The Childballads


Whilst sitting in church last week with my three daughters, I thought of a Jonathan Fire*Eater song that I first heard before I had any children. I could just hear Stewart Lupton singing in my ears “Give me daughters/And make ’em 1-2-3/I will raise them/they’ll go to church with me.” Now I know he wasn’t prophesying about me, but Stewart’s imaginative lyrics were one of my favorites things about one of my favorite bands. Three of the Fire*Eaters went on to The Walkmen after the big breakup, but Stewart’s new band the Child Ballads hit the scene around two years ago. Style-wise, Stewart’s 60s-influenced acoustic guitar rock is a long way from the Fire*Eater days, but when it comes to the lyrcis, he’s still got his muse.

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Various – From L.A. With Love

Andrew Lojero brings musical and visual artists together as a collection and an introduction to the prolific art movement currently unfolding in Los Angeles. Usual suspects like Madlib, Daedelus and Nobody all provide tracks under various monikers. But newcomers such as Georgia Anne Muldrow and Gaby Hernandez also make significant contributions. Lojero passed the tracks along to visual artists with the mandate to produce works of art inspired by the songs. Several of these works are provided below. No stranger to this vibrant art scene, Andrew Lojero curated this collection as he has been curating live gatherings, er, parties, legal and otherwise, all over the L.A. area: in lofts, under bridges and in warehouses. From L.A. With Love places the power to party likewise in the palm of your hand.



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Plunkett

Ian and Lara Plunkett, recording wistful acoustic pop in Italy. At least that’s what I remember this track sounding like. I’m working on giving myself access to the song… You see, I’m writing this post up on a new laptop purchsed for me by my wife Jennifer — Thanks honey! This is way cooler than your “right shoe for my birthday, left shoe for Father’s Day” idea! — and I don’t quite have it set up correctly yet. I hope the rest of you can enjoy the mellowness of Plunkett as I navigate the MacBook world. Ciao!

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The Loose Salute

Any friends of Mojave 3 are friends of mine. The Loose Salute is both: Ian McCutcheon, Mojave 3 drummer, and friends. Built around McCutcheon and newcomer Lisa Billson, The Loose Salute continue the tradition of modern-day Brits singing about California, its coast, sunshine and surf like it was 1973. A little bit country, a little bit rock ‘n’ roll. A lot of summertime gems just in time for the impending solstice and bbq’s.

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Shout Out Louds

It’s no surprise that Swedish bands hold a special place in our collective hearts here. So, like many of you who email us saying “I can’t believe you haven’t posted band xyz,” I can’t believe we haven’t posted the Shout Out Louds. Well, that’s not exactly true; we’re used to being late on the typical blogosphere darlings. It appears that the Shout Out Louds didn’t survive the Capitol/Virgin merger as Merge Records released this new EP and the new album in September. All the better since the new label facilitated pairings with The Essex Green, among others (The Russian Futurists and Kleerup provide dancefloor versions), for collaborations and remixes.

OK, so I tried really hard not to mention The Cure here, but that’s just impossible. “Tonight I Have to Leave It” owes several riffs and melodies to a twenty-two year old Cure song “In Between Days.” Moreover, vocalist Adam Olenius nails Smith’s stuttering affectation with military precision. Regardless, the song is plenty strong enough to stand on its own. But I also suspect that in the future it will stand as the epitome of the overwhelming tendency by this decade’s indie-bands to plunder and steal from Robert Smith. Not that there’s anything wrong with it…

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Simple Kid

Simple Kid is an Irish-born and London-based acoustifreaktronic troubadour who can be as dry and witty with a melody as The Beta Band, whose genius-boy way with both a harmonica and a sampler would do Beck Hanson proud, and whose prodigious (and prodigiously unkempt) follicles bring to mind Badly Drawn Boy and Moses after that whole 40-years-in-the-desert thing. He can carry a tune, too. “The Twentysomething” may well be “Loser” for a new generation, while “Lil’ King Kong” sounds like a mashup of Led Zeppelin and REO Speedwagon songs that were never written, let alone merged. Then there’s “Serotonin,” which as epics go is quite unassuming but that gets under your skin nonetheless by giving you a reason to both rise up and drop out. Isn’t that what the best rock ‘n’ roll songs always do?
(The file below is a zipped EP featuring all three of the songs above. Download, unzip, and enjoy.)

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Pernice Brothers

Pernice Brothers is one of those bands I assumed we’d already posted, but no, we haven’t, so behold “Somerville.” Fronted by ex-Scud Mountain Boy Joe Pernice, this collection of “breathy Massachusetts sad sacks” took first place in Spinner.com’s “25 Most Exquisitely Sad Songs in the Whole World” contest. And while “Somerville” wasn’t the winning tune, you can hear in it the qualities that would lead to such success with despondency. If you’re looking for another good (but not free) Pernice Brothers download, and one that’s not necessarily sad, grab “Water Ban,” the second song from Yours, Mine and Ours (2003). In my mind, that would be a contender in the “Totally Shimmery and Transcendentally Beautiful” contest. Maybe we should host that one here at 3hive?

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