Getdown Services

Getdown Services | Massive Champion | 3hive.com
Getdown Services | Massive Champion | 3hive.com

Getdown Services latest album, Massive Champion, blends fellow Bristol, England groups Massive Attack and IDLES, some of the best parts of Gorillaz catalogue, as well as the statements and distinct instrumentals about our modern zeitgeist best found across the Viagra Boys albums into thirteen songs. These thirteen songs clock in at just under forty minutes which might not sound like a lot of time for the duo of Ben Sadler and Josh Law to share a lot of diverse ideas and statements alongside even more diverse and eclectic instrumentals, but they accomplish exactly that.

The record opens with “Poor Bannister”. An analysis on wandering thoughts, public transit, and the ways that we perceive one another in passing is carried by the steady march of acoustic chords and the expressive, almost downtrodden vocals that deliver listeners to track two, “I Can’t Die Like That”. The track’s first lyrics, “Maybe my neck won’t snap if I fill it with snacks,” refer to using and clinging to coping methods regardless of how they might impact you negatively. “I Can’t Die Like That” continues in this theme, sharing with an incredibly British sense of dry humor, feelings of self-pity, and a refusal to die an undignified death. And it’s all delivered by both Sadler and Law with this reserved, monotone pace to their vocals that is equal parts smooth and weighty. The track’s instrumental is wandering and diverse, full of sonic odds and ends that add depth and texture without distracting or impeding the listener’s ability to focus on the song’s themes and lyrics. My personal favorite from the record is track five, “The Radiator”. This track is the grooviest I’ve heard post-punk possibly ever? It’s so easy to move along with, courtesy of its electronic synthesizers, drum loops, and stellar live-sounding percussion. The track’s theme of only picking fights that you know you’ll win, like those against inanimate objects, is elevated by those aforementioned instrumental elements as well as the earworm chorus, “I bang my head on the radiator, I hang my socks on the radiator, I bang my head”.

Getdown Services deliver a well-executed, thoughtful, and fun record on Massive Champion that I would encourage any fans of the bands I listed above, or anyone curious about how members Ben Sadler and Josh Law are approaching their childhood insecurities, managing self-pity, and observing the everyday mundane absurdity of life in 2026.

Massive Champion is out now via Breakfast Records.

Julia Jacklin

Julia Jacklin | The Gem | 3hive.com
Julia Jacklin | The Gem | 3hive.com

In her fourth studio album, The Gem, Julia Jacklin shows us that you often only need two chords (maybe three max) to write a really excellent song. 

The Gem, recorded in Melbourne in a studio that sits above a pub of the same name, is a dreamy collection of heartfelt, indie-folk songs all written by Jacklin. Her voice, characterized by a beautiful, airy vibrato, shines at the forefront of each track, creating powerful builds (like in the final track, “I Wish”), stunning, isolated harmonies (in “The Hardest Thing”), or gentle, stripped-down melodies (in “Angel Vision”). 

Despite Jacklin’s claim in the opening track “Brand New” (Can’t afford to have an inner world; got things to do), her inner world does unfold throughout the album, with themes of relationship tension, being the god of your own life, letting your loved ones down, and feeling taken advantage of.

The album is wrought with tension: between quotidian, mundane observations and sweeping philosophical, spiritual musings; between lush sonic builds and minimalist, acoustic tracks; between internal emotional landscapes and external surroundings. If you choose just one song to read the lyrics to as you listen, let it be “If I Had the Hand of God”. Jacklin starts by observing: “Looking at my neighbour eat a peach over the sink,” then jumps to the hypothetical: “If I had the hand of God, would the God whose hand I have know not to leave you alone when you say you’re feeling sad?” In the first half, she notes “Mary sings and I feel everything”, only to end with “Mary sings and I feel nothing”. 

In “Real Life”, upbeat backing percussion constrasts with a dreamy Wurlitzer that creates the perfect scenario for Jacklin to recount a dream about watering someone’s plants, only to conclude that all the plants had died. In “Walk On Me”, a shoegazey, reverb-heavy guitar creates a fuzzy haze that juxtaposes Jacklin’s wailing vocals which could exist in the universe of Angel Olsen. We feel her pain throughout the build, and especially in the final lines: When the band begins to play/ I say, “I know this song”/ You say, “Everybody knows this one”/ So why am I the only person singing along?

Though the album has no skips, I think the final track is the strongest. The Maes, Melbourne-based sisters Elsie and Maggie Rigby, lend their backing vocals to create beautiful harmonies that allow some of Jacklin’s most impactful lyrics to shine through: 

Oh, I grew/ Into a new shape/ Something new/ A foreign landscape/ With no trees, not a drop of rain/ Would not believe things could grow from pain.

As the album winds down, we are left with the image of “a baby bird rais[ing] its head”, a final reminder that the tension and turmoil resolve, and that we’re going to be okay.

The Gem is out now via 4AD Records.

Heavenly

Heavenly | Highway to Heavenly | 3hive.com
Heavenly | Highway to Heavenly | 3hive.com

Heavenly made music together from 1989 until 1996, when Mathew Fletcher tragically passed away. It’s been 30 years since new Heavenly tunes have graced our shared existence, but they are back with their first album of original music in 30 years! That’s right, Amelia Fletcher, Rob Pursey, Cathy Rogers, and Peter Momtchiloff are back with eleven fabulous new tracks titled Highway to Heavenly.

Heavenly has delivered a practically flawless release of power, jangle, and twee pop mastery with Highway to Heavenly. All hail one of the pioneering groups of the genre!

Highway to Heavenly is out now via Skep Wax. Check out “A Different Beat” below; if you don’t trust me,? then head to your local shop (like the 3hive Record Lounge) or Bandcamp and snag yourself a copy. Enjoy.

Olympic Deth

Olympic Deth | Peace Album | 3hive.com
Olympic Deth | Peace Album | 3hive.com

I’m going to begin by addressing some biases that I have coming into this review: 

  1. As a Utah native, I’ll advocate for damn near anyone/anything coming out of the Beehive State (within reason, of course, because fuck Mike Lee),
  2. The sounds that this record reminded me of upon first listen have been some of my favorite tracks, records, and bands in recent times, and
  3. Anything that’s locally released that SOUNDS like it’s not locally released makes me unreasonably excited because Utah genuinely has a really diverse and talented music scene if you’re willing to look, participate and support it. And that’s what it’s all about y’all.

Now, with all of that said, let me tell you why Olympic Deth’s newest record Peace Album is not only one of my most anticipated local releases this year but one that I’m sure will stand among the best of what Utah offers this year, musically speaking. 

Peace Album clocks in at 36 minutes across 16 tracks and doesn’t waste any time grabbing listeners attention. The album’s opener “Rehab For Weed” is a vaporwave-esc opener with layered synths, looping electronics and water sounds? It’s a super diverse instrumental that’s engaging for the active listening experience while also being something that could be on in the background. The album transitions expertly from track to track, again making either the active or passive listening experience both rewarding and pleasant as you move through the track list. Standout songs such as lead single “Oklahoma PEACE”. Full of moody, looping electronics and strong guitars from the best slacker-rock or post-punk records you could name, this track is just one of many personal highlights for me that’ve found their way onto playlists of mine. I’ll shout out “Diamond Dozen”, “Ada County” and the album’s closing track “Trout Mask Replica on Accident” as well.

If you took the best parts of Geordie Greep’s solo debut“The New Sound”, King Krule’s 2017 record “The OOZ” and added Geese and some Death Grips – Olympic Deth is the emulsifier that combines all of it together into something new that I encourage damn near anyone to give a listen.

Candy kisses

Candy kisses | Truth we avoided | 3hive.com
Candy kisses | Truth we avoided | 3hive.com

“Ahhhh, jangle pop. The balm for the soul.” That’s the first thought I had during the first 30 seconds of Candy kisses’ debut EP, Truth we avoided. There is not a lot of information available about the band, except the EP has been released on Indonesian label forfun.cookies. I suspect the band members are from Indonesia as well. There are four members: Dita (vocals), Wahyu (vocals/bass), Dimas (ucup lead?), and Tama (drums). That’s all the info I have.

Truth we avoided is 12-plus minutes of pure, jangle, twee, indie pop gold. It’s a promising start to 2026. I can’t wait for more.

Truth we avoided is out right now on forfun.cookies Bandcamp page, and I highly recommend it. Enjoy.

Wednesday

Wednesday | Bleeds | 3hive.com
Wednesday | Bleeds | 3hive.com

Wednesday was originally formed as a solo project of lead singer Karly Hartzman, blending shoegaze inspired fuzzy guitars and country-twanged vocals that touched on the struggles and traumas of small-town Southern living. This year the now five-piece released what I firmly believe to be the groups best work with their latest record Bleeds.

Bleeds opens with the one, two punch of Reality TV Argument Bleeds and Townies – Reality TV Argument Bleeds acts almost like a sonic black hole, bringing everything around into the mix, creating an all consuming, attention demanding, and layered soundscape before Hartzman’s vocals break through with the first of many Southern-twinged expressions of stories and the people they involve. The track has personal lyrical highlights of, “When I don’t feel like bein’ comforted / Melting outward like a movie burning from the screen / You and your broke dick sincerity.” 

The stories continue on Townies, a track that explores the dramas of small town life where word travels fast. The opening lyrics are literally, “Catchin’ up with the townies / Some have gone but most are still around / The ghosts of them surround me / They hang on tight until they drown.” Hartzman’s spins a harsh and emotive tale of marijuana, shared nudes, death, and leaf blowers in the best and most unexpected way.

The last track I’ll highlight here is my personal favorite from the record, track 7 The Way Love Goes. As I understand it, it’s an expression of some of the feelings after the end of the long term relationship between members Karly Hartzman and MJ Lenderman. It’s short, heart wrenching, and a perfect example of how less is more. It serves as a sort of break in the record with its slower, acoustic sound that’s light on the effects and it truly shows how strong of a performer Hartzman is. The track closing with a self reference saying, “I know it’s not been easy / And I know it can’t always be / and that’s the way love goes.” I mean, c’mon – tearing my heart out and stomping on it would probably cause me less pain than feeling the relatability of those lyrics.

This album to me is almost like a play where each of the albums 12 tracks functions like acts; each containing its own setting, characters and story while the thing connecting them all together, thus creating the play, is Hartzman’s perspective and the way that she and the rest of Wednesday have laid these stories to tape. Not very many records from bands I’ve heard have successfully turned me from a listener into a fan, but Bleeds accomplished exactly that. And I couldn’t be more excited to see what’s next.

You can get Bleeds from us here or via Wednesday’s Bandcamp page.

Shallowater

It’s not often that I listen to a shoegaze record, save it to my library, and then proceed to stream it again and again; offering whatever additional focus I can muster into subsequent listens trying to glean as much as I possibly can. I’d even go so far to say that this may have never happened before with shoegaze but I’m grateful to have undergone this experience – all credit goes to the Texas based ‘dirtgaze’ group Shallowater and their sophomore record God’s Gonna Give You a Million Dollars.

 Shallowater is a three-piece band of Blake Skipper, Ryan Faulkenberry, and Tristan Kelly who originally hail from West Texas but find themselves now based out of Houston. I hadn’t heard of the group before having God’s Gonna Give You a Millions Dollars recommended to me by a few friends earlier this year, but since giving it a listen I’ve become a fan not just of its deep and emotive performances, the simple but meaningful writing, or the fact that no track ever felt as long as they are but the reality that this album contains all of the above and more in spades and is such a rewarding listen.

The title track and subsequent “Sadie” begin and continue to tell a story of grief, loss, and the long and unique process of adapting to life without someone. From Sadie, lyrics such as “I’ve been writing down / Every word / You said to me / ‘Cause I like the way they look” touch on how unique loss is as well as how hard letting go can be.

A personal highlight of the album follows up “Sadie” in “Untitled Cowboy”. The almost 8 and a half minute long epic that I feel touches on regret, complacency and cycles that can haunt a person and their endeavors, relationships, etc. Lyrics like “Don’t you know I feel like / All that time we wasted / Sittin’ with each other / Would’ve been a whole lot better spent alone?” Lead singer Blake Skipper’s delivery, and the supporting ensemble create a sonic palette that hits like a truck and leaves you as the victim of a hit & run.

In summary, Shallowater has created a harmonious, precise, and rare project with God’s Gonna Give You a Million Dollars that feels to me like equal parts Chat Pile’s debut record God’s County and MJ Lenderman’s incredible 2024 record Manning Fireworks while also representing itself well and staying original.

The Cords

The Cords | The Cords | 3hive.com
The Cords | The Cords | 3hive.com

Scottish two-piece sister band The Cords have taken over my world with their debut self-titled album, and I’m here to convince you to let them take over your world too.

Proudly wearing their hearts and influences (C86) on their sleeves, Grace and Eva have not only honored those bands that came before, but they have also crafted a generational pop album that will stand the test of time and influence the next generation of “straight from the heart” pop bands.

Their album is out now via legendary labels Slumberland and Skep Wax. You can spin my favorite track (right now), “Yes It’s True” (below), for a taste. You must own this album! ENJOY.

lightheaded

lightheaded | Thinking, Dreaming, Scheming!
lightheaded | Thinking, Dreaming, Scheming!

New Jersey band lightheaded are back with their incredible new power-pop album, Thinking, Dreaming, Scheming!, and listed below are 5 things (the low-hanging fruit) I love about this record.

  1. It is packed with infectious, marvelous, and charming vocal harmonies.
  2. The album sounds current and classic at the same time.
  3. They love Amelia Fletcher—who doesn’t?
  4. The album is 28 minutes long. There is no fluff. They get in and get out with 10 jangle-pop heaters.
  5. The album was mastered by Mikey Young—no brainer!

Thinking, Dreaming, Scheming! is out now via the almighty Slumberland Records and the equally almighty Skep Wax Records. This is one of my favorite albums of the year so far. You need to listen to it right now!


Marissa Nadler

Marissa Nadler | New Radiations | 3hive.com
Marissa Nadler | New Radiations | 3hive.com

Marissa Nadler just dropped “Hatchet Man,” her second single from her new album, New Radiations, out on August 5 via Sacred Bones. “Hatchet Man” is a lush and haunting murder ballad “…about a sinister character bringing a woman home—not for romance, but to murder her—while the narrator, his partner, is made to witness it unfold.”

New Radiations is Nadler’s tenth full length album, and sixth with Sacred Bones. Enjoy the single below.