Slumberland Records changed my life. My first Slumberland purchase was the compilation Why Popstars Can’t Dance, which introduced me to Rocketship, whose 7″ “Hey, Hey Girl” I have completely worn out. My second Slumberland purchase is still the most prized piece of vinyl that I own: Henry’s Dress “1620.” (My failure to obtain the Henry’s Dress/Rocketship split single released on Slumberland in 1996 and re-released in 1999 still haunts me.) Slumberland also introduced an entire new world of bands to me, many of whom have been my “favorite” band at particular points in time. The aformentioned Rocketship and Henry’s Dress, plus Lilys, Small Factory, Velocity Girl, Honeybunch, Swirlies, The Ropers, Jane Pow, Boyracer, Beatnik Filmstars, Hood, The Aislers Set, and The How.
I’ve mentioned Henry’s Dress several times in my last few posts, so with the rebirth of the Slumberland website, it was time to finally get my beloved Henry’s Dress on 3hive. Henry’s Dress is my favorite band of all time, cause I simply keep coming back to them over the years, and each time it’s like discovering their feedback-drenched, bass-heavy, punk-pop songs that could rarely reach three minutes all over again for the first time. I’ll spare you a long history of the band and even more of my sentimentality, other than saying that former members can be found in The Aislers Set and The How so you can get on with the downloading.

I remember my friend Tim Ortopan was so excited after he bought Rainer Maria’s latest (well, April ’06) album Catastrophe Keeps Us Together that he had me listening to it within 24 hours of purchase. It’s a shame there don’t seem to be any free, legal and full-length MP3s from Catastrophe… available to post here, because they’d be a good fit at the top of our list, showing the all-important change over time (“delta” from science class, right?). If you can’t hear the development and maturity of a band while working bottom-up through the selection of songs below, go get your earwax cleaned out! Obviously, I think Catastrophe… continues this trend with wonderful results. From pounding drums and entwined screaming voices back in the ’90s to today’s complex and melodic sounds, Rainer Maria just makes good music.
Habeus Corpus R.I.P.
Twenty-five years after MTV declared the death of radio by airing The Buggles’ video for “Video Killed the Radio Star” Strike Anywhere reiterate the sorry state of radio and pop culture in general, not because they’re trying to build their own corporation however. Just the opposite. They wail out “anthems for a new world disorder” questioning mainstream media, consumer capitalism, war, and politics as usual. Young, pissed, and/or a Nader-supporter? Then you need Strike Anywhere in your life. Maturing punks longing for the anti-establishment strains of first generation punk bands should likewise take note.
Over the weekend I ran into an avid 3hive reader, Rick R., who first blamed us for the recent departure of sizeable chunks of cash leaving his wallet in exchange for music we’ve posted on the site. I love hearing that. Then he complained, good-naturedly, that our Punk section was all over the place (which 3hive genre section isn’t??). I love hearing that as well. When I asked him what persuasion of punk most buoyantly floated his boat he mentioned New Mexican Disaster Squad. Ah yes, a new generation of classic, old-school punk. Musically, punk has moved beyond the early sounds of Minor Threat and Black Flag, so much so that, with the exception of just a few bands, music like this, fast, angry and completely skateable, has been relegated once again to the margins. Fine by me as long as bands like NMDS keep keepin’ it real.
The Aquabats are the only band that I saw before having kids (1995 to be precise) that my kids have also seen. That happened just a few weeks ago thanks to 3hive’s own Sean. The very day we were visiting him and his family was the same day the Aquabats were playing nearby in a cul-de-sac for someone’s birthday party. When the kids got to take a photo with the Aquabats before the show, little did they know what was in store: the costumes, the comedy, the monsters, the satire, the mosh pit, the silliness, and the pool party accessories. In the last 9 days, they’ve listened to the full album 42 times. And watched the “Fashion Zombies” video 38 times. Aquabats, you have some new cadets!
It’s not punk rock if you’re not pissing someone off. Hit The Switch will piss some of you off, and that’s a good thing. When a band names their album Domestic Tranquility and Social Justice you know they ain’t messing around. So yeah, there’s a message here and you may find it leaning too far towards socialism for your political tastes (that’s definitely the case with my father’s political bent…Hi Dad!) but Hit The Switch won’t try to convert you to any one way of thinking, they just want you to think. I suggest you close your political ears and listen with your musical ears and be converted by their fast, catchy, aggressive take on punk rock.
Depending on where you stand on the infamous
You Americans reading and asking yourself “Is that what they really think about us?”, apparently the answer is yes. The Floor Is Made of Lava is possibly named after a Simpsons quote and in the funny and moshable “Told Her I’m From Compton” they name-drop Camaros and Kodak moments, among other things. One look at the Kodak moment to the left and you’ll agree that these guys wouldn’t want to find themselves in Compton, even in a Camaro. But that’s OK, because whether the crazy Copenhagen kids are taking the piss out of us or just having themselves some fun, their bouncy chords and goofy lyrics come across as a post-pop Ween for expats. So turn it up, turn your sensibilities off and hide your sister (see song 2).