Sure, the UK’s The Fatels are starting to get some buzz, as they say in the biz, but boy I am a sucker for their distinctly London-eque, pounding punk/post-punk pop. Especially refreshing is knowing that only three people made all this racket! More downloads available on their sites below.
The Acorn
Look, I’ve got a house to clean but I still wanted to share The Acorn today. So, how’s this: if you’re inspired by what you hear, write your own post and add it to the comments section. I’ll send my favorite guest poster(s) a 3hive prize pack. Cool? Okay, now, where’d I leave the Swiffer…
Maher Shalal Hash Baz
Maher Shalal Hash Baz primarily consists of Tori Kudo, a Japanese composer/musician who has been making somber dissonance for nearly two decades now. The name comes from the Book of Isaiah and roughly translates from Hebrew as “To speed to the spoil, he hasteneth the prey.†As lesser preached Bible passages go, it ranks up there for me with “It is easier for a camel to pass through the eye of a needle than for a rich man to enter the kingdom of God.†But I digress… Kudo doesn’t just make messy music—he appears to these ears to be a true inventor of improvisational balladry. “Different Daylight†sounds at first like an early rehearsal in which the instruments are all being played by Kudo at the same time. But at the center of that clash of horns, strings, guitar and other odd noises is the steady, knowing voice of Kudo himself, like a tour guide through a sandstorm. He has said of his own music, “Error in performance dominates MSHB cassette, which is like our imperfect life.” Yes, but if you listen to “What’s Your Business Here, Elijiah?†(sorry, Domino isn’t down with the free MP3 tip) you’ll find that imperfection can sound pretty close to perfect after all.
Air
Clay’s posting of this A.I.R., (and his direct mention of the French Band) got me thinking about when I first listened to Air. If you take one of Chicago’s Green Line el trains west out of downtown in the early evening in spring, right as things start to thaw, you’ll see a bunch of old watertowers on the tops of warehouses silhouetted in a huge, wide blue sky, and they look like trees about to bud out and bloom in the warmth you’ve been waiting for and know is coming. That’s what they looked like to me, at least. And if you listen to Moon Safari, Air’s 1998 release, for the first time while admiring the watertowers, “La Femme D’Argent,” the first track, will sound cool and fresh and full of hope. In fact, it will sound that way forever, in my experience. Ever since, I’ve enjoyed the pretty, soothing grooves offered up by this French duo; “Once Upon a Time” apprears on their latest release, Pocket Symphony, due out in about a week.