Spinto Band

Props to Shiv and Mike over at WOXY.com for turning me onto the Spinto Band. Actually, let’s talk about WOXY.com before we get back to the music—after battling the economic realities of internet radio for a couple years, WOXY.com is turning to its listeners for support. Their goal is 7,000 members to keep the music streaming. If you’re already a listener, subscribe. If not, start listening and if you like what you hear, subscribe. Sure the internet puts power in the hands of the people, but those hands gotta be generous and help foot the bandwidth bill.

Back to the Spinto Band—they’re a bunch of East Coast boys with ties to the Mississippi delta and who like a little rhythm to their pop. “Crack the Whip” is a close runner up to what I consider the most danceable pop track from last year, Of Montreal’s “Wraith Pinned to the Mist (and other games).” And since Beulah called it quits, the Spinto Band make for a respectable replacement in the post-Elephant 6 world. Keep your eyes and ears peeled for an upcoming tour with Arctic Monkeys and a new album for Bar-None in the near future. Oh, and more props to *Sixeyes for unearthing the MP3s.

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The Jimmy Cake

It was absolutely impossible for me to pass up listening to a band called The Jimmy Cake. I expected a bout of disposable pop, something frantic, sugary and forgettable. Not so. The Jimmy Cake is anything but. They’re (at least) a nine member band out of Dublin making improvisational rock with plenty of percussion and wind instruments that give the music a bit of an Irish flavor. Did you see that high school band performing DJ Shadow songs? Well imagine a similar band interpreting Beowulf with their instruments, or performing Mogwai songs. You’d come close to imagining the epic jamming of The Jimmy Cake.

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Pink Mountaintops

We usually save our announcements for the Junk Drawer, but today is a momentous day of sorts here at the Hive. It was two years ago that our very first posting went live. Although we contributors are more likely to get excited about the birthday cake than the party, we thought we’d celebrate in our own way by bringing you a two-fer and saying thanks for checking out what we’re listening to these days. Speaking of which…

It doesn’t take long to lock a visual on the meaning behind the name of Black Mountain guy Stephen McBean’s side project, and as titillating or offensive as you might find it, the name thankfully ain’t all she wrote. McBean is a maverick one-man-band who falls somewhere along the continuum between Eels, Nine Inch Nails, Nick Drake, Self, and that dude from 13th Floor Elevators. That’s a pretty disparate list, and it still doesn’t do much to describe how Pink Mountaintops mixes bawdy lyrics with Casio-tized death metal, sweet noir balladeering, and even singer-songwriter affectation. He’s an enigma, in case you didn’t get that from the poster at the label website, and like all good enigmas, you won’t want to stop listening even if you can.

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Black Mountain

Black Mountain, unlike Pink Mountaintops, is not Stephen McBean’s band alone, but that doesn’t stop it from having McBean’s self-consciously unself-conscious swagger. If you close your eyes and think hard enough, you can imagine that Black Mountain is what would have happened if Ozzie had never left Black Sabbath. But if you keep your eyes – rather, your ears – opened, you’ll hear something that has the telltale signs of ’70s accidental arena rock but that also carves out a niche for itself as the soundtrack for headbangers and spliff tokers of a different decade.

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The M’s

The dilemna? Keep running with this whole anti-Valentines thing that the kids and the nation’s biggest retailers got going on and throw in a little post-Valentines Norwegian death metal today on 3hive? Or try to actually extend the blessed day–after all I do have four Valentines at home–by finding a band whose name had something to do with Valentines Day, other than the Valentines? But what’s this? Chicago’s the M’s have got a new album coming out next week, so today just had to be them and their fuzzy, psychedelic-tinged ode to the music of the 60’s and 70’s, completely unashamed of wearing their influences or their hearts (hearts, get it?) on their sleeves. Happy Wednesday!

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Ex-Boyfriends

Cory over at Absolutely Kosher brought Ex-Boyfriends to my attention with perfect timing considering my re-kindled interest in XTC and the accompanying power-pop kick I’m on. Dig their Drums and Wires era vibe—mixed in with a touch of Archers of Loaf and 999. Album’s available next week and in March the band begins making rounds out West. Ready, set, pogo!

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Slaraffenland

It’s been saddening for me to watch this whole Danish cartoon scandal go down because Denmark has always sat on a pedestal in my memory after I spent a few of the more peaceful and pleasing days of my life there back in 1999. Not much I can do about the recent events, except for this small gesture of distraction: Slaraffenland’s slow-burning instrumental jazz/rock goodness from Denmark, done with the effortless, artful precision Danes ought to be known for.

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Girls Against Boys

Clay’s Moose post got me thinking, Am I even capable of narrowing down my personal all-time Top 5 songs? I could probably do artists or even albums, but songs for me are more specific to certain people, places, and time. When I stumbled across this stash of genius charmers Girls Against Boys, a flood of memories returned from a hazy, crazy summer when I took a few classes, worked at a CD store, and lived in an extremely well air-conditioned condo with my pals Kent, Matt, and Danger. As I try to recreate the house rotation I specifically recall a conversation Danger and I had about “In Like Flynn” (both the expression and the song from Venus Luxure No. 1 Baby). My fave GVSB tracks would actually come out a year later on Cruise Yourself (see “Kill the Sexplayer”), but I didn’t know that at the time. For the curious, here are my Top 5 Non-GVSB Songs of the Summer of 1994:
Soul Coughing “Down to This,”
Jawbox “Savory,”
Fluf “Sticky Bun,”
Beastie Boys “Sure Shot,”
Ride “Let’s Get Lost.”

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Destroyer

Destroyer is Vancouver’s own Dan Bejar. “European Oils” is taken from the seventh Destroyer album. If you’ve yet to hear of Destroyer and you’re thinking SEVEN ALBUMS ALREADY?? where have I been?, fret not. Bejar keeps a low profile. He even downplays his involvement with another Canadian band, The New Pornographers. I love the opening jam of this track. Feels like you’re comfortable and couched and about to spend the next half hour with a witty gang of characters on a ’70’s sitcom. Then Bejar comes in with that voice of his–a mix of Bowie and Dylan maybe. Quirky, odd, and completely satisfying.

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Eagle*Seagull

Sometimes I’m absolutely stumped about what to write about a particular artist. Complete writer’s block. That’s not the case with Eagle*Seagull. A laundry list of bands they remind me of, and are likely influenced by, are tumbling around in my skull, waiting for someone to just open the door. In this case, I think any one of them would cheapen the listening experience. I will say this: the band’s seven members strong, they’re from Lincoln, Nebraska, and a large majority of our 3hive audience is really going to like them. Props to DoCopenhagen for the tip.

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