good pop song. By pop I mean a song that begs to be sung along to. Occassionally, however, it’s good to drop in and turn up music that you can crash a car to. Enter The Red Faced Laughter. A Texas trio that excels at mangling things up a bit. This is a complete EP, Brokenear #4, released on the German net label Broken Ear Records. They remind me a lot of Sunny Day Real Estate, the vocals mostly, but with a more noisy, improvisational style of playing. This one’s for everyone who likes their coffee black—no cream, no sugar, no fluffy latte—this is the stuff that Will Farrell’s character in Elf was so excited to share as “The World’s Greatest Coffee.”
Bossanova
More Canadians, eh? I’ve been sitting on Bossanova for a while now, ever since their debut album Hey, Sugar was released on Teenbeat way back in March. Please accept my sincerest apologies for hiding this Vancouver band’s catchy pop sensibilities for so long.
Thieves Like Us
A great tip from Lismore’s email blast. The two bands just played Friday at the Delancy in NYC. I can’t stop listening to the 12″ from Thieves Like Us. This A-side plays like a lost track from the Trainspotting soundtrack. A little New Order, a little Daft Punk, a lot of dance floor fun. A tribute to tripping. 3hive does not condone illegal drug use (at least not before breakfast), but we fully support dropping beats that induce body moving euphoria. Tune into these two Swedes and a Yankee and let yourself go.
For those of you keeping score at home, this post marks 3hive’s 1,000th entry. Make some noise!
L.A.O.S.
I’ve been holding out on posting this one…holding out for the day when L.A.O.S.’s brilliant (not to mention educational!) “Panda Style” single becomes available to the masses—or to me, at least. Alas, it’s not widely available in any format and I can’t, according to the 3hive Oath, keep awesome free MP3 downloads to myself. L.A.O.S. (Large Amount of Soul) are a drum ‘n’ bass trio from Helsinki with a great ear for deep hooks, cheeky samples, and beats that won’t quit. “Drowning Deep Inside Your Soul” is a good taste of their sound. However, if you want to hear “Panda Style” you can stream it from their MySpace page, or download the DJ Abraham (1/3 of L.A.O.S.) mix from their old school site where it sits alongside some other killer dubplates. Also, if you don’t mind voiceover—and in this particular case I really don’t—I’d recommend the thrilling Hospital Records podcast where I first heard “Panda Style” (thanks Moodmat!). Rumor has it, L.A.O.S. will release at least one title on Hospital in the near future. Fingers crossed it’s you-know-what…
Kama Aina
I like to think, mainly because it makes me feel less pathetic, that everyone who went to college and studied something other than business administration had some kind of youthfully pretentious obsession. Mine was Marshall McLuhan, the new media oracle from the Great White North who looked like a professorial Salvador Dali, had a cameo in a Woody Allen movie (nay, the best. cameo. ever.) and was an astoundingly salient bullshitter. I ain’t saying I don’t still love the man, just that nearly a decade after graduation it’s funny to look back and think of taking my dog-eared copy of War and Peace in the Global Village to my bartending gig at Benihana and intensely and conspicuously reading it between mixing Mai-Tais—as if any of my Japanese coworkers gave a damn. We were so cool once, weren’t we? Anyhow, I think of McLuhan’s fabled “global village†now because two of my favorite Japanese acts (the other one is Cacoy) this year have come to me from the Danish label Rumraket, which is doing for non-European music in Europe what Minty Fresh has been doing for European music in the U.S. of late—namely, rockin’ it. Kama Aina, whose name is Hawaiian and whose sole member is Takuji Aoyagi, doesn’t rock it, per se, he soothes it with loopy little lullabies built around clean, undistorted percussion, guitar and other sweet, naturalistic sounds. “Hotaru†is prettiest on headphones, where you can nearly see each bang and pluck. But if you’re just not that visual, check out the video for “Glasgow Sky,†which is as inventive as Bjork and twice as contemplative.
Kunek
Tim Ortopan is back for another guest DJ session. About 9 months ago he brought us Joseph Arthur. Now we have Kunek. O:
I went to high school with a kid named Kunec and at first I wondered if there could be any connection to the band Kunek. They sound like they could have been the socially awkward students sitting alone at lunch reading computer magazines that I remember. Could he have produced these beautiful songs of loneliness and sadness? It seems unlikely as I did not go to high school in Oklahoma nor could the student that I remember ever be described as “a delicate intersection of science and emotion—at times organic, dynamic, buoyant or ethereal.†I hope things are going well for the Kunec that I remember, but I know you will enjoy this Kunek straight from the flowering Oklahoma art-rock scene.
Beat Hive
 We’re pushing three years serving music fans by “sharing” from artists and frankly it’s time we give back to the music makers. Introducing BeatHive.com (no relation to 3hive). BeatHive is an online marketplace for musicians to buy and sell loops. They currently have producers from the US, UK, Spain, Argentina and Canada, offering their best loops in Apple Loop and Acid formats, which work in programs like GarageBand and ACID. This means even uninitiated songwriters can grab some loops and start banging out the hits.
We came across BeatHive and thought it was the coolest thing since curly fries, so we asked them if they’d be willing to share some free loops with y’all. They said yes! Both WAV and AIFF formats are available and all the loops are 100% royalty free. Mouse over the handy buttons to hear each of the loops. The download links are just below. 3Hive 12-pack Contents: |
|||
| Drums 1 | Synth 1 | ||
| Scraper | Guitar 1 | ||
| Triangle | Drums 2 | ||
| Guitar 2 | Pedal Steel | ||
| Electric Bass | Synth 2 | ||
| Drums 3 | Bass Synth | ||
|
Download Apple Loop AIFF Format Here Download ACIDized WAV Format Here (Not sure which format to use? Click here.) CONTEST: Make Stuff from BeatHive, Post it on 3Hive! | |||
The Crabapples
Yes, OCD, you don’t need to tell me. “Hi, my name is Clay, and I’m obsessively compulsed with Slumberland Records!” Hey, the first step is admitting you have a problem. And my problem is the self-described “loud but melodic…catchy tunes played with sloppy abandon” that are Slumberland Records and the Crabapples. Continuing with the self-descriptions, the Crabapples rush “along in a breathless blur, fuelled by lager, explosive tunes and a love of great pop.” I’ll be sure to bring that up at my first meeting…
Tom Rothrock
An album named after the instrument it fetishizes, Resonator (a wood-bodied guitar with a single metal coned center often called by the brand name DOBRO) is producer Tom Rothrock’s first album as a recording artist. You’ll immediately recognize the Resonator’s bluesy soul sound as the backbone of many of Beck’s early songs. You old-timers and blues enthusiasts may scoff at pop music’s grope at authenticity, re-discovering the guitar some fifty years after its heyday. You cannot, however, chide Rothrock’s passion for the instrument. This instrumental work resonates with respect and reverence. He adds hip-hop beats, live drums and strings to the equation for a cinematic mood and scope. Fitting, considering it was Michael Mann’s urging Rothrock to compose the score for Mann’s film Collateral, that set the prolific producer to work on his own compositions. Getting your hands on the entire album may prove problematic as it’s been limited to a one-time pressing of 1,203 hand-numbered copies. Not to fear, it’s just the first in a series of instrumental albums planned by Mr. Rothrock, released via his newly re-launched Bong Load Records.
Blake Miller
“Son, you must be/Your own tree/Let your roots grow/Let them grow deep.” Wise words, though when sung by a 19-year-old Blake Miller they’re not so much delivered as sage counsel to the listener as they are repeated the way a kid would sing the grocery list on his way to the corner store lest he forget. Blake’s youth isn’t the only thing that makes him sound so special. His very human and melodic brand of folk helps distinguish him from the so-called “freak folk” genre (see Devendra Banhart) and creates a space he can call his own. I guess you could say he’s being his own tree…