Two weeks ago when posting the Childballads, I quoted from Jonathan Fire*Eater’s “Give Me Daughters” in relating that I have three daughters, just like the song. In my quote, I left out the lines immediately preceding the words I quoted: “I will raise them/I will raise them/I will raise/I will raise/I will raise them oh/In the city surrounded by water.” Now that me and the family are moving San Francisco, which I understand to be mostly surrounded by water, I’ve started to wonder about Stewart Lupton’s impact on my life. Of course, this also means that for the near future I will be focusing purely on Southern bands, like Atlanta’s (via Athens) Parade, in celebration of the 81% of my life spent living in the South. I’ve loved Atlanta bands since I first heard the 1986 compilation of Atlanta bands Make the City Grovel In Its Dust, and I can still remember almost every word and guitar lick of Train Black Manifesto’s “Bristol” and Rockin’ Bones’ “Be At Ease.”
So back to Parade and their smart rock-tinged pop. On “That’s Hott” from their recent EP, one cannot almost imagine the B52’s raised in this millennium on Parade’s stated influences of Radiohead, Gang of Four, Nick Cave, and PJ Harvey, while others like the acoustic guitar-based “Hunting” embrace the Southern singer-songwriter tradition of other Athens and Atlanta bands. But whatever the style, Parade is simple and melodic, kinda like the South.

It is a difficult thing, trying to find the perfect song to accompany a key lime pie, a margarita, good company and some serious barbeque. The first time I heard the buzz about the Harlem Shakes, I was hoping for just such a song (because I am always hoping for such a song), but I was expecting something a little more, erm, Harlem? When I heard the opening notes, my heart sank a little and then I got over my initial expectations and couldn’t stop bopping. They are clever, loud, playful and often rocking out, and for today, July 4th, I plan on blasting them loudly and often. Margarita in hand.
Ian and Lara Plunkett, recording wistful acoustic pop in Italy. At least that’s what I remember this track sounding like. I’m working on giving myself access to the song… You see, I’m writing this post up on a new laptop purchsed for me by my wife Jennifer — Thanks honey! This is way cooler than your “right shoe for my birthday, left shoe for Father’s Day” idea! — and I don’t quite have it set up correctly yet. I hope the rest of you can enjoy the mellowness of Plunkett as I navigate the MacBook world. Ciao!
It’s no surprise that Swedish bands hold a special place in our collective hearts here. So, like many of you who email us saying “I can’t believe you haven’t posted band xyz,” I can’t believe we haven’t posted the Shout Out Louds. Well, that’s not exactly true; we’re used to being late on the typical blogosphere darlings. It appears that the Shout Out Louds didn’t survive the Capitol/Virgin merger as Merge Records released this new EP and the new album in September. All the better since the new label facilitated pairings with The Essex Green, among others (The Russian Futurists and Kleerup provide dancefloor versions), for collaborations and remixes.
Art is often speckled with tragedy. I was planning to post on Ra Ra Riot beforehand, but now with the untimely death of their 23 year old drummer John Pike early this month, I have to forgo some of the general enthusiasm and lightness of these posts in favor of something a little more somber. All there is to say really is that the music made by this Syracuse band is lovely and this is a terrible loss and it just breaks my heart to hear this sad news. Hopefully the music they make in the future will be able to be a testament to the young man who helped create their sound and the music they have already made will be a beautiful reminder of him. The ‘Hive sends its love to Ra Ra Riot.
I’d be a bit surprised if, as an astute pop music aficionado (as most of our readers are), you have yet to stumble across Scissors For Lefty during your daily downloading sessions. This California quintet of bosom buddies with a hankering for The Beatles and a good boogie-down have steadily spread their sound in and around the West Coast and the UK. Their debut album hit first on British shores last October and this week L.A.-based Eenie Meenie Records is finally bringing the album home. “Lay Down Your Weapons” borrows Weezer’s guitar-attitude and mixes it with the more playful, dance-able moments of The Cure. If this song doesn’t win you over immediately, peruse their
There are so many ways to go with this post… Let’s list them:
Ian, who just signed the Poison Control Center to his label Afternoon Records, refers to this Ames, Iowa, band as “spastic pop wonders.” And that’s all you really need to know before downloading!