Spitzer consists of a couple young men raised in the same house in Lyon, France. These brothers have one goal: Make you dance. Currently, the duo is working on a four song EP called Roller Coaster and if the four tracks on their myspace page are any indication of what we’re in for, we’re in for some big, bright and bold dancefloor action. I love the early Speak & Spell-like synth tones used on “Disco Biscuits.” Of course they’ve been pumped up ala Marion Jones for maximum rump-shakin’ enjoyment. The track opens with one synth riff getting overshadowed by another, high up in the mix, trampling over the first until that second riff distorts itself into oblivion as the track finally settles into its groove, a slamming epiphany imminent. Spitzer proves France still has fertile fields to harvest for yet another generation of club kids.
Hasch’m’Méneum
This is a fun mystery.
Having stumbled upon Hasch’m’Méneum through the backalleys of Last.fm, I have yet to find any more information on them. The best source of information comes in the way of the “electrojazz†tag given to them on said social music network. Normally we at Moodmat shun genre names, especially those of the hastily taped- and stapled-together variety. But this one ain’t bad. Hasch’m’Méneum’s “jazz†has a blues-y chug to it, and their “electro†bubbles a bit under the surface. So songs like “Heliotrope†wouldn’t be out of place in a Jazzanova set, and “Slide†evokes the “future sound of Hull,†a.k.a. Fila Brazillia. Who are these masked men? And why did they leave us two free albums to download?
Dan Sicko (special guest to 3hive.com)
Múm
For the uninitiated: Múm makes music that would emanate from Willy Wonka’s jewelry box. I can close my eyes and actually see their music. It looks like a found object sculpture, with various instruments, kitchen utensils, and all manner of gadgets (analog and digital) piled high and held together with catgut and twine. A marvelous contraption set in motion and song by dropping a large marble into a bright chrome cylinder soldered to the top. As the marble travels down the sculpture, in, out, and back in again, it triggers notes, chords, voices, tiny starched flags adorned with glitter and stars and fastened to thin gold poles, flickering in and out of view—an explosion of sparkles signaling each change of timbre and tone, beat and bell, melody and mood. In a word, or two, utterly fanciful. Múm is the music of the butterflies that tickle your heart when you’re in love. If this is the first Múm song you’ve ever heard, please don’t let it be your last…
Cale Parks
Cale Parks — multi-instrumentalist for the band Aloha — released a solo album — Illuminated Manuscripts — about a year ago. It’s shimmery and delicate and quivery and pretty much electronic, save for the snappy live percussion. These characteristics contrast so nicely with the rasp and grit of the acoustic folk rock that’s lately been pouring through my earbuds that I don’t care how old it is; I’m just happy to be in the haze.
Mojib
Staffan Ulmert (aka Mojib) shares a taste in music with many of us here at 3hive. He lists Explosions in the Sky, UNKLE, Sixtoo, and The Avalanches as inspirations. Instead of blah, blah, blahgging about about these artists however, Ulmert settles down in front of his computer in Gothenburg, Sweden, and composes his own music and remixes some of his favorite artists (check out his remix of Ian Brown and his UNKLE / Notwist mashup). No new formula here: solid hip-hop beats, pop melodies, strings, pianos, and samples galore (what’s that main riff in “Break of Dawn”??? It’s driving me nuts. Sigur Rós? Radiohead?) Mojib provides plenty of teaser tracks on his website, but the litmus test, his first proper full-length (Whimsical Lifestyle) drops next month on Canada’s Non-Existent Recordings.
Calvin Harris
Three song titles from I Created Disco, the debut long-player from Scotland’s Calvin Harris, succinctly sum up the sound of the album: Electro Man-Making Merry At My Place-Disco Heat. Drop this track during any ol’ get-together at your pad and you’ll have the place bumping, friends, enemies!, making merry to the thumpin’ bass-line. Don’t take the tongue-in-cheek title literally. What Calvin Harris has created is disco in his own image: bedroom producer of the YouTube generation, behind his Amiga computer, making beats & riffs like it was 1984, the year of his birth.
St. Vincent
Annie Clark, aka St. Vincent, used to play guitar with the Polyphonic Spree and Sufjan Stevens, which might account for her pleasingly random-seeming musical influences. Contrary to standard operating procedure, I don’t have a whole lot else to say other than I really like this woman, she has pluck and style and and I think you should listen to her. Plus, you’ve gotta love a woman who names her album “Marry Me.” Brassy!
General Elektriks
This gem’s been on the back burner for two years! Ouch. I started a post on General Elektriks back in August of 2005, the year his debut album came out. I remember the label pulled the MP3s, and since we like to play nicely with others, I pulled the review (crying, all the while, on the inside, gettin’ all emo). Since then, Quannum has partnered with a solid digital distributor, ioda promonet, and the goods are back! This is such a great album. French-Brit, and current resident of Berkeley, CA, RV Salters, is General Elektriks, a man with an impressive quiver of vintage keyboards and the playing skills to go along with it. Smooth ‘n’ easy grooves made for lazy summer afternoons. Quantic said it best, “Like the Beatles in a pub brawl with the Neptunes.” And as a bonus, plenty of the Quannum crew make guest appearances on the album. Two-years-old, but packaged with stay-fresh beats. Satisfaction guaranteed.
Looks like General Elektriks will strike again early next year. He’s been busy with his other project Honeycut.
Justice
Justice is a French DJ duo known for, among other things, a rumbling synthetic bassline that hits you like an electric shock. They released the addictive if woefully abbreviated Waters of Nazareth EP just over a year ago, and I’ve been dancing to it, especially the piece de resistance title track, ever since. Now, mind you, I was born without a stitch of rhythm or grace, so when I say I’ve been dancing to it, what I really mean is that I’ve been bobbing my head to it. But trust me, it’s been a wicked head-bob. “Waters of Nazareth,” unfortunately, has never been available in its original form as a free download (understandable for club DJs who live track to track) so you’ll have to go to MySpace and listen to it through your browser. Likewise “D.A.N.C.E.,” Justice’s latest cool-kid craze (with an awfully cool video to boot). And there’s plenty more where that came from: It may have taken over a year for the boys to get together an LP’s worth of originals, but they’ve been rather busy mashing, remixing, and getting remixed. Here’s just a sampling—go to Vice’s great MP3 “Blog Up Your Jaxxy” for loads more hard-to-find Justice tracks and remixes.
George Sarah
It’s been almost four years since I had George Sarah and his string trio on my KUCI show. And just about as long since he’s released a proper album. He’s back again tonight on the program, this time as a guest DJ and I look forward to catching up with him. I do know he’s been hard at work scoring music for, and placing his music in, television and film. One listen and you’ll hear why his work is sought after. Sarah’s downtempo beats and synth work flow in and around gorgeous strings of all shapes and sizes. He calls it Electronic Chamber music. I call it a super-smooth-chill-explosion. Cool down your hot summer head with some George Sarah swimming between your ears.