Sometimes you just need to dance when you’re sweeping the kitchen floor. Sometime you just need to bounce in your seat on a long drive home. Sometimes you just need to let this Baton Rouge band fill your ears with their dance-y take on 90’s rock after spending time digging through your old shoegaze albums to get your head back to reality. And sometimes I talk about myself in the second person.
Mother Mother
I’ve been sitting on Mother Mother for too long. Please accept my apologies. They got lost in the shuffle that is my life, although I’ve been playing this track on my radio show for months. So I haven’t been completely hoarding the goods. “O My Heart,” the album’s title track, recalls the Pixies in a big way, especially the vocal play between Frank Black and Kim Deal. I don’t make that comparison lightly. I only do so because the band pulls it off beautifully and I only do so because the band is so much more than a Pixies rehash. In fact, the band probably shares more sonic sensibilities with their Canadian labelmates The New Pornographers. The band began as an acoustic trio, with brother and sister team Ryan and Molly Guldemond and Debra-Jean Creelman. All sing, contributing to the band’s arena worthy harmonies. It’s the play between Mother Mother’s big rock sound and their coffee house intimacy that gives the band that comfort food sound.
Crystal Stilts
The perfect companion to last week’s post on Cause Co-Motion!, since the two Brooklyn bands are currently touring the West Coast together. (I had planned on seeing them tonight in Oakland, but alas, I’ve got torn knee ligaments.)
The Slumberland page for their new album Alight of Night makes reference to a whole slew of bands: Velvet Underground, 13th Floor Elevators, Red Crayola, the Gun Club, the Mary Chain, and also bands from Flying Nun, Rough Trade, and Factory Records. I’d also throw in early Walkmen and the Recoys. Feel free to add your own.
+/- (Plus/Minus)
+/- has always given me the impression that they know exactly what they’re doing. Even as their catchy pop has matured, like the members themselves, their songs are still crafted in fine detail; there is no filler, no fluff, and definitely no songs that were mere afterthoughts meant to only take up space. Now that is not to say that there is no passion in +/-. Au contraire, they’re only showing us the passion that they want us to see, dispensing their drug in controlled doses. Xs for Your Eyes, their new LP. will be out October 21st.
Original post from June 30, 2004:
Continuing our tour of former members of the late great Versus (and 3hive’s tour of bands with non-alphabetic names), we now hit +/-, a.k.a. “Plus Minus.” Combining the finer points of electronica and jangly (even emo) pop with their well-honed skills of crunching guitars, +/- purvey a progessive indie rock that’s catchy, hooky, and rockin’.
Paul Westerberg
I’m sorry, but I get so sick of new music sometimes. It’s not that I want to live stuck in the late ‘8os or ’90s, enveloped by the past, but I need to see where I’ve been. Not to get all Nick Hornsby here, but I want access to the personal history that comes with MY music. Case in point: Sam and I went to see The Wedding Present on Thursday night in Pontiac (where, apparently, Elvis split his pants playing at the Silverdome), and it was awesome. David Gedge has been making music since 1985, and we’ve been listening to it for almost long, and it felt so good to hear him rip through “Kennedy” and screw up the lyrics to “Crawl” and play half of the Seamonsters album and turn “I-5” into the most intense therapy session. So with this post, I wanted to tap into similar memories, like walking up the Lake Michigan bike path from Hyde Park to Grant Park to see Paul Westerberg play the 1996 Chicago TasteFest wearing a bright yellow suit. I’ll keep the rest of my stories of Westerberg and The Replacements to myself, and let you know that, 1) Paul has been recording and releasing single, studio session length MP3s recently, and 2) a bunch of Replacements albums were remastered and rereleased a week or two ago. Also, for anyone still reading, I can offer one of the best songs ever recorded in the whole history of music (“We May Be The Ones”) and a handful of other tracks kindly provided by Vagrant Records, so you start making some of your own history.
Now, Now Every Children
How many of us were in a band in 10th grade? And for those who answered yes, how many are still in that band? Cacie Dalager and Brad Hale started playing together in 10th grade, and, having finished school, last year added two other members to round out their lineup and begin doing this band thing for real. Cacie’s innocently earnest voice steals the show, while the music swirls around her, managing to push her higher still. That’s the danger with their formula; can the music match the level of the singing? Now, Now Every Children make it sound simple, by keeping it…well…simple. Now after listening, for those who answered no, how many of us wish we had been in a band in 10th grade?
Hifiklub
Hot off the French Riviera and into my suburban home, a bike ride away from a large, democratic swath of California beach, via our trusty suggestion box is Hifiklub. Their album was produced by Earl Slick, best known for his guitar work on Bowie’s Young Americans and Station to Station albums. The first single, “Babe Doll” starts off with a Blur-esque dance beat, moaning guitars lead to spoken/sung vocals, the guitars go all angular, and then they’re just Dave Allen’s deadly bass groove shy of ushering in France’s Gang of Four resurgence. The band was kind enough to offer up a second track off their album, French Accent, which we’re happy to pass along to you even though thematically it’s the antithesis to our little “sharing the sharing” project here. Yep, it’s all about stealing from your favorite bands, but in the artsy sense of the word, not in that smarmy blogging way of stealing.
The Upsidedown
Similarities between the Upsidedown and the Dandy Warhols are to be expected. Having signed on to the Dandy’s new indie label Beat the World, they also recorded their new LP Human Destination at the Dandy’s Odditorium studio. If mockery is the sincerest form of flattery, the Upsidedown, with members hailing from Portland, Missouri, Kansas, and San Fran, flatter their Dandy mentors by their use of crisp drumming, a steady rhythm, and effects-laden guitar driving the melody. On tour now with the…you guessed it…Dandy Warhols.
Goldcure
Goldcure is an Austin-based group that sings about love, god and other things that keep us up at night. Though you might expect such subject matter to tend toward theatrics, there’s something calm and reassuring about how the vocals and guitars shimmer and shine around each other. Goldcure is certainly not playing to Austin’s fabled bar scene with such erstwhile calming yet expansive ditties, similar to their city-mates in Shearwater. It’s enough to remind you why you’re up in the middle of the night in the first place.
Suretoss
My “3hive” bookmarks folder has, sheez I don’t know exactly, hundreds of links to bands that I have bookmarked over the years. For one reason or another, most of them hadn’t made it onto our pages, the biggest reason being a lack of free MP3’s to link to. Looking back through said bookmarks folder brought me first to The Dutch Elms, who did appear on 3hive four years ago, and then to Suretoss, who didn’t make it. Looking back, it was probably because these songs below were listed as belonging to a future release. I can’t tell if they were ever released, but upon this recent listening I found that I still enjoy Suretoss’s spirited indie rock which reminds me of old faves like Superchunk and Les Thugs. More songs can be found on their site.