If you haven’t lately, why not stop by our links page? There’s a few of the usual suspects as well as some sites you may not be familiar with. Lots of good stuff to discover, like this gem I found via You Ain’t No Picasso. What I like best about Oh No! Oh My! is what they don’t put in their songs. They use their white space well. Not that there’s empty spaces in the music, it’s just that every instrument counts. No filler. The best way to describe them is clap your hands and say yeah. I’m not talking about the band. Imagine if that was a sound, a genre: clap your hands and say yeah. That’s where you’d file Oh No! Oh My! Listen to “The Party Punch” and you’ll get it. I bet they’re a ton of fun live. A total jam band vibe…if by jam band I meant The Boy Least Likely To instead of Phish.
Charles Kamm tonight on KUCI
The 3hive 72-Hour Kit
Conner
Where’s that deliciously pouty, funky sound coming from? South London? NYC? Try Lawrence, Kansas. (Hey, they’re entitled to deliciously pouty, funky music, too, you know.) These tracks are from Conner’s forthcoming album Hello Graphic Missile which is due out June 6. June 6?? But I want it NOW…
Peter Walker
Mr. Walker’s connected. For his first album he tapped REM’s drummer, Beck’s bassist and Wilco’s guitarist/keyboardist. Then he caught the attention of Earlimart’s Aaron Espinoza and Grandaddy’s Jim Fairchild. The three holed themselves up in Elliott Smith’s studio to record Young Gravity. Peter Walker sure has a lot to live up to and really it’s unfair of me to name-drop so liberally. I’m positive Walker wants his music to speak for itself. So I’ll let it do just that. Ask me though, and I’ll tell you he makes good use of his friends.
Woody Whatever
Athens, Ohio’s Erik Schmall has been recording frayed, cuddly lo-fi at a blistering pace. He’s already released over 100 songs since he first started in 2001, at age 17. Like many prolific bedroom songwriters, or any prolific songwriter for that matter, not every track will blow you away. But these ones here do, and I’m sure I’ve overlooked a few. If you’re looking for a good place to get started, hop (Happy Easter!) over to the lovely blog/netlabel Beat the Indie Drum to download Woody Whatever’s Big One Shout Out EP that just came out in March 2006.
Dudley Corp. Rhapsody
The Streets
Drop this one in your bunny basket—the first taste of Mike Skinner’s biting, British, bubblegum bounce.
Elf Power
There’s more than a passing resemblance between Elf Power’s latest, an organically trippy tempest in a teapot, and very early REM. But those who’ve grown to love Elf Power for their subtle vocal lullabies over inventive pop-folk arrangements will know that the resemblance is far from a ripoff. Elf Power are simply building on the “Athens Sound” – a genteel southern intellectuality that allows for fantastic sonic experimentation but keeps it as personal as a front-porch jam.
The Heavy Blinkers
People seemed to like the orchestral pop of Australia’s Architecture in Helsinki the other day, so I thought I’d pitch a Canadian take on the same genre to you. Hailing from Halifax, The Heavy Blinkers have some serious ’70s pop sensibilities — I mean, there’s even a smooth trombone solo in “Try Telling That To My Baby,” title song of the newest Blinkers’ album. With all the strings, horns and soft backing vocals, you practically have an ELO record. Not that I remember ELO, but my dad did have one of their 8-tracks, which would probably be the ultimate medium for The Heavy Blinkers.