Yes, OCD, you don’t need to tell me. “Hi, my name is Clay, and I’m obsessively compulsed with Slumberland Records!” Hey, the first step is admitting you have a problem. And my problem is the self-described “loud but melodic…catchy tunes played with sloppy abandon” that are Slumberland Records and the Crabapples. Continuing with the self-descriptions, the Crabapples rush “along in a breathless blur, fuelled by lager, explosive tunes and a love of great pop.” I’ll be sure to bring that up at my first meeting…
Henry’s Dress
Slumberland Records changed my life. My first Slumberland purchase was the compilation Why Popstars Can’t Dance, which introduced me to Rocketship, whose 7″ “Hey, Hey Girl” I have completely worn out. My second Slumberland purchase is still the most prized piece of vinyl that I own: Henry’s Dress “1620.” (My failure to obtain the Henry’s Dress/Rocketship split single released on Slumberland in 1996 and re-released in 1999 still haunts me.) Slumberland also introduced an entire new world of bands to me, many of whom have been my “favorite” band at particular points in time. The aformentioned Rocketship and Henry’s Dress, plus Lilys, Small Factory, Velocity Girl, Honeybunch, Swirlies, The Ropers, Jane Pow, Boyracer, Beatnik Filmstars, Hood, The Aislers Set, and The How.
I’ve mentioned Henry’s Dress several times in my last few posts, so with the rebirth of the Slumberland website, it was time to finally get my beloved Henry’s Dress on 3hive. Henry’s Dress is my favorite band of all time, cause I simply keep coming back to them over the years, and each time it’s like discovering their feedback-drenched, bass-heavy, punk-pop songs that could rarely reach three minutes all over again for the first time. I’ll spare you a long history of the band and even more of my sentimentality, other than saying that former members can be found in The Aislers Set and The How so you can get on with the downloading.
Rainer Maria
I remember my friend Tim Ortopan was so excited after he bought Rainer Maria’s latest (well, April ’06) album Catastrophe Keeps Us Together that he had me listening to it within 24 hours of purchase. It’s a shame there don’t seem to be any free, legal and full-length MP3s from Catastrophe… available to post here, because they’d be a good fit at the top of our list, showing the all-important change over time (“delta” from science class, right?). If you can’t hear the development and maturity of a band while working bottom-up through the selection of songs below, go get your earwax cleaned out! Obviously, I think Catastrophe… continues this trend with wonderful results. From pounding drums and entwined screaming voices back in the ’90s to today’s complex and melodic sounds, Rainer Maria just makes good music.
Boyskout
I originally posted about Boyskout two years ago when they released their debut. As you can see below, I was quite smitten. I still am…this time by the range and sophistication of their follow-up, Another Life. They go from fragile innocence (“Everybody Knew”) to smoldering spite (“Happy Yet?”) without letting up on the sexually charged energy. Welcome back, girls.
Original post from 8/25/2004:
Boyskout are not boys at all. In fact, I don’t even think they are “into” boys, if you get my drift… So why is it that I feel all special inside every time I listen to “Back to Bed”? Because something about their black magic new wave transcends sexual politics and brings out the freak in me.
T.S.O.L. (True Sounds Of Liberty)
Habeus Corpus R.I.P.
In memoriam, please enjoy 3hive’s soundtrack (courtesy of T.S.O.L.) to the new Military Commissions Act of 2006 that George W. Bush recently signed into law. It is the true sound of liberty according to our President and our Congress. Others disagree. Don’t forget to vote next month.
Strike Anywhere
Twenty-five years after MTV declared the death of radio by airing The Buggles’ video for “Video Killed the Radio Star” Strike Anywhere reiterate the sorry state of radio and pop culture in general, not because they’re trying to build their own corporation however. Just the opposite. They wail out “anthems for a new world disorder” questioning mainstream media, consumer capitalism, war, and politics as usual. Young, pissed, and/or a Nader-supporter? Then you need Strike Anywhere in your life. Maturing punks longing for the anti-establishment strains of first generation punk bands should likewise take note.
New Mexican Disaster Squad
Over the weekend I ran into an avid 3hive reader, Rick R., who first blamed us for the recent departure of sizeable chunks of cash leaving his wallet in exchange for music we’ve posted on the site. I love hearing that. Then he complained, good-naturedly, that our Punk section was all over the place (which 3hive genre section isn’t??). I love hearing that as well. When I asked him what persuasion of punk most buoyantly floated his boat he mentioned New Mexican Disaster Squad. Ah yes, a new generation of classic, old-school punk. Musically, punk has moved beyond the early sounds of Minor Threat and Black Flag, so much so that, with the exception of just a few bands, music like this, fast, angry and completely skateable, has been relegated once again to the margins. Fine by me as long as bands like NMDS keep keepin’ it real.
The Aquabats
The Aquabats are the only band that I saw before having kids (1995 to be precise) that my kids have also seen. That happened just a few weeks ago thanks to 3hive’s own Sean. The very day we were visiting him and his family was the same day the Aquabats were playing nearby in a cul-de-sac for someone’s birthday party. When the kids got to take a photo with the Aquabats before the show, little did they know what was in store: the costumes, the comedy, the monsters, the satire, the mosh pit, the silliness, and the pool party accessories. In the last 9 days, they’ve listened to the full album 42 times. And watched the “Fashion Zombies” video 38 times. Aquabats, you have some new cadets!
Hit The Switch
It’s not punk rock if you’re not pissing someone off. Hit The Switch will piss some of you off, and that’s a good thing. When a band names their album Domestic Tranquility and Social Justice you know they ain’t messing around. So yeah, there’s a message here and you may find it leaning too far towards socialism for your political tastes (that’s definitely the case with my father’s political bent…Hi Dad!) but Hit The Switch won’t try to convert you to any one way of thinking, they just want you to think. I suggest you close your political ears and listen with your musical ears and be converted by their fast, catchy, aggressive take on punk rock.
By the way, this is the second half of their album, available as a free download for a limited time from Nitro. The first half of the album was likewise available last month.
Nepotism note: I’m employed by the band’s label. But I dig this band and you dig free music so, so what?
Prototypes
Depending on where you stand on the infamous World Cup headbutt, you could dedicate this punchy little number to Zinedine Zidane because, unless my French is nonexistent (which, actually, it is), the title translates to something like “I don’t know you,” which seemed to be the clarion call of commentators and journalists around the globe. (Did anyone else get tired of the ABC TV commentator repeatedly call the hit “vicious”? Overly aggressive? Yes. Ill-timed? Absolutely. But it seemed clear that Marco Materazzi A) took a dive, and B) said something pretty, ahem, unsportsmanlike…but I digress.) Luckily the Prototypes, who apparently are huge in France and have recently joined Minty Fresh stateside, don’t specialize in downtrodden numbers—there’s a “yeah yeah yeah” callout in English on this track—so we can look at Zizou’s antics with a little levity and maybe practice some fancy footwork, and headwork, of our own.