Sam’s Faves of 2018

It’s time for my annual blog post…

Without further ado, my favorite albums of 2018:

Khruangbin Con Todo El Mundo (Dead Oceans)
Durand Jones & the Indications self-titled (Dead Oceans)
Bodega Endless Scroll (What’s Your Rupture?)
Jean Grae & Quelle Chris Everything’s Fine (Mello Music Group)
Janelle Monae Dirty Computer (Bad Boy)
Altin Gun On (Bongo Joe)
Smokescreens Used to Yesterday (Slumberland)
Idles Joy As an Act of Resistance (Partisan)
Low Double Negative (Sub Pop)
Cut Chemist Die Cut (A Stable Sound)

I encourage you to enjoy these on vinyl (link will go here as soon as I get off my butt and update the online store).

And because 2018 offered so much more music than can fit neatly in a Top 10 list, here are my 23 favorite songs of the past year…

Top Albums and Songs of 2015 (Sam List)

Inspired by Todd and a really great year for music, I’m coming out of hibernation with my tops of 2015…

Top Albums

Jamie xx In Colour (Young Turks)
I figured this collection of dancefloor etudes wouldn’t hold up to repeat listens but here I am, on the last day of the year, still unable to shake the hooks from my head.

Donnie Trumpet & the Social Experiment Surf (self-released)
A remarkably eclectic and powerful album. The fact you don’t see any of the guest stars credited in song titles tells you everything you need to know about how this “experiment” fared.

Protomartyr The Agent Intellect (Hardly Art)
Riveting post-punk from Detroit; kinda like Interpol without the pretense.

Young Guv Ripe 4 Luv (Slumberland)
Ben Cook set out to satirize bands like Cheap Trick, Big Star, Marshall Crenshaw, etc. only to end up creating a completely epic power pop album of his own.

Jose Gonzalez Vestiges and Claws (Mute)
I respect Jose’s absolute commitment to the whispery folk formula that made him famous, especially when it produces a gorgeous album like this one.

Sufjan Stevens Carrie & Lowell (Asthmatic Kitty)
Like Jose, Sufjan keeps doing his thing and it keeps getting better.

Thundercat The Beyond/Where the Giants Roam (Brainfeeder)
Yearning, confident, proggy, funky – like nothing else out there.

Colleen Captain of None (Thrill Jockey)
An art album that plays like a pop record.

Kamasi Washington The Epic (Brainfeeder)
I may be the only so-called music snob who thought Kendrick Lamar’s To Pimp a Butterfly was just okay (or is that just me being extra snobby?) – but if the Kendrick Lamar phenomenon means former studio musicians like Kamasi see more sunshine, I’m all about it.

Beirut No No No (4AD)
Even a B+ record from Beirut will make my top 10.

Top Songs

Young Fathers “Shame” (Big Dada)
Nosaj Thing feat Chance the Rapper “Cold Stares” (Innovative Leisure/Timetable)
Baio “Sister of Pearl” (Glassnote)
The Arcs “Stay In My Corner” (Nonesuch)
Unknown Mortal Orchestra “Can’t Keep Checking My Phone” (Jajaguwar)
Lonelady “Groove It Out” (Warp)
Bicep “Just” (K7)
Swervedriver “Last Rites” (Cobraside)
Spectres “Where Flies Sleep” (Sonic Cathedral)
Beliefs “Tidal Wave” (Hand Drawn Dracula)
Low “What Part of Me” (Sub Pop)
Helen “Motorcycle” (kranky)
Four Tet “Morning Side” (Text)
William Alexander “Strangest Things” (Yellow K)
Open Mike Eagle feat MC Paul Barman & Milo “Trickeration” (Mello Music)

L Orange and Jeremiah Jae

Beat maker L’Orange and wordsmith Jeremiah Jae have collaborated to create one of the best grooved-out hip-hop albums of the year, The Night Took Us In Like Family. L’Orange’s dusty beats are on point and Jae flows with them like these two have been working with each other for years.

I was unable to get permission to share any downloads, but please enjoy the streams (below) of the jazzy “Taken By Night” and head-bobber “All I Need” feat. Gift of Gab. Both tracks are rad and represent the entire album well.

The Night Took Us In Like Family is available now on vinyl (recommended) or digitally from Mello Music. This is a must add to your collection. Enjoy