Where’s that deliciously pouty, funky sound coming from? South London? NYC? Try Lawrence, Kansas. (Hey, they’re entitled to deliciously pouty, funky music, too, you know.) These tracks are from Conner’s forthcoming album Hello Graphic Missile which is due out June 6. June 6?? But I want it NOW…
Peter Walker
Mr. Walker’s connected. For his first album he tapped REM’s drummer, Beck’s bassist and Wilco’s guitarist/keyboardist. Then he caught the attention of Earlimart’s Aaron Espinoza and Grandaddy’s Jim Fairchild. The three holed themselves up in Elliott Smith’s studio to record Young Gravity. Peter Walker sure has a lot to live up to and really it’s unfair of me to name-drop so liberally. I’m positive Walker wants his music to speak for itself. So I’ll let it do just that. Ask me though, and I’ll tell you he makes good use of his friends.
Woody Whatever
Athens, Ohio’s Erik Schmall has been recording frayed, cuddly lo-fi at a blistering pace. He’s already released over 100 songs since he first started in 2001, at age 17. Like many prolific bedroom songwriters, or any prolific songwriter for that matter, not every track will blow you away. But these ones here do, and I’m sure I’ve overlooked a few. If you’re looking for a good place to get started, hop (Happy Easter!) over to the lovely blog/netlabel Beat the Indie Drum to download Woody Whatever’s Big One Shout Out EP that just came out in March 2006.
Dudley Corp. Rhapsody
The Streets
Drop this one in your bunny basket—the first taste of Mike Skinner’s biting, British, bubblegum bounce.
Elf Power
There’s more than a passing resemblance between Elf Power’s latest, an organically trippy tempest in a teapot, and very early REM. But those who’ve grown to love Elf Power for their subtle vocal lullabies over inventive pop-folk arrangements will know that the resemblance is far from a ripoff. Elf Power are simply building on the “Athens Sound” – a genteel southern intellectuality that allows for fantastic sonic experimentation but keeps it as personal as a front-porch jam.
The Heavy Blinkers
People seemed to like the orchestral pop of Australia’s Architecture in Helsinki the other day, so I thought I’d pitch a Canadian take on the same genre to you. Hailing from Halifax, The Heavy Blinkers have some serious ’70s pop sensibilities — I mean, there’s even a smooth trombone solo in “Try Telling That To My Baby,” title song of the newest Blinkers’ album. With all the strings, horns and soft backing vocals, you practically have an ELO record. Not that I remember ELO, but my dad did have one of their 8-tracks, which would probably be the ultimate medium for The Heavy Blinkers.
Eiffel Tower
Nevermind the snappy drums. Ignore the catchy licks. Pay no attention to fuzzy hooks. Tight harmonies? What tight harmonies? See, Eiffel Tower have got something hidden underneath all that. Songwriting. That unique ability to craft a pop, or rock, song, a talent that mainman Benjamin Wheelocks has been honing and developing since he started writing songs at age 6. Okay, you can now go back to the snappy drums, catchy licks, etc., etc., like you could even ignore them in the first place.
Even More DK Music: New Tigerbaby MP3
Envelopes
In a perfect world I’d be able to feed you free music everyday, all day. Toilet and lunch breaks included, please. It just seems like I’m always playing catch up. Like the old saying goes, so much [great] free music, so little time. My other wish I have today is that my three children will grow up and form a power trio that cranks out music like the Envelopes: sugar-hyped jangly guitars, boy/girl vocals brimming with pop-tude and lots and lots of hooks. Kick me, hurt me, make me write bad checks, make me listen to that song ONE MORE TIME! And by the way, I have an extra copy of this CD (I tried to share with my compadres in 3hive, but they slept on the offer) for a random commenter who correctly divines the order and gender (girl, girl, girl? boy, boy, boy?) of my future power trio. Hit them comments! Good luck on ya.