I was surprised to find these tracks in my in-box. They’re quite the weekend treat. As you might imagine I spend a fair amount of time scouring the web for new music and I haven’t heard a peep from the Independiente label since DeeJay Punk-Roc’s ’98 release of Chicken Eye. Obviously I’m not listening closely enough. They’re Travis’ UK label. OK, so I’ve got some catching up to do. And besides the occasional David Holmes or Diplo track she sings on, I haven’t spent quality time with Ms. Topley-Bird. That’s gonna change too. Today. String theorists searching for other dimensions just may find what they’re looking for if they’d get strung out on some MTB. Topley-Bird’s voice carries me to other worlds, worlds I first discovered listening to Tricky’s Maxinquaye where she played the beautifully haunting foil to his gravelly trip-hop hero. Topley-Bird herself is off on her own inter-genre exploration with co-pilot/producer Dangermouse. Whether it’s the dusty after hours slow-mo of “Valentine,” the playfully seductive “Carnies,” or this bumpin’ club remix of “Poison” Martina Topley Bird’s buttery-rich voice easily lilts your soul enough to keep you just on this side of an out of body experience.