Roman Ruins (aka Graham Hill) is back with a brand new single, “Drum Machine”, as well as announcing a new album (his first since 2014’s incredible Source of Pride), entitled Isotropes.
“Drum Machine” is a head-nodding affair, full of many layers of sound and texture, coupled with Hill’s ghostly vocals. This single could be, possibly, considered a tad on the bedroom-pop side of things, except for the incredible amount of depth contained within. In fact, the album cover describes what Hill is doing on this track (I assume the rest of the album as well) perfectly.
Isotropes is coming in February via Gold Robot. You can spin “Drum Machine” in all the usual places, including below. Enjoy.
L.A.’s Mo Dotti is back with a brand new single, “For Anyone And You”, as a teaser for their upcoming LP release in 2024. The track is an in-your-face shoegaze-pop song slightly reminiscent of the heavier, more upbeat MBV stuff. It’s a rad track and I’m excited for the new album to come.
Mint Field are a duo out of Mexico City, Mexico. Their new album Aprender a Ser (Learning To Be) is a shimmery ride through bits of dream pop, shoegaze and trip hop (that’s a bit of a stretch, but I’m going with it). The slightly blurry, yet shiny image used for the album cover describes their sound better that I ever could. If I were to rate this it would be 5 wooden nickles!
Aprender a Ser is out on Friday 10/27/2023. You need this album in your life. You can check out the singles “El Suspiro Cambia Todo”, “Nuevo Sol” and “Orquídea” below. They represent the album well. Enjoy.
Glasgow’s Dancer are back, nine months removed from releasing their self-titled EP back in February. Their new EP, As Well, is five more tracks of sharp-edged, jangly, post-punk-ish goodness. Get a load of “Chill Pill” and “Pulp Thriller” below; you’re going to dig them if you don’t already.
As Well is out now on cassette and digitally via Gold Mold Records. I’m super stoked on it. I know you’ll be stoked on it. Go and get it, and enjoy.
New Jersey band LIGHTHEADED is releasing their latest cassette EP, Good Good Great!, on Friday, (10/13/2023). It’s a fantastic 20 or so minutes of five shimmery, jangle pop tracks that are sure to keep you warm—in your heart—on these cooler autumn days. Check out “Mercury Girl” and “Love Is Overrated” (below) for a taste.
Flooding is a three-piece band out of Kansas City, Missouri. They are releasing their new album, Silhouette Machine, today (09/29/2023).
Listening to Silhouette Machine is like watching a horror movie, even more so after the initial shock and surprise of album opener “Run”. We know the person running from evil on the big screen is headed for their ultimate demise, and we anticipate the shock of it happening even though we know it’s going to happen, and it’s still thrilling and works every time—it’s a tried and true formula. Silhouette Machine works just like that. Most of the songs have a soothing, almost ethereal beginning, and you know what’s coming. Then they strike and pummel your senses with a brutal onslaught of heavy guitars, drums, and Rose’s incredible shredded vocals. It works every time. I love it.
Check out “Run”, “Muzzle”, and “Transept Exit” below for a little example. As I was told regarding this album “don’t sleep”. Go get it. Silhouette Machine is out on vinyl via The Ghost Is Clear, on cassette via Manor, and digitally via Flooding. Enjoy.
Melenas are back with a magnificent new album titled Ahora. This quartet out of Pamplona, Spain have it all dialed in – I’m talking jangly guitars, pulsing synths, fuzz, gaze, gauze, noise, you name it, it’s probably in there.
Ahora is (as I said in a previous post) 10 tracks of kraut-meets-Stereolab, electro-pop goodness. Check out “Bang” below; it’s so rad, I find myself humming or whistling it all day.
Body of Leaves are a 4-piece band out of Salt Lake City. They self-released their debut (I believe) album, Hell Nightmare, back in May. It’s 8 tracks of really well done post-punk-dark-wave goodness delivered through driving/pounding bass and drums, piercing synths and some amazing wall of sound guitar work. It’s really damn good.
I slept on this album WAY too long, but was shown the light last night seeing them open for Sweeping Promises. Don’t repeat my mistake, check out “Follow”, “Disclosure” and “Such a Gift” below. Do it! This is the good stuff.
Hell Nightmare is out now via their Bandcamp page. Enjoy.
Memphis trio Optic Sink bring the heat on their latest release (and first) with Feel It Records, Glass Blocks. It’s a bass-driven album packed with all the synths your heart desires along with crazy-tight digital percussion. Their minimalist approach comes off warm and packs a punch. It’s a refreshing take on post-punk. Check out “Live Illusion” and “A Face In The Crowd” (below) for a taste.