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L’anarchiste

L’anarchiste is one of Salt Lake City’s best bands going right now. What started as a solo project of Rob LeCheminant, has grown into a six-piece multi-instrumental juggernaut. Their new EP, The Traveler, has a bit of everything, from driving rhythms and hand claps, to slow, dark, heavy jams. Check out the slow-build-before-eruption track “Juneau” (below), I guarantee you will dig it. The Traveler is available to stream in full and buy from L’anarchiste’s Bandcamp page. I highly recommend it.

L’anarchiste – Juneau from The Traveler (2013)

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The Melodic

The Melodic, a 4 piece, folk-pop band out of South London recently released their debut EP, On My Way, with Anti. Using instruments like the Charango, Melodica and Kora (most of which I have never of heard of ), The Melodic have created a fresh new addition to the folk genre. Title track “On My Way”, is instantly captivating from it’s very first notes. The music has a happy melody, sure to cure even the sourest of moods. The boy/girl vocals are fantastic, light and airy. It’s one of my favorite songs right now. Check it out below.

The Melodic – On My Way (radio edit) from On My Way (2013)

Tour Dates

The Melodic

Anti

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Glenn Jones

I’ve been sick with some damn virus for the past week. I’ve tried all kinds of things to get better, and so far I’m still feeling pretty lousy. Thank goodness for Glenn Jones’ new album on Thrill Jockey, My Garden State. This chilled-out, timeless guitar album has been just the medicine to get me through the long days of couch surfing and feeling like trash. Standout track “Across the Tappan Zee” (below) shows Glenn’s skills on the Banjo, along with Laura Baird’s banjo skills as well. I love this song and can’t get enough of it. Check it out. I hope you dig it as much as I do. Enjoy.

Glenn Jones – Across The Tappan Zee from My Garden State (2013)

Thrill Jockey

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Keaton Henson

I had no idea who Keaton Henson was two days ago, until I received a text from my cousin Ben, “Holy shit man, I am getting my world rocked right now by Keaton Henson’s album Birthdays. I feel like I am not worthy enough to listen to this singer-songwriter, and I am guaranteed to go to Hell, if there is such a place, because I am just learning about him. It’s the most simple but elegant music, with some of the best lyrics I have heard in a long time.”

After reading Ben’s text, I jumped on Spotify and listened to Birthdays for myself. It is just how Ben described, “…the most simple but elegant music…”. Check out “You” (below), one of the standout tracks from the album. The song consists mostly of 24 year old Henson’s soft, but powerful voice, accompanied mostly by guitar, with a few more stringed instruments sprinkled throughout. Birthdays was released by Anti at the beginning of April. It’s an intense album. I highly recommend it. Thanks for the tip Ben.

Keaton Henson – You from Birthdays (2013)

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Will Courtney

Will Courtney’s debut solo release A Century Behind, is a longtime coming for me. I am a huge fan of his other band, Brothers and Sisters, and was bummed out when they went on hiatus back in 2010. Since then, I’ve been cyber-stalking Will, anxiously awaiting the announcement of this new album, which will finally be released in April.

The haunting organ tones, acoustic and surf-rock guitars, along with Will’s smooth vocals make “There’s No Answer” (below) one of the best tracks on the album. Whether you are brand new to Will’s music, or have been a fan of his for years, A Century Behind is a must own. Enjoy.

Will Courtney – There’s No Answer – from A Century Behind (2013)

Will Courtney (Reverbnation)

Will Courtney (FB)

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Georgiana Starlington

It all started with a tweet from @HoZacRecords, “Debut LP from Georgiana Starlington out soon (mbrs of K-Holes/Black Lips) “like Johnny & June Carter Cash covering the Velvet Underground”. The description of their sound alone was enough to peak my interest, but seeing that the band consisted of Jack and Julie from K-Holes and Black Lips, I had to hear the album.

Their debut LP, Paper Moon, will be released by HoZac, the release date is still to be determined, tentatively in early March. The album sounds just as described above, “…Johnny and June Carter Cash covering the Velvet Underground”. “Hard Grave” and “Louise Louise” (below), give you a good taste of the psychedelic, country goodness contained in this album. The slide guitar, driving bass, barely played drums, along with the twangy vocals of both Jack and Julie make this one of the coolest album’s I’ve heard in a long time. I highly recommend it. Keep your eyes on HoZac’s site for release information, you do not want to miss this release.

Georgiana Starlington – Hard Grave from Paper Moon (2013)

Georgiana Starlington – Louise Louise from Paper Moon (2013)

Georgiana Starlington

HoZac Records

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Dinah Thorpe


I’m gonna open up this next review with a simple comparison, a comparison that’s going to date me something fierce, but it’s just so spot on. And I can’t get it out of my head, so here goes: Laurie Anderson meets The Lilac Time. Old and obscure, unfortunately. Like Anderson, Thorpe’s rich, multi-layered vocals playfully haunt your brain as they weave back and forth between your ears (headphones strongly encouraged) and the banjo and tempo remind me of the upbeat moments of Stephen Duffy’s work with The Lilac Time. Of course my 16-year old thinks this track sounds like Mumford & Sons, but he’s never heard Peggy Honeywell. Thorpe is literate, politically astute, and crafts siren songs around her dreams and visions with everything from a synth to a ukulele. The results will brighten your day as does her album’s sparse, bold cover.

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Ghost Lights

Ghost Lights make perfect music to fall asleep to. And I mean that in the best possible way and not because I’m in bed snuggled up to my laptop. The subdued yet lush instrumentation hits you like a muscle relaxant and you’re off to dreamland. The effect isn’t accidental. The artist behind Ghost Lights, Noah Cebuliak, disappeared into Canada’s wilderness and discovered emotions that can’t be transmitted by mere words or waking logic. Who is the Canadian equivalent of Thoreau? I nominate Cebuliak (Canada’s answer to Neil Halstead at least). He went into the woods, with a guitar, to see if he could learn what it had to teach. These songs are his lessons learned and the only way you’re gonna benefit from them is by checking out of the rat race, unplugging, and letting yourself drift toward the lights, the Ghost Lights…

Ghost Lights – Fog Chief

Ghost Lights – A Train is Coming

ghostlights.ca

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Y La Bamba

I learned of Portland, OR band Y La Bamba late one night while scrolling through the twitter feed and saw @NekoCase tweet the following:

This was a recommendation I could not pass up. I logged onto Spotify that night and listened to their newest album Court The Storm. I was instantly captivated by singer Luzelena Mendoza’s haunting vocals, which held onto me until the album finished some 46 minutes later.

Court The Storm‘s songs are flavored with latin-inspired rhythms and melodies that work wonderfully with Mendoza’s vocals. The band’s label, Tender Loving Empire, set me up with the two songs below, opening track “Squawk” and track #2 “Bendito”. Both songs are fantastic, and a great preview to how cool this album is. I highly recommend it.

Y La Bamba – Squawk from Court The Storm (2012)

Y La Bamba – Bendito from Court The Storm (2012)

Y La Bamba

Tender Loving Empire

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Karen Dahlstrom

Karen Dahlstrom has been a fixture in the NYC folk scene, writing and performing with Bobtown, The Evangelines, American String Conspiracy, The Do-Overs, and The Maybelles. Last fall, she released her first solo effort, Gem State, a five-song strong EP inspired by her Idahoan upbringing. In less than 18 minutes, Karen shows her narrative range—embodying everything from a hardass war veteran to a reluctant bride—with songs so immediate and real they seem to have been there all along, waiting to be discovered. Karen’s hauntingly earnest voice brings added weight her lyrics, especially when they’re as stark as this: “The devil clapped me on the back/when I was nigh 13/Died my eyes from blue to black/and he made me hard and mean” (“Streets of Pocatello”). Though it serves her just as well in the sweet summer-ish come-on, “One More Time”.

While self-released with almost no promotion budget, the EP has cast a spell on folk journalists, bloggers, and DJs alike. So much so that she’s already managed to put together a small US tour. Of course, my chronic laziness means half her shows will have happened by the time you’re reading this (check here to see if you’ll be lucky enough to catch her live). But that’s me…don’t take your frustration out on Karen, buy her EP and she might add your town to the itinerary next time around.

One More Time from Gem State EP (2011)

karendahlstrom.com