These examples of Kettel’s finer moments, wherein cut-up jazz breaks and organic field sounds stroll hand-in-hand, make me wonder why he hasn’t received as much notoriety as, say, Four Tet. He, by the way, is Reimer Eising. To browse/buy from his catalog, check the newly madeover kracfive site. (Overdue props to Disquiet for opening my ears to Kettel a while back.)

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