Nickodemus

A hot and sweaty dancefloor number just in time for summer. Nickodemus has been ruling the NYC dance music scene since the mid-nineties as a resident DJ at Giant Step up until presently with his work with the Turntables on the Hudson parties. On record, his name is synonymous with sunny grooves and he can always be counted on to bring big-booty-shakin' bounces. Lately, I've been digging his work with Quantic, and his remixes of Billy Holiday, Mexican Institue of Sound, and Ocote Soul Sound. Now he's ready to drop his sophomore album, Sun People next month on Eighteenth Street Lounge music. Nickodemus touts a cornucopia of world sounds collaborating with artists from all corners of the globe including Mandingo vocalist Ismael Kouyate and New York's Real Live Show. Nickodemus is to music as Tajín is to mango. Sprinkle liberally and dig it.

Sun Children (feat. the Real Live Show) [MP3, 5.9MB, 192kbps]

www.eslmusic.com
www.nickodemus.com

Michna

Asking me to pick my favorite track off Magic Monday is like asking me which child I love the most, or which food I love the most. Ask me on any particular day and I'll have a favorite, sushi for instance, in fact I'll be enjoying my favorite faux-sushi of all time, the Bungee Roll, this evening. Actually I wouldn't do the same with my children. My favorite quote from Michna himself comes when his label's owner asks him to list the samples he'll need to clear, to which Michna responds, "What samples?" I'd like to hope Michna's reply represents a new, knowing artistic naïvety in which a new generation moves past the plundering of hip-hop's history and forges on with their own original beats and breaks (not that there's anything wrong with samples!). He's been paying his dues DJing parties in New York with tapes (yes!) and cutting remixes for Diplo (with his previous Secret Frequency Crew), Bonde Do Role, and surprisingly Jandek. Made playful by his trombone playing and use of found sounds (especially the answering machines, air hockey, and skateboards) his bass heavy pastiche work remind me of our old friend Alan Sutherland aka Land of the Loops (where ya at Al?). If you're in the market for a good slow and steady, fun groove: Michna's your man.

Swiss Glide [MP3, 5.1MB, 192kbps]

www.ghostly.com
www.myspace.com/eggfooyoung

Girl Talk

At the risk of revealing myself as A) behind the times, and B) a complete tool, I’m going to share that I’ve recently gotten back into heavy exercise. At the gym, I usually listen to (here’s where the “complete tool” part comes in) This American Life or some other talky podcast where I don’t have to worry about (tool again) consistently high-energy beats. But praise be to Pittsburgh’s Greg Gillis, whose Night Ripper from 2006 is a (the behind the times part) mashup masterpiece that (tool) keeps my adrenaline PUMPED, man! For my money, Z-Trip is still the high-water mark of such guerrilla hip-hop-classic-rock-punk-pop-whatever mixing, but what Gillis does with the riffs from The Pixies, the Strokes and Weezer in “Hold Up” helps me burn 500 calories in two minutes. Girl Talk’s newest, Feed the Animals, is available here for whatever price you want to pay, which I’ve already done so that I can take my workout to anotha level of behind-the-times toolness. Join me and feel the burn!

Hold Up [MP3, 5.9MB, 283kbps]
Bounce That [MP3, 7.4MB, 296kbps]

myspace.com/girltalk
www.illegalart.net

Santogold

I know I've been taking the "summer hours" concept a little too seriously, but it's hard to do anything but enjoy summer when you have something stuck in your iPod like Top Ranking, Diplo's "mixtape" treatment of Santogold's debut album. Diplo's dub-bass-electro-hop concoction provides a textured playground for Santi White's angelic and sassy brand of new wave. Unreleased mixes of Santi tracks bounce in and out between cuts from Three 6 Mafia, Benga, B-52s, Ratatat, and Sir Mix-a-Lot—there's a smile around every corner. (If this sounds familiar, Diplo did the same for the last big indie "it" girl, M.I.A., on the eve of her debut album with the 2004 mixtape Piracy Funds Terrorism.)

Now, if you're picturing me just swaying away in a shady hammock you're only partly right. Top Ranking also got me off my butt and running every morning (five weeks and counting!). And it's been the soundtrack to some spontaneous summer grill action... I don't mean to overpromise but I guarantee it will make your life better—even if that means you forget to update your blog for over a month.

These tracks are some tasty Santogold remixes featured on Diplo's Mad Decent label, though they're not even on Top Ranking. For that, you'll want to head over to turntablelab.com and drop $12 for the 75-minute mix.

Starstruck (Diplo Remix) [MP3, 6.4MB, 160kbps]
L.E.S. Artistes (Grahm Zilla Euromix) [MP3, 11.9MB, 320kbps]

http://maddecent.com
http://www.myspace.com/diplo
http://www.myspace.com/grahmzillamusic
http://www.myspace.com/santogold

Cannonball Jane

Whenever I hear the name Jane I can't help thinking about a high school friend of mine (spelled "Jayne"). She was one of maybe three people from my school I hung out with my senior year. When I attended a reunion recently my wife asked me, not facetiously, "Are you even going to know anyone here?" The only person I could think of was Jayne, but I knew she wouldn't be there. Like me, Jayne was slightly anti-social. As I expected, no Jayne. But you know how high school reunions put you in that nostalgic mood/mode? Thus affected, I did some internet sleuthing and actually tracked Jayne down, an entire continent away, hoping to say hello and catch up. I left two awkward voice messages (it's impossible to sound casual, as if I hadn't talked to her for a week when in fact it had been years). Did Jayne call back? Nope. Made me feel even more awkward, like I was some creepy internet stalker!

I think if Jayne's personality were more like Cannonball Jane's music we would've had a nice conversation, shared a few good laughs, and traded our latest listens and reads. See, Cannonball Jane is playful, colourful (Jayne was from England—she made me use British spellings), and obviously up for some fun. By day Cannonball Jane teaches elementary school. By night Jane, aka Sharon Hagopian, fires up the beatbox, guitars, synths and gadgets and records a groovin' pastiche of hip hop, new wave, and sixties pop. A mix of Soul Coughing and Luscious Jackson, Mary Tyler Moore and Solex. This is the kind of woman I'd trust to educate my children and school me in the ways of beats and breaks and dance party extravaganzas. Hey, sounds a lot like Alisa, the woman I married. Who, by the way, tracked down one of her old high school friends during a reunion year. And he called her back! Who wouldn't? She's fun like that.

The Secret Handshake [MP3, 3.3MB, 128kbps]

Stream the Knees Up! EP

www.myspace.com/gaddycatrecords
www.cannonballjane.com

Steinski

Someday, when every respectable university offers sampling/remix/mashup culture curricula and tweed jackets are replaced by hoodies, expect to find lectures devoted to a particular five minutes and 23 seconds of musical history: Double Dee and Steinski's "The Payoff Mix." The track, an entry by a couple of first-time bedroom producers to a remix contest put on by Tommy Boy Records in 1983, has shaped both underground and popular music for decades (two and a half to be exact) and still stands on its own two legs... The technique of audio juxtaposition and recontextualization (otherwise known as "rewind moments") and even the specific samples the duo used on that pioneering track have become as common to hip-hop, remixes, and mash-ups as backspins and "yes y'alls" — if you can't help but read, "And, say children, what does it all mean?" in the voice of Mayor Fiorello LaGuardia (even if you had no idea who you were imitating) you've been affected by Double Dee and Steinski.

Steinski's musical "career" started much later than most; he was 32 years old when he created "The Payoff Mix" and didn't make any money from the record because it was comprised entirely of illegal samples. This makes the thorough and long-overdue Steinski retrospective, What Does It All Mean? 1983-2006, all the more impressive as you take in the full range of his work — everything from "The Lessons" (the first three tracks he made with Double Dee) to his audio documentaries of the JFK assasination and 9/11 to an hour-long mashup bonanza he produced for Coldcut's Solid Steel show on the BBC. Class is in session...

The Payoff Mix
Lesson 2 (James Brown Mix)
Lesson 3 (History of Hip Hop)

illegalart.net
www.steinski.com

Rench

Nope, I didn't mess up on those genres up there. Rench is a Brooklyn-based producer who mixes old bluegrass and country samples with a standup band that includes slide guitar and fiddle, and he pulls it all together with hip hop beats and splits vocals between country guys and gals and underground emcees from around the way. If your head's about to explode, join the club. The mere thought of it in abstract made me think of those fun but mostly throwaway "crossovers" like Hayseed Dixie and The Gourds' "Gin & Juice." But hey, if Snoop Dogg's gonna show up at the CMT Awards and Clinton and Obama are gonna keep fighting over who really has his or her finger on the pulse of America, we may as well get down to mashups of extreme urban and rural. And you will get down. It doesn't all work, but when Rench hits it, which is done particularly deftly on "Street Soldier" and "Oh Sleeper," you can truly imagine Gangstagrass blasting from Escalades on Flatbush and F-150's in the Appalachians. As for "Come Back to Brooklyn," it won me over by capturing the spirit of my former borough and the downhome hospitality of my new southern environs. It's a toe-tapper and a window-rattler.

Street Soldier (Deep Thoughts) [MP3, 3.1MB, 128kbps]
Oh Sleeper [MP3, 5.2MB, 192kbps]
Theme from Mean Season [MP3, 4.9MB, 192kbps]
Get On It (Deep Thoughts and Kaz Mir) [MP3, 2.9MB, 128kbps]
Come Back to Brooklyn [MP3, 4.6MB, 192kbps]
Download Full Gangstagrass Mix [ZIP, 72MB]

www.renchaudio.com
myspace.com/renchaudio